Inner Most 🍂 “for as long as you'll have me” but you're forging the song into being

OC - https://soundcloud.com/dzurillah/for-as-long-as-youll-have-me

gather

Inner Most 🍂 “for as long as you'll have me” but you're forging the song into being

🌑 Shadows in the Corner
Step into a world of neon grit and digital pulse. Shadows in the Corner is a journey through high-contrast soundscapes, blending heavy synth basslines with haunting vocals and a rhythmic drive that doesn't let go.

Whether you're cruising through a rain-soaked metropolis or lost in a glitchy simulation, this track is the ultimate sonic backdrop for the shadows that linger just out of sight.

Key Vibes:

⚡ High energy & Intense progression

🏙️ Cyberpunk / Industrial aesthetics

🎹 Deep, cinematic synths

🎙️ Ethereal & Distorted vocal layers

Shadows in the corner

Schizophrene Töne

CONFESSION UNDER THE ROSE

Agries

Evil Medvěd is a Prague-based, Glasgow-born live act (self-identifying as "they/them") who began producing and playing live in 2018. Since then, they have gone on to play live alongside Sapphire Slows, MYHSA and grime producer, A.G. Working with modular, sampling, live re-sampling and have been building messy, turbulent energy into their live sets. In Scotland, they were part of the queer activist DJ duo VAJ.Power, who ran clubnights ‘FUSE’ which aimed to make bass music & 140 genres more accessible for all. 

Fictionkin is a project's debut EP that reflects morphing and proteus sound of Evil Medvěd's live sets. With constant emphasis on airy space and delicate ecosystem of individual tracks it evolves from UK bass music roots to progressive hybrid-club sound-tests. The unique and promising EP is accompanied by the tough selection of remixes by producers from Evil M's home scene (Glasgow's KLEFT and Manuka) and from contemporary Prague club crews (Hyaen and Ancestral Vision).
credits
released November 15, 2019 

Recorded and mixed by Evil Medvěd 
Mastered by Roland Nagy (Fausto Mercier) 

Cover by Dzurillah

Evil Medvěd - Whale Song

V3sta & Yorgas Helmet ,"Gene"

https://qprecords.bandcamp.com/album/gene

'The date was 13 / 11 / 3019.

Lost in the wasteland of Judas Sea, within the ruins of what once was a zone tripper appeared.

The darkest days had already come and only They reside in glass flats of cyber memories from a future past. Black sphere through the brightest nights and symbols of neon remnants of past lies, on walls high painted with chrome dies. Computers don’t understand sacrifice.


Recorded in Athens / Berlin in 2019 using a chimera of digital and analog synthesisers.


Cover by Flufflord

V3sta & Yorgas Helmet - Gene

Track Premiere: 'Navarte' by @dilian, out on SØVN Records
Read more: https://www.paynomindtous.it/dilian-navarte-sovn/
***
 @s-vn is a collective of sound designers, musicians, and multimedia artists releasing limited-edition records coming with exclusive packaging. Displaced between several European cities over the years, the outcome collects works from artists from all over the world that are mainly focused on ambient, noise, drone, and digital sound exploration. House of 90 Portents is their upcoming outing, recorded by the Brooklyn-based award-winning children movie and documentary soundtrack composer, DJ, live performer, radio host, and producer Dilian.

Making music under his own name and also with the GAP moniker, he is mainly interested in dancefloor-oriented, experimental dance music that draws inspiration from a huge variety of influences, from sampling and cut-up techniques all the way to post-Internet, conceptual laptop electronics and Chicago's juke. His rather nervous yet organic mixture of sounds has been displayed on his London's Threads Radio and Montreal's n10.as radio residencies, as well as hectically brought on stages all over NYC and Europe, which he has been touring annually since '15.

Composed of six tracks (Lassoed, Navarte, Pin, Excuse, Esca, Red Program), House of 90 Portents will see the light of the day later this week in digital and limited cassette edition. The record employes a multitude of fast-paced rhythmic and sonic solutions that translate to tracks that are totally unpredictables, thoroughly entertaining, and sometimes even borderline dissonant. However, thanks to its unlimited library of samples brilliantly juxtaposed in multilayered pieces of agitated dancefloor music, Dilian's latest work is surely one of the few recent examples of the more the better.

Premiering today on our pages is the second track of the lotto, called Navarte.  Narrowly 3 minutes long, the suspenseful track features videogame-like synth stabs, rich rhythmic textures, and fragmented audio sources amongst which figures chopped vocals that are displaced all over the stereo spectrum. Navarte, as well as the entire House of 90 Portents, is the lively, exciting product of a child-like, playful approach to composition that is Dilian's peculiar m.o.. Have fun!

Agries

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