a bit rough but lately I prefer accepting what I do without trying to make it "perfect"..sometimes I regret that too but here goes for this piece made classic and perfect by Ahmad Jamal

Poincinaesquery

my early and eternal musical source growing up on Capetown
Tenor Sax Trombone horn section piano ebass and drums.
finding myself doing a  rambling "distillation of the Stupa" form..

late afternoon kwela (revised)

sometimes playing fast is necessary and even therapeutic

actually a bit frantic

experimental jazz for a reflective thanksgiving  in the midst of it all in our turbulent era

reflection inflection

unprepared for this

beauty and sadness and hope for horn and strings and guitar and cello this grey morning

cello horn guitar string meadow

keys and guitar making space for each other noodling along

Just noodlings

Boogie Shuffle Stop in the evening

Go Stop get wait stop

drumming a way forward

deconstruction can transform despair into coherent expression

our new auld lang syne version

I have played and loved jazz since the 1960's and now love to share my music with others.

Poincinaesquery

Stanley Sagov