Don't rely on time but on yourself to be the architect of important changes.

Doppelgänger is a musical project by Salvatore Montieri.
The style of the project is mainly based on electronic sounds and electronic music, although it combines various genres in his music. A blend of electronic music, IDM, glitch, Techno, beat, experimenting with contaminations with classical, jazz, folk, pop, rock music.
It is a musical project that cannot be pigeonholed into a static and stale department. The stimuli, as in everyday relational life, come from multiculturalism, from artistic, sentimental, even psychological diversity.
It is a real journey into the different mental states, nothing artificially constructed. It is a full immersion in a natural composition, following instinct and passion. A necessary combination of a soul, dissolute or modest, which emerges prevailing in all its possible imaginable forms.

Doppelgänger arises from the need for continuous experimentation, renewal, transformation, change that goes beyond one's way of being. Experimentation becomes of fundamental importance, and not the sensations.
In experimentation there is no awareness of the experimenter and of his sensations. When the experimentation comes to an end, that's when the sensations begin.
The desire to repeat an experience is the request for sensations: and while sensations can be repeated, experimentation cannot.
It is the desire for sensation that forces us to depend on outward lines and shapes. Sensations have a beginning and an end, they can be repeated and spread; but the experimentation is not within the limits of time. Experimentation, which is quite different from repetition of an experience, is without continuity. Only in experimentation is there renewal, transformation.

"I want to get to the point where I can feel the vibes of a particular place at a particular time, and compose a song right there, on the spot ... and finally leave it behind me."
John Coltrane

Doppelgänger - Balikwas

Doppelgänger - For This World

Doppelgänger - Buran

Doppelgänger - Ei

Doppelgänger - Wicapi Wakan

Doppelgänger - Shunkaha

Doppelgänger - Edy

Doppelgänger - Sia

The Wunderkammer musical project was born from the idea of ​​Salvatore Montieri, in continuous research and musical experimentation.
The desire to face different musical and instrumental dimensions, combining the classical discipline with the inspiration of jazz and rock / pop music, and the search for new sound and percussive effects creates a mixture of unique, original and magical sounds!

Wunderkammer, "chamber of wonders", is an expression belonging to the German language, used to indicate particular environments in which, from the sixteenth century to the eighteenth century, collectors used to keep collections of extraordinary objects for their intrinsic and external characteristics.
That of the Wunderkammer was a typical phenomenon of the sixteenth century, which however has its roots in the Middle Ages. It then developed throughout the seventeenth century, feeding on the Baroque grandeur and continued until the eighteenth century favored by the typical love for scientific curiosities, typical of the Enlightenment.

"Music is not, like other arts, the image of ideas, but the image of the will itself, whose ideas are objectivity. Therefore the effect of music is so much more powerful and insinuating than that of the other arts: because they give us just the reflection, while that expresses the essence. " 
A. Schopenhauer


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YouTube
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From album "Zeitgeist" of Doppelgänger.

Recorded and mixed by Heart Vibes Records
Mastered by Baba Sound
Art direction and design by Flower Power


From album "Tra fate, miracoli e crociferi" of Wunderkammer

℗ Heart Vibes Records
℗ Wunderkammer
© Salvatore Montieri

Released on: 2024-03-01

Wunderkammer is available on Spotify, iTunes, YouTube and Souncloud

Wunderkammer - Samuel

Wunderkammer - Zu

Wunderkammer - Phlox Subulata

Wunderkammer - Lontananze

Wunderkammer - Vardarac

Wunderkammer - Waiting The 7th Moon

Wunderkammer - Lei

Wunderkammer - Poiton

Wunderkammer - Olhos Cor De Avelã

Wunderkammer - Nena

Wunderkammer - No Talking

Wunderkammer - Night Krepp

Wunderkammer - Pink Moon

Wunderkammer - Joan Dalmao, L'illusionniste Du Roi

Wunderkammer - Ozora Sky

Il Zaïti Ketélos Trio ripropone classici del jazz europeo degli albori, nello stile del grande chitarrista Django Reinhardt e della musica manouche.

Un repertorio al ritmo del gipsy jazz... una sonorità piena di groove e di energia per farvi ballare.

"La musica è una rivelazione più profonda di ogni saggezza e filosofia." Ludwig van Beethoven

"La musica è la propria esperienza, i propri pensieri, la propria saggezza. Se non la vivi, non verrà mai fuori dal tuo strumento."
Charlie Parker

Zaïti Ketélos - Joseph Joseph

WUNDERKAMMER
"Wunderkammer"

"Information is not knowledge,
knowledge is not wisdom,
wisdom is not truth,
the truth is not beauty,
beauty is not love,
love is not music,
the music is the best. "

Frank Zappa (Packard Goose in Joe's Garage, 1979)

Wunderkammer, "chamber of wonders", is an expression belonging to the German language, used to indicate particular environments in which, from the sixteenth century to the eighteenth century, collectors used to keep collections of extraordinary objects for their intrinsic and external characteristics.
That of the Wunderkammer was a typical phenomenon of the sixteenth century, which however has its roots in the Middle Ages. It then developed throughout the seventeenth century, feeding on the Baroque grandeur and continued until the eighteenth century favored by the typical love for scientific curiosities, typical of the Enlightenment.

The Wunderkammer musical project was born from the idea of ​​a Neapolitan musician, Salvatore Montieri, in continuous research and musical experimentation, with the intention of restoring a magic dimension to the musical experience.
The desire to face different musical and instrumental dimensions, combining the classical discipline with the inspiration of jazz and rock / pop music, and the search for new sound and percussive effects makes the Wunderkammer an absolutely autonomous cell. The result is a mixture of unique, original and magical sounds!

"Music is not, like other arts, the image of ideas, but the image of the will itself, whose ideas are objectivity. Therefore the effect of music is so much more powerful and insinuating than that of the other arts: because they give us just the reflection, while that expresses the essence. " A. Schopenhauer

"Here's what I have to say about the music: listen to it, play it, love it, reverence it and keep your mouth shut."
Albert Einstein
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"L'informazione non è conoscenza,
la conoscenza non è saggezza,
la saggezza non è verità,
la verità non è bellezza,
la bellezza non è amore,
l'amore non è musica,
la musica è il meglio."

Frank Zappa (Packard Goose in Joe's Garage, 1979)

Wunderkammer, in italiano camera delle meraviglie, è un'espressione appartenente alla lingua tedesca, usata per indicare particolari ambienti in cui, dal XVI secolo al XVIII secolo, i collezionisti erano soliti conservare raccolte di oggetti straordinari per le loro caratteristiche intrinseche ed esteriori.
Quello delle Wunderkammer fu un fenomeno tipico del Cinquecento, che però affonda le sue radici nel Medioevo. Esso poi si sviluppò per tutto il Seicento alimentandosi delle grandiosità barocche e si protrasse fino al Settecento favorito dal tipico amore per le curiosità scientifiche, proprio dell'Illuminismo.

Il progetto musicale Wunderkammer nasce dall'idea di un musicista partenopeo, Salvatore Montieri, in continua ricerca e sperimentazione musicale, con l'intento di restituire all'esperienza musicale una dimensione d'incanto.
Il desiderio di affrontare diverse dimensioni musicali e strumentali, unendo la disciplina classica all'estro della musica jazz e rock/pop, e la ricerca di nuovi effetti sonori e percussivi fa dei Wunderkammer una cellula assolutamente autonoma. Ne viene fuori una miscela di sonorità uniche, originali, magiche!

"La musica non è, come l'altre arti, l'immagine delle idee, bensì immagine della volontà stessa, della quale sono oggettività anche le idee. Perciò l'effetto della musica è tanto più potente e insinuante di quel delle altre arti: imperocchè queste ci danno appena il riflesso, mentre quella esprime l'essenza." A. Schopenhauer

"Ecco quel che ho da dir sulla musica: ascoltatela, suonatela, amatela, riveritela e tenete la bocca chiusa."
Albert Einstein

Wunderkammer - My Favorite Things

Wunderkammer - Remembering

Off the beaten track 
"You're barking up the wrong tree"

"Don't play what's there. Play what's not there."
Miles Davis

"Off The Beaten Track", out of the common paths, from the usual routes, to the continuous research and musical experimentation, understood as a thought process that, through sounds, identifies new projective fields of the imaginary and returns a enchanted dimension to the musical experience .

Not the gestures of transgression and limits to be crossed, which no longer appear to us as the guarantee marks of a spirit of research, but rather the identification of new projective fields within which music meets the imaginary of the present and the translates into sounds, "creates an image of the world that has nothing to do with the world, an art of thinking that has nothing in common with thinking" (Henri Focillon, Vie des formes).

Music is understood as a vehicle for an idea and, ultimately, as the personality of the interpreter. We must focus on the musician and his idea, and not feel ourselves to be the vehicle of musical matter.
Off the beaten track, looking for new ways to constantly challenge ourselves, without crystallizing music in a formula.

The project, born from an idea by Salvatore Montieri, was born as a collective of musicians, each of which has a wealth of very different educational and professional experiences, and starts from a substrate that includes the popular forms of traditional music, classical music , the popular forms of blues, band music, black music, incorporating jazz, rock, fusion, funky influences fused to a predominant electric instrumentation in determining the sound.

The German composer K.Stockhausen has spoken of beauty in music, comparing it to a foreigner who presents himself to us by speaking perhaps an incomprehensible language, but asking to be welcomed and listened to.
Hence, on one hand, the idea that music is an encounter with a form of radical, unexpected strangeness derives; for another, that music is essentially an experience, listening to a thought that transforms itself and those who rely on it.

"Music is one's experience, one's thoughts, one's wisdom. If you don't live it, it will never come out of your instrument."
Charlie Parker

You're Barking Up The Wrong Tree

Romeo

Off the beaten track - Romeo

"Information is not knowledge,
knowledge is not wisdom,
wisdom is not truth,
the truth is not beauty,
beauty is not love,
love is not music,
the music is the best."
Frank Zappa (Packard Goose in Joe's Garage, 1979)

Wunderkammer, "chamber of wonders", is an expression belonging to the German language, used to indicate particular environments in which, from the sixteenth century to the eighteenth century, collectors used to keep collections of extraordinary objects for their intrinsic and external characteristics.

That of the Wunderkammer was a typical phenomenon of the sixteenth century, which however has its roots in the Middle Ages. It then developed throughout the seventeenth century, feeding on the Baroque grandeur and continued until the eighteenth century favored by the typical love for scientific curiosities, typical of the Enlightenment.

The Wunderkammer musical project was born from the idea of ​​Salvatore Montieri, in continuous research and musical experimentation.
The desire to face different musical and instrumental dimensions, combining the classical discipline with the inspiration of jazz and rock/pop music, and the search for new sound and percussive effects creates a mixture of unique, original and magical sounds!

"Music is not, like other arts, the image of ideas, but the image of the will itself, whose ideas are objectivity. Therefore the effect of music is so much more powerful and insinuating than that of the other arts: because they give us just the reflection, while that expresses the essence. " 
A. Schopenhauer

"Here's what I have to say about the music: listen to it, play it, love it, reverence it and keep your mouth shut."
Albert Einstein

Salvatore Montieri

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