AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

I love music🎵
https://sikdope.komi.io

Management: Jacob.m.gitt@gmail.com

Bookings: robb@supermodifiedagency.com, sam@supermodifiedagency.com

Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

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