I managed to get a few subtle guitar licks in there. Will hopefully be able to integrate my guitar playing and production further soon :) 

Chimes

Photo: Glasgow, Scotland, 2025.

Some uptempo for you. Middle section I was attempting a take on Remain in Light era Talking Heads for what it's worth.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loop.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig.
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

Antedote to a Frozen Mind

Soul Judas invites listeners into a rhythmic meditation with Wakati Mwingine, a track built on earthy afro house beats and layered with rich percussive textures. The organic pulse carries a sense of movement and space, capturing the feeling of a timeless dance beneath open skies.

Producer: Soul Judas
Final Mastering: YHV Recordings
Publisher: YHV Music Group
Record Label: Afroritmo YHV Records

Instagram.com/afroritmo.yhvrecords
Facebook.com/afroritmo.yhvrecords
Soundcloud.com/yhvrecords

Managed by:
www.yhvmusic.group

Soul Judas - Wakati Mwingine [AFRORITMO YHV RECORDS]

Produced by Mali Baden-Powell
Mastered by Beau Thomas

Distributed by Lobster Distribution

Z Lovecraft - The Creator

"Do The Zru" by Zru Vogue - Zru Vogue LP - Zero Risk Records, USA 1982

One of our tracks of 2016 gets the remix treatment from New York's DJ Nature. Taken from a remix EP released by @meda-fury and @emotional-response, which includes further efforts by HOLOVR and Herron.

Read more & buy: http://www.stampthewax.com/2017/06/28/premiere-sad-city-steady-jam-dj-nature-remix/
Listen on Youtube: http://bit.ly/steady-jam-nature

Emotional Response

Listen on Youtube

Sad City - Steady Jam (DJ Nature Remix) (STW Premiere)

‘Sham’ Taken from my debut album 01DEAS 
released 23/03 on R&S Records  http://smarturl.it/01DEAS

A1. Eddies
A2. Crime Jazz
A3. Can’t Breathe (feat. Anushka)
A4. Hi Top Remix (feat A-F-R-O)
B1. Sham
B2. Mike’s Afro (feat Gatto Fritto)
B3. Mbira
C1.  Revenge (feat Rutendo Machiridza)
C2. Strings
C3. Needy
D1. Mr. Brown
D2. Broken
D3. Radiance

01DEAS

Sham

PRE-ORDER: https://safe-trip.org/products/darling-tulipa-moves-album

Tulipa Moves

Estimu

permvac 098-1 Bobby Bell " Long Journey " ep out July 20th.on wax 

BOBBY BELL LONG JOURNEY

PRE-ORDER: https://safe-trip.org/products/trans-4m-sublunar-oracles-album

Trans-4M - Sublunar Oracles - Safe Trip (ST014-LP) - 2xLP

a1.	Arrival
a2.	Dencity
b1.	Depth Probe
b2.	Surfacing
c1.	Atharvaveda
c2.	Amma
d1.	Mount Void
d2.	Singularity

The history of underground electronic music is littered with inspired releases that, for one reason or other, slipped through the cracks. It would be fair to say that Trans-4M’s 1992 debut album, Sublunar Oracles, is one such release.

The full-length originally appeared on Belgian dance music megalith Buzz, an imprint whose output tended towards the more commercial end of the dance music market. Initially, Sublunar Oracles failed to make much impact and was championed only by a small group chill-out DJs; these days, it’s rightly considered a lost classic and one of the most overlooked albums of the ambient house era.

It’s certainly an inspired set with a story to tell. It was the product of the blossoming studio relationship between brothers Stefan and Dimitri Van Elsen. The former, the elder of the two, had been making a living as a club DJ on the Belgian scene since the early 1980s, taking up electronic music production following years spent playing experimental and industrial fare on local pirate station Radio Centraal. Dimitri, meanwhile, spent his days studying jazz piano and his evenings working on tracks.

The chance to release a collection of their bedroom productions came via a friend who worked for Buzz. The Van Elsen brothers grasped the opportunity, sequencing and tweaking a set of evocative, otherworldly tracks that had initially been written and produced over the best part of four years.

Despite Stefan’s status as a working club DJ, Sublunar Oracles largely looked towards the vibrant chill-out and ambient house scenes for inspiration, combining their own manipulated synthesizer sounds, dreamy jazz chord progressions and gentle beats with a smorgasbord of spoken word samples and home-made field recordings.

The Antwerp-based brothers designed the set as a concept album of sorts, with a clear narrative thread running through the album’s eight intoxicating and ethereal tracks. However, they never made this concept public, and it’s down to a new generation of listeners to piece together the story themselves.

26 years on from its initial release, the Van Elsens’ lost classic is getting a new lease of life via a Safe Trip reissue that stretches the original’s eight inspired tracks over two heavyweight slabs of wax. Beginning with the breakbeat-driven bliss of “Arrival”, the album bobs and weaves its way through deep ambient house, sublime horizontal soundscapes, saxophone-laden electronic mysticism, dusty downtempo grooves and glassy-eyed positivity.

Sublunar Oracles

Arrival

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. 
Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums. 
His interest in industrial music, fostered in the late ’70s and early ’80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.
By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements – in particular their disparate and fragmented imagery and sound – as a means to create striking new sonic palettes.  
Science & Industry – a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980’s – is a clear example of “music collage”. Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.  
Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke). 12" record is out 30th November, pre- orders taken at: 

Bandcamp: https://platform-23.bandcamp.com/album/automaton
Juno: https://www.juno.co.uk/products/chel-white-automaton/723277-01/?fbclid=IwAR2dHsyDLG3v8WQRm_cSgRTmhqjJTm3W5wKna1RQ_w81OvwUqUTXUZyzp3w