Stream / Download: https://eccentric-o.fanlink.to/XOR003

The Lunar Veil = Thys, Hvdson & Samsonite. This song is the result of Songcamp, a web3 writing camp that the three of us signed up for earlier this year. The track had lived exclusively on the ethereum blockchain so far, but Eccentric O is happy to release this ambitious and multi-faceted piece on all platforms today, just before this weird year ends. Huge thanks to the whole Songcamp squad, and specifically Peace Node for the amazing artwork <3 !play static twist

@iamthys
https://thysmusic.com
twitter.com/thysmusic
instagram.com/thysmusic

@hvdsonofficial
https://www.instagram.com/hvdsonofficial/

Static Twist

Stream / Download

The Lunar Veil - Static Twist

In the city of Berlin, where so much of the offering comes with an inevitable side of self-consciousness, Georgian DJ Salome’s fast and fiery hardstyle trance is a joyous afront to mass-produced and solemn sounds. With releases on FTP, Mechatronica, Darknet and Lobster Theremin, multiple appearances on Hör as well as a flood of international bookings, her tongue-in-cheek bent clearly strikes a chord. Her climactic and hedonistic toying with the sillier sounds of 90s dance caters to a growing number of fans who tire of the limitations of standardised club culture, a rising tide in which Herrensauna’s prodigal daughter is poised to lead the charge with her radical measure of fresh and utopian rave: Bassiani Podcast 125 is her resplendent and dizzying manifesto.

@salome-664218599

Bassiani invites Salome / Podcast #124

Vanessa Amara returns with a new full length for Posh Isolation. Fonetica Amara is an adventurous and uncompromising addition to the body of work that is Vanessa Amara. New music from a truly singular voice in Scandinavian experimental music.

“‘Poses’ was in some weird way a return to form for us, being our first structured work since ‘You’re Welcome Here’. It was also the first music Sebastián and I worked on together after I had moved to Ireland. I don’t think we really knew how to go about having a long distance relationship, separated from the practice we had built in Copenhagen.
I only had my computer to work with and without access to the internet I was stuck with sampling from my digital collection of music. ‘Poses’ is almost solely made using the DAW; Logics pitch shifter plug-in and a quite limited source of samples. But it was inspiring to work with music like this. Having a clear compositional focus on orchestrating and organising rather than squeezing out notes from today’s mood. So without thinking much about it we’ve continued to work like this. We were working on ‘Fonetica Amara’ from October 2020 - December 2021.

I’m sitting here writing this because Posh Isolation don’t know what to think of ‘Fonetica Amara’ and have - on a friendly note - compared it to when Darkthrone released ‘Panzerfaust’.

I guess their point being a departure from trying to be genuine about making music, successfully perceived as being bulletproof serious. I want to believe there’s more nuance to seriousness and I wonder if Darkthrone wasn’t being humorous in their earlier material. The most recent Matrix film moved me to shed some secret tears. Surprisingly so. I’ve wondered why.
I recently made my first friend after moving to Ireland almost 4 years ago. I was volunteering during the West Cork Chamber Music Festival and Kevin Terry, who’s a brilliant composer based in Cork City, was down here with a couple of compositions. One night at the pub I was going on about the beauty of humour in music for a good while and Kevin summed it up perfectly by calling it self-awareness. It was that playful self-awareness that got to me while watching The Matrix: Resurrection.

Since ‘You’re Welcome Here’ we’ve been deviating from a path we might previously have started out on. More than anything we try to change, because we can’t let go of that feeling of not understanding, not knowing, not recognising.
We wish to stay curious about our voice, to not become specific, avoid exercising some kind of “disciplinary correctness” and to “want more questions than answers” (Jack Halberstam’s: The Queer Art of Failure).”

-Birk Gjerlufsen Nielsen, 2022

Posh Isolation 271

Fonetica Amara

Pescado

Vanessa Amara - Pescado

cover art by sl33p-DEP [https://soundcloud.com/sl33p_dep] (ty skylar <3)

Blinded

Метадонер

haunting on the musicverse

Это микс, чтобы потеряться в океане звуков, где границы стиля и восприятия растворяются в волнующей электронной симфонии, свет и темнота играют друг с другом, а ваши тело и душа сливаются в связь с другими людьми. В каждом звуке скрыта энергия, которая пробуждает в вас неподавляемое желание двигаться в такт и взлететь в ночное небо, а потом упасть, потому что такт вновь и вновь ломается, но затем обязательно строится – и снова взлёт.

Mirvnoutri Oknocast With AD-HD Wave

DWIG - BIG TALES (LUL007)

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

Time flies by and reality hits hard as we watch the sunset, realising that summer will be over soon and autumn is fast upon us. Lay down on »DWIG« aka. »Die Wiese Im Garten« for a good cup of tea and some »Big Tales«.

»Orange Evening« (A1) shuffles a warm groove as you watch the first leaves dance in the wind, from the rocking chair on your grandpa’s porch – just the right spot for some »Big Tales« (A2) that paint a picture of times you never saw, but still remember. Thankfully, nobody judges us around here, so put on your »Dirty Dress« (B1) once again as the tempo turns up a notch.

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

A1: Orange Evening
A2: Big Tales
B1: Orange Evening (DWIGs Dirty Dress Remix)

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

Artist: @dwig
EP: Big Tales
Label: Laut & Luise
Cat-No: LUL007
EAN-Barcode: 4025858068992
Format: 12” Vinyl + Digital Download
Release Date: 3rd Oct. 2014 

DWIG - Orange Evening

Buy Vinyl

Друг

Unheard since its 1996 ‘performance’ at a conference at The Hacienda in Manchester, this recently rediscovered cassette tape of the audio version of ‘Swarmachines’, with the voices of Sadie Plant, Angus Carlyle, Mark Fisher, and Nick Land machinically integrated with some premium mid-90s jungle, is a very early production of the Cybernetic Culture Research Unit (CCRU). 

The text is available in Urbanomic’s collection #Accelerate.

More details: https://www.urbanomic.com/podcast/swarmachines-rewind/ ‎

Метадонер

SaintTechnik

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