Electronic in Spatial Audio

Back to the source of it all, London’s Charles Green revives the initial grit of techno through hi-NRG blends of powerhouse percussions and dusty atmospheres. Teaming up with Neighbourhood boss Tasha for a special B2B, the British jockey and his acolyte grace us with a two-hour masterclass flush with propulsive old-school rippers, acid-drenched delicacies and further mind-expanding rave material. A true sense of pristine pioneering and enjoyably broad-spirited collagism flow across Green and Tasha’s transmission, making this listen a much essential listen. Lock in!

soundcloud.com/charlesgreen
soundcloud.com/dj_tasha

Reclaim Your City  

Reclaim Your City 476 | Charles Green b2b Tasha

Music by: Vintage Culture, John Summit, Different Stage, Maz, Nora Van Elken, Tony Romera and many more...

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Renacer 15 [Discover] By Sevenkey

Christopher Willits - VISION

Butterfly

Beatport

Vegas - Butterfly

Mbali

Mbali (Jonathan Kaspar Remix)

The debut collaboration between London-based artists SUN/MGNETK & Jupiter Grey

Clear View

'CHROMA 005', out now on CHROMA: https://bicep.lnk.to/chroma005So

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#Bicep #CHROMA

CHROMA 005

B.D.B, BICEP & BENJAMIN DAMAGE | CHROMA 005 A.L.O.E

Mobilee294
WAHM (FR) „When U´re Gone“
When U´re Gone
Now Or Never

https://bfan.link/when-u-re-gone

When U´re Gone

WAHM (FR) - When U´re Gone

over you out now ❤️‍🩹✨
buy/stream: https://wilowilde.lnk.to/overyou

Lyrics: 
It’s 2 in the morning
I’m in my bed I can’t stop, staring at my phone
it’s you that I’m mourning
Cause I know that you’re with someone,  somebody that’s new

So baby please just tell me
Was I ever good enough for you?
So baby please just tell me
Was I ever good enough for you?

I don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you
I don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you

It’s 3 in the morning
I’m in my bed and I’m still, staring at my phone
It’s you I think of calling
But I know that you’re with someone
Somebody that’s new

So baby please just tell me
Was I ever good enough for you?
So baby please just tell me
Was I ever good enough for you?

I don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you
I don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you

 don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you
I don’t know I don’t know how
To get over you
I don't know I don't know how
To get over you

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over you

Buy/stream: https://kompakt.fm/releases/the_floor_is_lava_2xlp_dl

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

The Floor Is Lava

Ardor

Michael Mayer - Ardor

Feeling Alive (Up Yuhself)

Barry Can’t Swim live at Brixton Academy

Electronic in Spatial Audio

Saifkym