Name: Raga Malkauns Alap On Bansuri in E by Riky Choudhuri in Strings to my soul
Duration: 6 min 3 s
Description: Pentatonic night time raga. Played with the tonic in E, the other notes are G, A, C, and D.

thanks for posting this Riky. I love it :)

would appreciate list of individual items

Yes, this is already outstanding! I love bansuri, unfortunately a too much neglected instrument!!

It's like a peaceful Japanese shakuhatchi :)

Thank you for sharing this beautiful recording!

Strings to my soul

8 verses to Durga - Goddess of Protection chanted by Ananda, vocalist on "Sacred Chants of Devi". 
Arrangement Davor Vdovic: "DURGA - Mantras for Protection." 
You can get the CD on 
http://anandasart.com/?A=MAN

Durgashtakam, 8 Verses To Durga

Pentatonic night time raga. Played with the tonic in E, the other notes are G, A, C, and D.

Raga Malkauns Alap On Bansuri in E

Taus -Raag Asa Kafi (Ustaad Ranbir Singh)

meditative romance - Hariprasad Chaurasia

 महामृत्युंजय मंत्र, Mahāmṛtyuṃjaya Mantra "great death-conquering mantra"

ॐ aum = is a sacred/mystical syllable in Sanatan Dharma or Indian religions, i.e. Hinduism, Jainism, and Buddhism[4]
tryambakam = the three-eyed one (accusative case)
yajāmahe = We worship, adore, honor, revere
sugandhim = sweet smelling, fragrant (accusative case)
puṣṭi = A well-nourished condition, thriving, prosperous, fullness of life
vardhanam = One who nourishes, strengthens, causes to increase (in health, wealth, well-being); who gladdens, exhilarates, and restores health; a good gardener
urvārukam = cucumber <a kind of Indian vegetable> (in the accusative case)
iva = like, just as
bandhanān = "from captivity" {i.e. from the stem of the cucumber} (of the gourd);(the ending is actually long a then -d which changes to n/anusvara because of sandhi)
mṛtyor = From death
mukṣīya= Free us, liberate us
mā = not
amṛtāt = [for] immortality, emancipation

Слова к слову смысл мантры Маха Mrityunjaya
Аум = является священным / мистический слог в Санатана Дхармы или индийских религий, то есть индуизм, джайнизм и буддизм [4]
tryambakam = трехглазый один (винительный падеж)
yajāmahe = Мы поклоняемся, обожают, честь, почитать
sugandhim = сладко пахнущие, ароматные (Асе.)
Pusti = хорошо питающихся состоянии, процветает, процветающей, полноты жизни
вардханам = Тот, кто питает, укрепляет, приводящие к увеличению (в здоровье, богатство, благополучие); кто радует, exhilarates, а также восстанавливает здоровье; хороший садовник
urvārukam = огурец <a вид индийского vegetable> (в винительном падеже)
IVA = нравится, так же, как
bandhanān = "из плена" {т.е. от стебля огурца} (из тыквы); (окончание на самом деле долго, то г-какие изменения в н / anusvara из-за сандхи)
mṛtyor = От смерти
mukṣīya = Избавь нас, освободить нас
Не та =
amṛtāt = [для] бессмертия, эмансипация
[править]

Anandmurti Gurumaa - Maha Mrityunjaya

Miniatures for Harp and Recorders, track 5 of 11.
This track uses the Tenor Recorder (from the new Audio Modeling SWAM VariFlute app) and is played by me using GeoShred.

Tenor B Locrian

Composed by Jamal Rahman, Danish Khawaja & Ali Sethi
Produced by Jamal Rahman & Danish Khawaja
Engineered, Mixed and Mastered by Jamal Rahman at True Brew Records
Engineered by Ibrahim Imdad

Lyrics: Mirza Ghalib
Vocals: Ali Sethi
Keys: Danish Khawaja
Sarangi: Zohaib 
Cello: Ghulam Abbas
Drums: Jamal Rahman
Guitar: Danish Khawaja, Jamal Rahman

Jamal Rahman Feat. Ali Sethi - Manto OST - Aah Ko Chahiye (Radio Edit)

Yaman - Taus

Raga Asa is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture the Guru Granth Sahib. Asa is a very old raga which was once popular in the Punjab (northern India) but seldom heard in concerts today. In the Guru Granth Sahib's Ragmala this is a ragini (subset) of raga Megha. However, today it is assigned to the "Bilaval" thata ("set"). Asa is a devotional raga for the cold season and is performed in the early morning just before sunrise. However, it is also known as a twilight melody with a calm mystical mood. Raga Asa was used by Dhanul Laskangadas, Guru Nanak, Guru Angad, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur

Gurbaksh demonstrates a short alaap in Raag Asa.

Tarshenai: Gurbaksh Singh Matharu
Recording: Jatinder Singh Durhailay

Raag Asa - Gurbaksh Singh Matharu

Cover of A R Rahmans Bombay Theme for Bobby Frictions 'Friction Lab". January 2012

Raga Malkauns Alap On Bansuri in E

Riky Choudhuri

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