BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

Yello,
here you will find all the unsigned tracks and noodlings I've made in the last couple of years. If you want to check out my releases search Beatport for Chris Harry and Soulsmith. I hope you enjoy them!

Pls check www.mixcloud.com/tombaker for new mixes
Tom Baker  - With releases on Wiggle, Brique Rouge and Wrong Recordings, Tom’s low- slung bass-driven take on the underground sound has powered some of the world’s best festivals, clubs and parties. 

Tom’s early ear was subliminally tuned in the late 80's when Tom discovered the London acid house scene. He’s been a true convert to the cause ever since, not just as a soldier of the underground, but one of the scene’s true green berets. 

A humble C90 cassette tape, mailed into Mixmag’s bedroom DJ competition in 1994 submitted his obsession with warm, relentless, underground grooves. He beat over a thousand hopefuls to first place, enough to win him gigs at a string of high profile events. Seminal London clubs such as The Gallery at Turnmills, Bagley’s Film Studios and Ministry of Sound all booked him, but it was the crowd reaction to his innovative and eclectic sets that secured his reputation. 

By 2000 there was a residency at Sound Architecture in Rotterdam and a non-stop itinerary of bookings all over Europe. Tom’s record box soon found its way around Asia and all over the Americas, and internet broadcasting via Pulse Radio with Natalie C helped him reach an even broader audience. The show ran every week for five years, played host to a talent roster that reads like a who’s who of the London scene, and included broadcasting live from the Winter Music Conference in Miami. 

But big clubs and headline gigs are not Tom’s only accolade. His underground credentials have been honed through countless warehouse parties where those in the know vote with their feet. Uncompromisingly selective, Tom digs ever deeper for the real dance floor gems. That’s why the dance music glitterati from Fabric in London to Sonar in Vancouver have good reason to remember his name. 

And underground legends such as Terry Francis and Asad Rizvi have conferred their own marque of distinction on Tom’s productions. His early collaborations with Lawrence Mohamed were signed to Wiggle, Wrong and Brique Rouge – seminal labels that have established tech-house as a global phenomenon through a succession of world-class releases. 

Hear Tom in action behind the decks and you’ll find yourself immersed in a soundscape that’s impossible to ignore. His sets are always heartfelt, ever enticing and sometimes just downright filthy. Meet him at the bar you’ll be wowed by his knowledge, enthusiasm, warmth and wicked sense of humour. Book him to play and you’re assured of much more than tried and tested floor-fillers with all the usual drops and hooks. You’ll be teased by sounds that are the distillation of a thousand nights of sweat-drenched walls. 
(Words c/o Martyn Rochester, Kerfuffle)

One of the worlds best known and traveled Drum & Bass DJ's.

Warehouse Music // London // https://linktr.ee/tigersmith

Tom Baker  - a nocturnal life

A scholar of quality, rhythmic music since playschool, Tom’s early ear for emotive sounds was subliminally tuned by his parent’s jazz performances, where he was exposed to intricate musicianship in club environments well before his teenage years. But youthful chin stroking soon gave way to wide-eyed excitement the night Tom discovered acid house. He’s been a true convert to the cause ever since, not just as a soldier of the underground, but one of the scene’s true green berets. 

A humble C90 cassette tape, mailed into Mixmag’s bedroom DJ competition in the early 90s offered ample evidence of his mixing skills. He beat over a thousand hopefuls to first place, enough to win him gigs at a string of high profile events. Seminal London clubs such as The Gallery at Turnmills, Bagley’s Film Studios and Ministry of Sound all booked him, but it was the crowd reaction to his innovative and eclectic sets that secured his reputation. 

With a residency at Sound Architecture in Rotterdam and a non-stop itinerary of bookings all over Europe, Tom’s record box soon found its way around Asia and all over the Americas. Internet broadcasting via Pulse Radio with Natalie C helped him reach an even broader audience. The show ran every week for five years, played host to a talent roster that reads like a who’s who of the London scene, and included broadcasting live from the Winter Music Conference in Miami. 

But big clubs and headline gigs are not Tom’s only accolade. His underground credentials have been honed through countless warehouse parties where those in the know vote with their feet. Uncompromisingly selective, Tom digs ever deeper for the real dance floor gems. That’s why the dance music glitterati from Fabric in London to Sonar in Vancouver have good reason to remember his name. 

And underground legends such as Terry Francis and Asad Rizvi have conferred their own marque of distinction on Tom’s productions. His early collaborations with Lawrence Mohamed were signed to Wiggle, Wrong and Brique Rouge – seminal labels that have established tech-house as a global phenomenon through a succession of world-class releases. Tom’s low- slung bass-driven take on the sound has powered some of the best festivals, clubs and parties, and assured his place in the scene’s discography. 

Hear Tom in action behind the decks and you’ll find yourself immersed in a soundscape that’s impossible to ignore. His sets are always heartfelt, ever enticing and sometimes just downright filthy. Meet him at the bar you’ll be wowed by his knowledge, enthusiasm, warmth and wicked sense of humour. Book him to play and you’re assured of much more than tried and tested floor-fillers with all the usual drops and hooks. You’ll be teased by sounds that are the distillation of a thousand nights of sweat-drenched walls.
 

Martyn Rochester, Kerfuffle

Sam Smith 188 is following