Sometimes I felt as if we were all wading around in grief, 
reluctant to admit to others how far we were waving or drowning

Part 1 : https://soundcloud.com/migsxxxjacker/sets/abstract-ambient-drones-neo 

Abstract Ambient Drones & Modern Classical #2

Taken from the upcoming album 'Eaten Alive' on Fluid Audio...

“Art is not a mirror held up to reality,  but a hammer with which to shape it.” - Brecht

Mailing list:

www.fluidaudio.co.uk/about/mailing-list/

Talvihorros - Little Pieces Of Discarded Life

〜 Taken from Debit's album 'The Long Count', out via Modern Love on Feb 18th 2022 〜

Delia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno. 

On “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.

“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.

The ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.

Beatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.

File under magick concrète.

All tracks written, produced & mixed by Delia Beatriz
Additional Machine Learning for Audio by Isomov
Mastering by Rashad Becker
Album Art Photography & Creative Direction by Debit
AI Album Art by Moisés Horta Valenzuela

The Long Count

Debit - 2nd Day

This album is, for all intents and purposes, is an homage to classic ambient and ambient techno albums of the past (of course filtered through the distinctive sound world of The Green Kingdom). This is not to say that the aim was to recreate or mimic the sound of these recordings, but rather the feeling they create through the use of sustained tones, repetition, melody and texture.

As indicated by the title, these pieces are meant to evoke vast and expansive environments, either real or imagined. These landscapes can often provide a sense of calm and wonder at our relative insignificance in comparison to the majestic grandeur of the larger universe all around us. Although the cover is one example of such a landscape, the tracks remain untitled in hope that the listener might attach their own associations.

Mike Cottone is a graphic designer and musician based in Detroit Michigan. Under The Green Kingdom moniker, he produces minimal ambient music using a variety of digitally manipulated sounds sourced from a variety of acoustic and electronic instruments.

thegreenkingdom.wordpress.com

Digital version of album contains a 2 bonus tracks by Tobias Hellkvist and Segue.

Release page: http://dronarivm.com/2014/01/13/the-green-kingdom-expanses/

Buy CD

The Green Kingdom - Untitled (from 'Expanses' CD)

info + tracklist: https://radio.syg.ma/episodes/xpone-07-mike-midnight
https://soundcloud.com/mikemidnight

https://soundcloud.com/xpo_ne

Xpone

Xpone 07 – Mike Midnight

:zoviet*france: - Montag

Recorded live at Wave Gotik Treffen, Volkspalast Kantine, Leipzig, 29 May 2023

zf20230705aif

Released as a free download (AIFF 16/44.1) 5 July 2023

© 2023 copyright control

Montag

It's come to that time of the year again, well a bit later, but you know what they say... Time to unleash the beast once more yet a different one it is. Still following the same thread: moving forwards whilst looking backwards, continuing the explorations and the excavations to and from Knowhere. Unexpected blends and mash-ups which will hopefully give birth to new ideas for some, inspirations for others. Well, they have for us as we can now turn this page and move on... As you might've guessed by now, this message can be seen as an announcement: a new episode, airing soon on Good Morning Tapes. So, keep your eyes peeled and enjoy what you have whilst it is still here, who knows what will happen next!

Full Circle - Further Knowhere (GMT 61)

Yokujitsu


Yokujitsu
Kalt
Sloow Tapes - CS 35

Rubies flicker in and out the redounding dark smoke of urban imagery, circles of deep space ignited with fiery psychedelic mists. Ride on shadowy golden manes in fleeting bands upon the winds of Yokujitsu. Edition of 70 copies.

Yokujitsu - Kalt

Shanyio 
Veacul unei clipe
Sloow Tapes - CS 40

Arise from the slumber of vegetable earth into translucent timeless nowhere clouded forests and drink from the crystal fountains of Uejima Onitsura. Shanyio weaves the tongues of Romania and Japan into a wondrous expansion and contraction of dulcimer, zither, psaltery, kantele etc. Edition of 70 copies.

Shanyio -  Veacul unei clipe

First thing on Fridays - Jack Rollo's here to take care of things.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/early-bird-show-jack-rollo/episodes/early-bird-show-jack-rollo-2nd-august-2024

The Early Bird Show w/ Jack Rollo & Marionette Records 020824

This episode of Energy is Eternal Delight is dedicated to the music of @zoviet-france and was recorded live on August 11, 2024. - @auralboros

Energy Is Eternal Delight 04 w/ Matt Sussman - Dedicated to Zoviet France

Taken from the upcoming album 'Marram' by Wil Bolton featuring special guest appearances by Christoph Berg and Edward Farrow.

Mastered by James Plotkin
Released through Fluid Audio
Available: May 2015 

www.fluidaudio.co.uk

Wil Bolton - Marram

SP-57 // Dino Spiluttini - All I want Is To Be A Happy Man (cs/digital)

out on Sacred Phrases, April 28th 2015.

PRE-ORDER CASSETTE: http://www.sacredphrases.com/product/dino-spiluttini-all-i-want-is-to-be-a-happy-man/

Dino Spiluttini - Father

Exploring halftime drum and bass leaning tempos inspired by tribal rhythms and slowmo dub techno.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Marionette w/ grimwig @ Kiosk Radio 12.06.2025

From the album Sometimes out November 13, 2015 on Western Vinyl.  Vinyl LP format will be out in 2016.

CD/LP http://westernvinyl.com/shop/wv138
iTunes hyperurl.co/d3h29c
Amazon hyperurl.co/56ffvu

Golmund:
Label page http://westernvinyl.com/artists/goldmund
Twitter https://twitter.com/Goldmund
Facebook https://www.facebook.com/keith.kenniff
Instagram https://instagram.com/kenniffs/
Artist site http://www.unseen-music.com/

Raised in the rural town of Lancaster, Pennsylvania, Keith Kenniff aka Goldmund started playing piano at age 20, while studying percussion at Boston’s Berklee College of Music.  Though he may not be a household name, Kenniff's evocative, distinctly American music has become quietly ubiquitous in the past few years, often appearing on NPR, in films, on TV, and in ads for Apple, Facebook, and Google among others.  As an artist who spends a great deal of his time producing music for others, it might be surprising to find out that when he has the opportunity to relax and re-center himself, he often chooses to produce music for himself.  Recorded over the course of three years, the material on his new album Sometimes functions as a journal, documenting brief moments in Kenniff's day when he could turn to the piano as a source of solace and unending creative possibilities.  Kenniff wrote and recorded everything on the album with the exception of the track "A Word I Give", which is a collaboration with preeminent Japanese pianist Ryuichi Sakamoto, who once described Goldmund's music as “…so, so, so beautiful…”.  

Kenniff's pseudonym is taken from the Herman Hesse novel Narcissus and Goldmund in which the Goldmund character leaves the cloister where he was living and studying in search of meaning for his life.  The story resonated with Kenniff when he was searching for a moniker to represent his solo piano work, "I think the way I approached the piano was in the same way: impulsive—searching and feeling things out in the dark."  On Sometimes he continues his explorations in the dark; each of the album's 17 pieces were improvised, and recorded in one or two takes, often late at night, after work-for-hire was finished, and the kids were in bed.  In an interview with NPR's Weekend Edition Keith Kenniff discussed his appreciation of Civil War era music, and it's ability to covey "…so much story in so few notes."  Similarly, these improvisations manage to be richly evocative despite their technical and compositional simplicity, using subtle details and dynamics to express what might otherwise be inexpressible.  

Throughout Sometimes, Kenniff fully employs the wabi-sabi aesthetic that has always defined Goldmund recordings.  "I like mistakes, I like when things don't go perfectly. I do have a tendency to want for things to be perfect and precise, but I have to also realize that a lot of things I like about music and art are very rough and impulsive, the slight imperfections that give something or someone a unique voice," says Kenniff.  He goes on to explain that these pieces served as a way for him to "step outside of whatever I was doing and return back to a place of discovery very much like when I first started playing."  As we follow him on his path of discovery, we get a glimpse into the world of a young man expressing his myriad feelings and experiences with honesty, and inherently imperfect gestures, which is part of what makes them so relatable and powerful — the local, for a few moments, resonating with the universal. 

Goldmund - "Sometimes"

Artist: Eluvium
Title: Regenerative Being
Album: False Readings On
Release Date: September 2, 2016

Pre-Order: store.temporaryresidence.com/products/trr265

Cognitive dissonance is, at this point, an everyday part of modern society. The difference between belief and reality is blurrier than ever, and there is often sufficient manipulation to both so as to make the distinction intentionally unclear. The source of those manipulations can either be external, or deceptively internal.

False Readings On is the new album from renowned experimental composer, Eluvium. Its creation was originally inspired by themes of cognitive dissonance in modern society. By its conclusion it had become a mirror rather than a magnifying glass, evolving into an hour-long meditation on self-doubt, anxiety, and separation from one's self.

There is an emotional lucidity and melodic ingenuity to Eluvium's music that has made him increasingly stand out from the sea of ambient artists that his earlier albums no doubt helped inspire. Sounding like an orchestra ceaselessly performing even as it sinks beneath an ocean of distortions and tape noise – with the occasional operatic voice piercing the surface – False Readings On is assuredly the most daring, dynamic, and distinct album of his luminous career.

TRACK LISTING
1. Strangeworks
2. Fugue State
3. Drowning Tone
4. Regenerative Being
5. Washer Logistics
6. Movie Night Revisited
7. Beyond The Moon For Someone In Reverse
8. False Readings On
9. Rorschach Pavan
10. Individuation
11. Posturing Through Metaphysical Collapse

© 2016 Temporary Residence Ltd.

False Readings On

Eluvium - Regenerative Being

Witching Hour

We are an outlet for an assortment of art forms, with a focus on recordings. We work with artists who continually blur the lines and call into question the very labels put on them. Ambient, experimental, current electronics, free-form, lo-fi, hi-fi are just some of these labels. At times apt, but often not, Sacred Phrases tries to encourage artists to resist the one-sided nature of genres and labelling and to explore the transmutable nature of art.

Dino Spiluttini - Father

Sacred Phrases

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