crabhands

Revelation

Warzone

Die Before You Fly

Higher Power

Time Bomb

Premiere of The Unborn Child - Right Person, Wrong Time [WT005]

'"Trapped In a Simulation" is the culmination of a lifetime of experiences, emotions, and lessons learned by The Unborn Child. This album isn’t just a collection of tracks; it’s a blend of sounds and genres that reflect the depth of his journey.Each piece tells a story, capturing moments when the artist faced his fears, anxieties, pain, and frustrations. The album dives into the struggle with ego, the path to self-acceptance, and music’s transformative power. It’s a work that reveals the highs and lows, the memories, and the inner battles that shape us as human beings.'

Buy: www.wrongtheory.bandcamp.com

Artist: The Unborn Child
Title: Right Person, Wrong Time
Label: Wrong Theory Records
Catalogue: WT005
Release date: December 10th, 2024

Follow The Unborn Child here:
Soundcloud: https://soundcloud.com/theunbornchild
Instagram: https://www.instagram.com/theunbornchildmusic

Follow Wrong Theory here:
Bandcamp: wrongtheory.bandcamp.com
Instagram: https://www.instagram.com/wrongtheoryrecords
Soundcloud: https://soundcloud.com/wrongtheory

If you would like to promote your music via our channels, please submit your track for consideration here: forms.gle/E7nU616j5Qh4iMxf6

The Unborn Child - Right Person, Wrong Time [SOMA SELECTS Premiere]

Revelation: Retold

Crowd Goes Wild

High On Me: Retold

Horizon: Retold

Potatoes

So, in the process of trying to homogenize all our songs for our debut album, Fragmentation, we may have made the mistake of fixing a few songs that weren't broken. A huge one was The Tinman. While the album version blended well with the feel of the album, it honestly just never hit home as hard as the original version did. So after some fan feedback, we're releasing the original version. Enjoy!

The TInman (Original)

Left for Nothing

About "Shadows of Silence"
Silence is a weapon. This is the sound of it backfiring.

"Shadows of Silence" was not written; it was forged out of necessity. It is a direct response to the creeping chill of censorship, the hypocrisy of a two-tiered media narrative, and the corporate-approved consensus that now masquerades as public opinion. This track is a line in the sand against the digital book burning and the slow, quiet erasure of inconvenient truths.

The song tells two stories, not as isolated incidents, but as archetypes of our time. First, the truth-teller silenced by the mob and their corporate enablers ("In Charlie Kirk's Name"). Second, the forgotten victim whose tragedy doesn't fit the preferred narrative (Iryna's story). These are the shadows—the censored voices and the ignored lives that the establishment wishes you would forget.

We didn't need a ballad; we needed a battering ram. The sonic architecture of the track—a furious, syncopated fusion of hard rock and alternative metal—is intentional. It’s the sound of frustration given a voice, of apathy being burned away by raw, defiant energy. The tension in the verses mirrors the simmering anger of the unheard, and the explosive, anthemic chorus is the cathartic release we are all denied.

This track is a rallying cry for the politically homeless, the silenced majority, and anyone with a moral compass that still points true. It’s a challenge to the gatekeepers and a reminder that truth doesn't need permission to be spoken.

Play it loud. The shadows hate the light.

(Verse 1)
In the land of the free, where voices once rang, 
They silenced a man with a bullet's cruel bang. 
Charlie Kirk spoke truth, but the mob cheered his fall, 
Indoctrinated hearts, no mercy at all. 
Like Rome's leaden plates poisoning minds from within, 
They celebrate death when opinions don't win. 
Amazon's gatekeepers axed the track, 
"In Charlie Kirk's Name"—called it wack!. 
Free speech on the pyre, burned by corporate might, 
While the powerful hide in the dead of the night.

(Chorus) 
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away.
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Verse 2) 
Iryna fled war, sought safety ashore, 
But on a Charlotte train, fate closed the door. 
Stabbed in the shadows, no help from the crowd, 
She collapsed all alone, her cries not allowed. 
Where are the riots, the headlines that scream? 
For George Floyd they burned, but for her, just a dream. 
If races were flipped, the MSM would ignite, 
But white refugee blood fades out of sight. 
Peaceful protests whisper, ignored by the press, 
While lockdowns and layoffs sparked the hot mess.

(Bridge) 
It's not about money, we've got truth on our side, 
Respect and decorum, let justice be our guide. 
Corrupt politicians, hiding in plain view, 
Get 'em out of office, start something new. 
From Epstein's dark web to the A.I. machine, 
Raping the land, turning hope to a screen. 
We're in the empire's twilight, dry as a bone, 
But united we'll rise, no longer alone.

(Chorus)
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away— 
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Outro) 
So here's to the fallen, Charlie and Iryna's light, 
We'll sing through the censorship, into the fight. 
No more killing dissent, no more biased divide—
Get off the couch, let the moral compass guide.

(End )



Shadows of Silence

Buy on Bandcamp

The Way of the Fist

Never Enough

The Order Of Things

This Probably Won’t End Well

A War You Cannot Win

High Off Life

Too Comfortable

Saliva is an American rock band formed in Memphis, Tennessee on September 1996 and has recently signed to Rum Bum Records. Saliva released their self-titled debut album on August 26, 1997.

They were later signed their second record deal and went on to release their second studio album Every Six Seconds. Saliva later released their third studio album titled Back into Your System on November 12, 2002 which reached No. 19 on the Billboard 200. Back into Your System launched one of Saliva's most successful songs, "Always", reaching No. 51 on the Billboard Hot 100 and No. 1 on the Modern Rock Chart. Three years after Survival of  the Sickest, Saliva released Blood Stained Love Story on January 23, 2007, repeating Back into Your System's chart performance at No. 19 on the Billboard 200. Its first single, "Ladies and Gentlemen", peaked at No. 2 on the Mainstream Rock Chart.

Saliva was originally founded in Memphis, Tennessee in September 1996. After competing in the National Academy of Recording Arts & Sciences Grammy Showcase competition, where they advanced to the final round in New York City, the group self-released their self-titled debut album which sold over 10,000 copies in their region, prompting record labels to take notice.

In early January 2012 it was announced that Bobby Amaru has joined Saliva as the new vocalist. According to Wayne, ”he is a 28 year old singer, songwriter, producer from Jacksonville, Florida who has a GREAT voice and will not only bring some fresh blood into the band but; will also put a new spin on the Saliva sound.” Amaru was the frontman of his solo band Amaru, as well as the drummer for Burn Season. On the 30th of November, it was anounced that the band had just signed a new record deal with Rum Bum Records & that after they have finished their current tour, the band will return home to finish writing the new album and begin recording in January for a release date some time in the spring.

Crowd Goes Wild

SALIVA

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