Name: Estimu by Safe Trip
Duration: 5 min 42 s
Description: PRE-ORDER: https://safe-trip.org/products/darling-tulipa-moves-album

Order EP "EMPIRE ESCAPE" as Tape (incl. digital download) via VelocitySounds Rec.
http://bit.ly/1w0YEnx

New album and tour in autumn 2015...

Don't Leave Us In The Dark (map.ache Remix)

A few hearty explorations centered around an existential  piano.

SEND OFF

If you really don't know, Fabrizio Mammarella is a worldwide reknown DJ-producer from Italy, he runs Slow Motion and makes adult electronic music with equal talented friends like Rodion and Lauer (Black Spuma). Telespazio is the moniker under he releases some of its solo output. The same titled album Telespazio was released at the beginning of 2016 on your truly Hell Yeah Rec... 

In October 2016 the Telespazio album gets released on CD format in Japan with a killer bonus track called "Eyes On Ice", this exclusive digital release includes the 9 abum tracks plus think-forward remixes by Wolf Muller, Mushrooms Project (previously unreleased), Tempelhof, Harvey Sutherland and Kito Jempere.

Get Into Telespazio!

Telespazio

Telespazio - Eyes On Ice

Woman – Love (Christian S Remix)

For Clandestino's fifth offering Berlin's Italiano in residence José Manuel drops his unique strain of exotic club music; once again exploring deep, ritualistic and 
tribal influences to great dramatic effect. "Human Behaviour" is a woozy nine minute opus. Rich in atmospherics, chanting and ethnic flutes. Clandestino's remix refines the track for the dance-floor, retaining the atmosphere and injecting a driving 303 line and jamming Afro keys. Upping the tempo on Bangalore a great ethnic guitar hook drives along the groove while disorienting chants and tribal percussion flutter underneath. Mushroom's Project turn out an essential blissful sundown version by extending out the pads and adding gentle warm keys.

https://soundcloud.com/clandestinomusic

LISTEN ON YOUTUBE

PREMIERE : José Manuel - Human Behaviour (Clandestino Remix)

PRE-ORDER: https://safe-trip.org/products/darling-tulipa-moves-album

Tulipa Moves

Kiss the Glass

Estimu

02 - Alien Alien - Miseria Miseria

permvac 098-1 Bobby Bell " Long Journey " ep out July 20th.on wax 

BOBBY BELL LONG JOURNEY

PRE-ORDER: https://safe-trip.org/products/trans-4m-sublunar-oracles-album

Trans-4M - Sublunar Oracles - Safe Trip (ST014-LP) - 2xLP

a1.	Arrival
a2.	Dencity
b1.	Depth Probe
b2.	Surfacing
c1.	Atharvaveda
c2.	Amma
d1.	Mount Void
d2.	Singularity

The history of underground electronic music is littered with inspired releases that, for one reason or other, slipped through the cracks. It would be fair to say that Trans-4M’s 1992 debut album, Sublunar Oracles, is one such release.

The full-length originally appeared on Belgian dance music megalith Buzz, an imprint whose output tended towards the more commercial end of the dance music market. Initially, Sublunar Oracles failed to make much impact and was championed only by a small group chill-out DJs; these days, it’s rightly considered a lost classic and one of the most overlooked albums of the ambient house era.

It’s certainly an inspired set with a story to tell. It was the product of the blossoming studio relationship between brothers Stefan and Dimitri Van Elsen. The former, the elder of the two, had been making a living as a club DJ on the Belgian scene since the early 1980s, taking up electronic music production following years spent playing experimental and industrial fare on local pirate station Radio Centraal. Dimitri, meanwhile, spent his days studying jazz piano and his evenings working on tracks.

The chance to release a collection of their bedroom productions came via a friend who worked for Buzz. The Van Elsen brothers grasped the opportunity, sequencing and tweaking a set of evocative, otherworldly tracks that had initially been written and produced over the best part of four years.

Despite Stefan’s status as a working club DJ, Sublunar Oracles largely looked towards the vibrant chill-out and ambient house scenes for inspiration, combining their own manipulated synthesizer sounds, dreamy jazz chord progressions and gentle beats with a smorgasbord of spoken word samples and home-made field recordings.

The Antwerp-based brothers designed the set as a concept album of sorts, with a clear narrative thread running through the album’s eight intoxicating and ethereal tracks. However, they never made this concept public, and it’s down to a new generation of listeners to piece together the story themselves.

26 years on from its initial release, the Van Elsens’ lost classic is getting a new lease of life via a Safe Trip reissue that stretches the original’s eight inspired tracks over two heavyweight slabs of wax. Beginning with the breakbeat-driven bliss of “Arrival”, the album bobs and weaves its way through deep ambient house, sublime horizontal soundscapes, saxophone-laden electronic mysticism, dusty downtempo grooves and glassy-eyed positivity.

Sublunar Oracles

Arrival

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. 
Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums. 
His interest in industrial music, fostered in the late ’70s and early ’80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.
By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements – in particular their disparate and fragmented imagery and sound – as a means to create striking new sonic palettes.  
Science & Industry – a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980’s – is a clear example of “music collage”. Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.  
Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke). 12" record is out 30th November, pre- orders taken at: 

Bandcamp: https://platform-23.bandcamp.com/album/automaton
Juno: https://www.juno.co.uk/products/chel-white-automaton/723277-01/?fbclid=IwAR2dHsyDLG3v8WQRm_cSgRTmhqjJTm3W5wKna1RQ_w81OvwUqUTXUZyzp3w

Estimu

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