['n̠ʲiːʃu]

mazes purr - C H U T ⁽⁽⁽ ໂݬ໒

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HOW TO DIE SEVERAL TIMES

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and... someone from faraway yet to be met again

моё имя недостойно упоминания

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'\u030C', '\u030D', '\u030E', '\u0310', '\u0312', '\u0313', '\u0315', '\u0316',     '\u0317',

StC Lives I I: the one (60's) w/ oughts
by St Celfer™

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Puch Okruch These rough, harsh sounds are for me honest like a life... inherently unpredictable, imperfect, full of collisions and fluctuations in emotions
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Full Digital Discography
       
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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of I thought U thought I, I II, Lives, Step.4D Motifs, Fifty One, StC Lives I I: the one (60's) w/ oughts, StC Lives I: 51-61-74, Step.4D², and 4 more.

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about
The 60's were a good era for 'psychedelic' music - at least, this is what's said. Allow me some visual clanging and flip that 6 to a 9 and talk about the Seattle 90's, also effluent in the 'psychedelic':

"I’ve been listening to old Nirvana bootlegs. I can say my music is influenced by the smashing of instruments at the end of their gigs. Each one is a unique orchestration but within a structure until it exhausts itself. It’s not random or just noise. There is a timing and build of tension. It is even more dramatic to only hear it rather than to watch it.

Kurt Cobain used to make music by surfing the radio and piecing it together with no editing, like early musique concrete collages. He had an old cassette recorder where you have to push the record and play buttons together and then push pause. You can hear the clicks, the getting up to speed..."*

...the tape warbles, and the shitilly timed stops.

*excerpted from the conversation with Tom Moody (www.tommoody.us/archives/2020/12/04/on-breaking-the-square-a-conversation-between-john-parker-and-tom-moody/)

Always live and improvised: Step.4D™ by St Celfer™.

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Archival from @snybun with help from @wiredhead and @SQLERAPHAEMIIAH

HOW TO DIE SEVERAL TIMES

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