Award-winning Jungle Drum & Bass producers from the UK.

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Contact Info:

www.facebook.com/serialkillazuk

http://twitter.com/Serial_Killaz


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For bookings contact Ben @ Hot Cakes Agency:

e: ben@hotcakes.info

t: +44 (0) 7801 358326

www.hotcakes.info

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

chef meik + bloss + sheikh
instagram : @baloboiz

GET YOUR FISHER MERCH !! 
Https://www.followthefishtv.com

MGMT:
Brett Fischer
brett@ayita.com

MARKETING:
Shayan Fakhimi
Shayan@ayita.com

N+S America Bookings:
CChapman@paradigmagency.com

AUS+NZ Bookings:
stuart@posterchild.com.au

EU Bookings:
daveb@codaagency.com

Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

As they gear up to celebrate 20 years of riotous marauding, the Dub Pistols are prepping their seventh as-yet-untitled album in 2017 and there’ll be a documentary about the band dropping at some point in the year, too. And they’ll be out on the road, as usual, of course — the hardest working band in showbiz.

A kinda 21st century equivalent of 2-Tone acts The Specials or The Beat, the Dub Pistols are the quintessential festival band. Coming over a bit like if King Tubby and The Skatalites bumped into Terry Hall at a Goldie gig, the Dubs have reached their two decade milestone with a lot of ups and downs along the way. 

They’ve worked with vocal legends like Rodney P, Busta Rhymes, Gregory Isaacs, Terry Hall, Lindy Layton, Akala and Horace Andy, while the band’s mainstays are fiercely loyal and dedicated. An unorthodox collective of musicians who each have their own personal interests and solo projects, when they come together to form the Dub Pistols some dubwise magic happens.

The rhythm section of Jack (drums) and Dave (bass) are granite-solid, and guitarist Andreas (or sometimes the rock & roll stand-in, Johnny Rockstar) provides all sorts of licks and skanking chords to nice up the dance. The brass section is on fire, and rapper Seanie Tee brings the mic skills to complement main man Barry Ashworth perfectly. They’re a proper gang of outlaws, rebels with a cause, renegade outsiders who know how to bring the good times. If you haven’t seen the Pistols yet
Barry might be the heart, face and mouth of the Dubs, but they are still very much a band — as tight as fuck, and yet able to cut loose to rock venues to the core. Tracks like epic drum & bass cut ‘Gunshot’, ska ditty ’Problem Is’, early beat-freak single ‘Cyclone’ and singalong anthem ‘Mucky Weekend’ have become firm fan favourites, and onstage see the band getting deep, down and dirty. With a nod to their ska influence, and the fact that Terry Hall was an honorary Dub Pistol for a few years, they still do a lively version of ‘Gangsters’ - The Specials’ first ever single. But otherwise it’s all their own work — the back catalogue is rich in flavas.

“The next album is actually a bit more chilled-out than the last two,” says Barry. “It’s still a classic Dub Pistols album, but ‘Return Of The Pistoleros’ and ‘Worshipping The Dollar’ were more club-orientated — leaning more towards peak-time bangers. This album is a bit more relaxed, with a smoked-out reggae vibe — although there are still a couple of bangers on there.”

The guests on the next album read like a who’s who of conscious styles. Dancehall dons Beenie Man and Cutty Ranks, reggae singer Earl16, young hip-hop act Too Many T's, seminal MCs Navigator and the Ragga Twins, and long-time collaborator Lindy Layton (and dope rapper Genesis Elijah??) all bring their unique talents. Some of these will be appearing with the Dubs live over the coming year as the band present a history lesson in all the different bases they’ve covered over the past two decades. With added bass!

Band members may have come and gone, but the progression of the core of the band is constant. “It’s never like everyone leaves at once,” says Barry. “People’s priorities change: they get married or have kids and the lifestyle isn't for them anymore, so they leave — but luckily not all at the same time. So someone new comes in, and suddenly it feels like a new band.”

Kube on artisti, tuottaja ja dj joka on jo yli vuosikymmenen työstänyt musiikkia ja julkaissut lukuisia omakustanteita. Isoimmaksi näistä omakustanteista nousi "KBNRPNT mixtape" jonka kube julkaisi 29.9.2012. Mixtapella vierailee Mc Särre, Kesken (Saurus), Mäkki, Eevil Stöö, Dj Kridlokk sekä Dada.
Mixtapen jälkeen MONSP records julkaisi Kuben "LENTOKONETILA" albumin 31.05.2013. Albumilla vierailee Julma Henri, Mies nimeltä hevonen, Jontti, Dada, Mäkki, Kesken, RPK, Lommo, Mindman, Puppa J, Og Ikonen, Mc särre, Chebaleba, Dj Kridlokk ja Eevil Stöö. Lentokonetila albumin biittien tuotannosta vastaa KUBE itse lukuunottamatta viimeistä raitaa "Kopioi" jonka tuotannosta vastaa Pelan. Omien levyjen lisäksi vierailuita on kertynyt runsaasti:


Xdj Aksim "Rima614 mixtape"
Saurus "Udiolle rullaa"
Speakeasy "Yritän selvii"
Euro Crack "Euro crack rocks"
Juno "Pois netistä"
Eevil stöö "STÖKISS mixtape"
Euro crack "Kylmä maailma"
Mäkki "Pahat pimut"
Sini Sabotage "Mun heinii"
Asa "Yritän yritän"
MNTTT "Kaduilta"
JVG "Mist sä tuut?"


Kube tunnetaan myös On The Street Entertainment kollektiivin perustajajäsenenä sekä DJ 2 Litran Juissina (mm. Bassoradion Me, Myself & Maanantai radioshow).

Levyt: http://katintavara.fi/kube
Tuotantoa: http://soundcloud.com/2ljussi
Keikkamyynti: www.otsent.net

Julkaisut:

Nahka$alkkuMafia - Rahat Likoon (2000)
Nahka$alkkuMafia - Yolu (single) (2000)
Rytmikellari - Viikonpäivät (2001)
Cube & Vanha Lahna - Pumppaa Tätä (2002)
Cubenrapinat (2003)
Vanha Lahna - Kellarinauhat vol 1 "kasetti" (2003) (tuottanut: Kube)
Vanha Lahna - Kellarinauhat vol 2 "kasetti" (2003-2004) (tuottanut: Kube)
Kissachigurecords - Pumppppppu! (2004)
Kube & Vahinkolapsi - Pelkkää Pelii EP (2004)
Kuberkeikka (2005)
Kube & Mies Nimeltä Hevonen - Yli-Ihmiset (2006)
Pummisetä Mixtape (2006)
B-Mäkki & Kube - Sirkus (2007)
Kliffaa Hei EP (2010)
Kubenrapinat Mixtape (2012)
Lentokonetila (MONSP 2013)
Mari Johanna - ANTHM (tuottanut: Kube (2013)

Championing the new wave of electronic art.

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