So long shadow
Arboreal wind
Festoon your room with this dying scent
Cut it up
Light it down
Let me liberate you of your wasted ground

Soft saw
Only one I want to know
Soft saw
Only one I want to know
Off all
Enter winter hoping so

So you could cut me down as long as you drag me in the house
You could cut me down
Saw away

You could cut me down as long as you drag me in the house
While I fall away

Come all ye faithful
Joyful conquerors
Nothing you can’t have
All consuming urge
By your bone fire when season’s through with you
No sooner sated than I ate my fill for two

Soft axe
Only one I want to know
Soft axe
Only one I want to know
Off axis
Enter winter hoping so

So you could cut me down as long as you drag me in the house
You could cut me down
Saw away

You could cut me down as long as you drag me in the house
While I fall away
Why I fall away

Soft axe
Soft axe
Soft saw
Soft saw

So you could cut me down as long as you drag me in the house
You could cut me down
Saw a way

You could cut me down as long as you drag me in the house
Why I fall away
Why I fall away
Why I fall away

Saintseneca - Soft Axe GDA MASTER

Just Friends

BADBADNOTGOOD - Electric Relaxation

A Tribe Called Quest (Originally sampled from Ronnie Foster's Mystic Brew)

Matt Tavares: Piano
Alex Sowinski: Drums
Chester Hansen: Bass

Electric Relaxation

You were with me when it happened
Were you mad for it or at it
Aren’t you glad the bed was padded

Do we have all that in common
Are you scared or are you all in
Should I stay or are you coming

This time I don’t have a whole lot of forever left to go
I don’t have a whole lot of forever left to go
I don’t have a whole lot of forever left to go

Strike your problems out like matches
Cigarettes and no life jackets
Liken idle minds to smackheads

There’s no method to my logic
Still I don’t believe in magic
Oh the irony is tragic

This time I don’t have a whole lot of forever left to go
I don’t have a whole lot of forever left to go
I don’t have a whole lot of forever left to go
I don’t have a whole lot of forever left to go

--------------------------------------------

written and performed by Julián Berdegué
drums played by Joey Alves

Recorded by Erik Wofford
Mixed by Sonny DiPerri
Mastered by Ian Sefchick

Spleen / Ever Left

Ever Left

the faces debris slowed-down

Cinder & Smoke

'Uneasy Laughter' (Release date: March 30, 2020)

Spotify: https://u.subpop.com/2QYJEZb
Apple: https://u.subpop.com/2T4DFnZ
Order Now - Sub Pop Mega Mart https://megamart.subpop.com/releases/moaning/uneasy_laughter

Facebook: http://www.facebook.com/moaningmusic/
Instagram: http://www.instagram.com/moaningmusic/
Twitter: http://www.twitter.com/moaningmusic

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
Mega Mart: https://megamart.subpop.com/

Moaning - Ego

Kings Left Behind

The Witness

when are you gonna stop to lurk
when are you gonna feel deserved

not every romance has to work
you're only gonna get your feelings hurt

you fell in love
they took it all, hey you
forget about it

you're gonna have to do the work
cause they're not giving their word 

not every romance has to work
you're only gonna get your feelings hurt

Hannah Don't Lurk

The Fellowship

Life With My Grandparents

Fortunately, three guys hailing from New Weird Bavaria are on a musical mission to fight the ever-advancing forces of entropy and monotony: Calling themselves Aloa Input for a reason – it’s also the band’s collective motto –, Cico Beck (aka Joasihno), Marcus Grassl (formerly part of Missent To Denmark) and Florian Kreier (aka Angela Aux) obviously love all kinds of input; the further apart the sources and inspirations, the better. Always on point when it comes to picking the best bits and pieces of so much input, Anysome, the band’s debut full-length, essentially resembles a huge map that covers most of the musical worlds and sonic landscapes we know. Make no mistake: Borges might claim a map of that size is useless, it’s nevertheless a hell of a ride.
Drawing from a long list of influences all three members agree upon (e.g. Animal Collective, Eno, Beck, Beatles, Morricone, Why?, Can, The Notwist), Aloa Input are well aware of the album’s world-spanning approach, mentioning “guitars from Cape Town to Portland, beats from Berlin to Chicago, and vocals from NYC to Düsseldorf”. And yet there’s more to Anysome: the exotic detours, the band’s willingness to experiment and to go that extra mile for a good hook, the hypnotic singing and electrified horizons, all neatly placed on top of minimalist basslines. Another important skill mastered by Aloa Input: Though certainly not content with doing just one thing, the resulting itinerary never resembles a zigzag line.
With the album’s “Prelude” we enter a world that in fact seems to be coming at us, rolling up like the flickering images of a Laterna Magica: mellow birdsong, paired with hazy strawberry field sounds, at least for now, and we’re already pushed on into “Another Green World”, a place that’s pure exuberance and bliss. That second track alone, stomping ahead, makes it blatantly clear that Aloa Input love to run riot with styles and approaches, and yet they never leave the rails: Diversity or switching gears, for them, is never an invitation to let chaos reign supreme – instead it’s just more fuel for a mind-blowing ride. Some of the stops: world pop in search of greater truths (“Prblms”), burning bushes (and Kraut references) in Africa (“Rubbish”), a mirage reminiscent of cLOUDDEAD (“Clouds So Far”), all kinds of euphoric choruses with melancholy hatches underneath, plus the recurring sense that people get older, we all do, yet the ride can be fun, especially when it has a new soundtrack every four minutes, so it’s all good as long as there’s enough input to have fun with.
The “final trilogy” – that’s how the band refers to the last three tracks –, is basically a prolonged good-bye: “Going Home” (getting up, only to sit down again), “Someday Morning” (spelled “radio-friendly” backwards), and “Zweiklang”, somewhat longer, because it’s just too early to stop. Unpacking and looking back, we realize: Anysome is all over the place.

Cat.no.: MORR125
Format: CD/LP

Release Dates:
Oct 18, 2013 (Worldwide)
Nov 05, 2013 (US) 

Saintseneca - Soft Axe GDA MASTER

Saintseneca

Related tracks