Auteur: Maya Pounia
Compositeurs: Moana Apo & Maya Pounia

Session acoustique enregistré par Studio Geckito & Bruno Dennemont

Toutes les infos sur https://www.facebook.com/MayaKamaty


Session Acoustique ANSANM

BKO Quintet’s music is born from a meeting between five established artists.
This gathering provides a journey into the heart of the contemporary Mali. 

Ibrahima Sarr, powerful percussionist, masters with ease the sounds of the djembe drum and has traveled the world alongside Oumou Sangare.  Fassara Sacko whose voice takes you from aback, differs from other griots in traditional celebrations. Yoro Sidibé’s grandson, Nfali Diakité , with his infernal « tournes », also sings and plays his donsongoni in animist ceremonies celebrated by his peers.  Abdoulaye Kone, master of djelingoni develops a unique psychedelic style.  He is the descendant of Djeli Baba Sissoko, and has been solicited before this quintet by great artists like Tiken Jah Kafoly, Salif Keita to tour outside of the Mali borders.  Finally Aymeric Krol, experienced of internationals stages grooves on its strange drums. For the past 10 years he often settled in Bamako where he worked with several artists. Today, his encounter with Ibrahima Sarr gives birth to the project: BKO Quintet.

The first EP recorded « Live » in January 2012 in Bamako in the popular district of Medina Coura.  In the new edition, some tracks recorded in January 2013 have been added to the EP. The present arises from the past, this « inhabited » music is far from the « World » standardized sound.

After a European tour of 25 dates, BKO QUINTET decides to return in the studio during their tour to record a debut album that will be available in 2014.

03 Strange Wassolon

POISON

midnight girl (party girl)

Noura Mint Seymali: Arbina
Release Date: September 16th, 2016
Order now: glitterbeat.lnk.to/Arbina

The release of Noura’s debut album “Tzenni”(2014) launched her onto year-end top ten lists and the stages of renowned international festivals. Vice/Noisey hailed ”Tzenni” as "arguably the best psych / blues album of the year” and NPR noted: “the arrival of Mauritanian vocalist Noura Mint Seymali in front of Western audiences feels like the start of a new era.” In 2015, Noura was named at the African Union's first-ever AFRIMA awards as "Best Female Artist from North Africa” and in June of this year, she joined Damon Albarn (Blur, Gorillaz) and The Orchestra of Syrian Musicians for a high-profile European tour presented by Africa Express.

Noura Mint Seymali now returns with a blistering second album.

Arbina is Noura Mint Seymali’s second international release. Delving deeper into the wellspring of Moorish roots, as is after all the tried and true way of the griot, the album strengthens her core sound, applying a cohesive aesthetic approach to the reinterpretation of Moorish tradition in contemporary context. The band is heard here in full relief; soaring vocals and guitar at the forefront, the mesmerizing sparkle of the ardine, elemental bass lines and propulsive rhythms swirling together to conjure a 360 degree vibe. Arbina refines a sound that the band has gradually intensified over years of touring, aiming to posit a new genre from Mauritania, distinct unto itself; music of the “Azawan.”

Supported by guitarist, husband and fellow griot, Jeiche Ould Chighaly, Seymali’s tempestuous voice is answered with electrified counterpoint, his quarter-tone rich guitar phraseology flashing out lightning bolt ideas. Heir to the same music culture as Noura, Jeiche intimates the tidinit’s (Moorish lute) leading role under the wedding khaima with the gusto of a rock guitar hero. Bassist Ousmane Touré, who has innovated a singular style of Moorish low-end groove over the course of many years, can be heard on this album with greater force and vigor than ever before. Drummer/producer Matthew Tinari drives the ensemble forward with the agility and precision need to make the beats cut.

Lyrically, the Moorish griot tradition is complex and associative. Poetry is held in a continuum between author and audience in which a singer may draw on disparate sources, selecting individual lines here or there for musicality to form a lyrical patchwork expressing larger ideas via association. A griot may relate her own thoughts and poetry, sing poetry written for and about her by a third party, and transmit lines from one party addressing another in the course of a single song. With this ever-fluid narrative voice, stories are told.

Arbina is a musical act of devotion, calling upon the creator to channel grace through us and uplift our actions.

http://www.nouramintseymali.com/
https://www.facebook.com/nouramintseymali.music
https://twitter.com/NMSeymali


Arbina

Noura Mint Seymali - Ghlana

Agadez

Tar Hani

Dança do Tempo

Minha Ciranda (feat. Airto Moreira & Kana Shimanuki)

Eghass Malan from the upcoming release of the same name from Les Filles de Illighadad, coming October 28th.

Les Filles de Illighadad - Eghass Malan

From the upcoming album "Ilana" on Sahel Sounds
https://tinyurl.com/mdou-ilana

//

Born in a nomad camp in Niger and now a leading figure of desert rock, Mdou Moctar stands out as the most innovative artist in contemporary Saharan music. His unconventional interpretations of Tuareg guitar have pushed him to the forefront of a crowded scene. In contrast to polished “world music” fare, Mdou trades in unrelenting grit and has no qualms about going full shred.

A long time coming, “Ilana” is Mdou's first true studio album. Recorded in Detroit at the tail end of a US tour by engineer Chris Koltay (who met after bonding over ZZ Top's “Tres Hombres”), Mdou lived in studio for a week, playing into the early hours and accompanied by an all-star band: Ahmoudou Madassane's (Les Filles de Illighadad) lighting fast rhythm guitar, Aboubacar Mazawadje's machine gun drums, and Michael Coltun's structured low-end bass.

The result is Mdou's most ambitious record to date, taking tradition into into an ever louder and blistering direction. From the rock anthem “Tarhatazed,” to the Van Halen tapping of “Kamane Tarhanin,” “Ilana” stands amongst the greats of classic rock, albeit accidentally. "I don't know what rock is, I have no idea,” he says, “I only know how to play my style."

Mdou Moctar - Kamane Tarhanin (Ilana: The Creator, 2019)

sahelsounds

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