Tunes available here https://open.spotify.com/album/1Ng6F69xecHFTvMxPhIVrD

5am on a Monday morn, life is good until the 'suits' come out.

Lyrically inspired watching the suited gentry walking to work down Victoria St after we'd had a long weekend out in Christchurch back in the bad old days of the Gladstone and Pete's burger bar.

A Mant inspired session produced by Harry Bretherton and featuring drunken swagger Bone from Scotty Taitoko.

Mark Tyler Bass, synth.
Dave Deakins, drums vocal
Andrew Penman Guitar, time machine and lyric

Monday Roller - Feat - Whirimako Black

-----------------------------------     Return to our Kōwhai     ----------------------------------
                       ~ - in memory of Aaron Tokana & Albert Hoffman - ~

“The whakapapa of our environment should enter our consciousness more fully to counterbalance the nonsensical technological developments in order to enable us to 'Return to our Kōwhai' to nature where we belong."       

 - adapted: from Albert Hoffman's 100th birthday speech.
- guidance: a Kāti Māmoe Kaumatua connected with the old ways 
- source: Michael Pollan's biography "How to change your mind. The New Science of Psychedelics"
- gifted: by Mani Penman on fathers day 2018. (thank you Mani - you are a jewel from heaven)

“Some will come to look for gold - lost their hearts before they’re old. Those who know to keep it strong live elsewhere to see the dawn”.

- Another Andrew & Dave Collaboration.

"Coming alive tonight in the city" - written by Aaron Tokana with Andrew and sung by Dave at JD's warehouse Outautahi/Christchurch 2018.

This video was filmed, edited and produced by Mark Russel with Andrew, Dave & Whirimako Black on a roadie from Christchurch to the bands Hapuku Creative retreat studio in Kaikoura on Aug 1st 2021 and on the road Aug 2nd to the bands new Whakatu studio.

Special thanks to:
Haza Bretherton: Foundation mix and arrangement.
Tiki Taane: for tightening the connections.
Scotty Taitoko: Bone arrangements and performance.
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Return to our Kōwhai feat. Whirimako Black VIDEO MIX

Salmonella Dub Shaping Ground April Album Mix

Love Sunshine and Happiness

Platetectonics [Fartyboom]

Freak Local

This awesome tune is from our mate Ben aka Dub Fx. Remixed in Marahau with the epic Aza/Harry aka Organikismness and Soulware. Photo is from the back of our Hapuku studio where extra Gat, Time Machine Fx and thumb chime were added. This shot is looking West to our Mountain, Manukau.

Dub Fx - Colours (Organikismness + Salmonella Dub Remix)

Rising Above

Conspiracy Dub

Tunes available here
http://itunes.apple.com/album/id1521128845?ls=1&app=itunes

https://open.spotify.com/album/1Ng6F69xecHFTvMxPhIVrD

Masterminded by Mant. 
Bass and Riddum bed mix by Mark Tyler
Phycho Vox Dave Deakins + Tiki Taane Vox samples from Ignite
Time Machine/Guitar & textures Andrew Penman

Let it Burn

Pigbagging it -  David Harrow Epic Mix

https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Let it Burn

Salmonella Dub

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