Phil Hartnoll and his brother Paul are ORBITAL - one of the leading bands and pioneering producers of the UK electronic music and rave scene since 1989.
ORBITAL have produced some of the most groundbreaking works in the history of electronic music. Signed to Pete Tong's FFRR label in 1990, they released a string of classic and celebrated tracks such as 'Chime', 'Halcyon', 'Belfast', 'The Box', 'Impact' and 'Satan' .. to get you started.
Decades after their first release crossed over from the rave scene anthems to the charts their evergreen electronic, melodic, emotional sound can be heard as inspirational to others everywhere you turn.

Phil established himself as a prominent DJ through his attitude and extensive playing over the past 20 years. Phil’s passion for performing as a DJ as well as playing live with Orbital has served to broaden his musical scope and reach, allowing him to share his wealth of talent through multiple channels.
“I love searching for that fat juicy track which hits your very being - that’s what makes me want to DJ, if the crowd love it, feel what I’m feeling - that’s “gezellig”- that’s what being a DJ means to me”
Phil’s DJ sets are streamlined while still maintaining unpredictability and eclecticism. While he loves to mix it up, playing old tracks and new, the message is always the same –
“It’s party time” “Can you feel it?”

For Management & Booking Enquiries please contact: 

Jamie & Jo Young I Backroom Productions enquiries@backroomproductions.co.uk

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Formerly one half of Breakbeat DJ legends AWE Soundsystem, who held residencies at a host of London-based clubs including Supatronix, Chew The Fat, Eden Collective. Supafunk, and others, Country Cockney is still relentlessly wowing the masses with his jaw-dropping blend of musical mastery and funny faces. With a belief that 'if it's good, it gets played' regardless of age, genre or cheese-factor, you can always guarantee that no matter where or when this DJ gets on the decks he'll always ensure that he finishes with a satisfied dance floor and a phat set of anthems ringing in the ears. 

You can catch him DJing live with the 'Sunday Breaks Sessions' from 2pm every Sunday on Cutters Choice Radio and the 'Sonic Sanctuary' every Thursday at 7pm on Twitch, playing the latest and greatest Progressive Breakbeat and Electronica music. Also, keep your eyes on the socials for other impromptu pop-up shows.

twitch.tv/countrycockney
www.cutterschoiceradio.com
https://www.facebook.com/countrycockney
https://www.instagram.com/djcountrycockney

Underground imprint founded by Dave Seaman & Steve Parry showcasing the best House and Techno, plus all the flavours in-between.

For Promotional purposes:
rubin@labellemusique.co

Our New Spotify
http://spotify.labellemusique.co

Submit Musiс 
https://groover.co/en/influencer/profile/5376/

For over two decades Groove Armada has been established as one of the planet's best loved and biggest selling dance acts. As comfortable on the big stages as they are in sweat soaked basements, the boys cross genres and styles with ease.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Saintmunro is following