Dawn

Tankar. My painting is called flowers is rising from the ocean.

Tankar.

Nordic Ambient, Neoclassical, Ethereal Wave
528Hz frequency, Theta binaural beats texture
Mood: Underwater, crystalline, floating, healing, weightless, bioluminescent, magical

Northern Lights

From "Eurosouvenir" (CM-006)

All tracks by Eszaid
Mastered by Helmut Erler at Dubplates & Mastering
Designed by Ethan Assouline
Distributed by Boomkat

LP out late October 2018

© Collapsing Market - 2018

Eszaid - Souvenir 1 (CM-006)

http://www.jjfunhouse.com/catalogue/jj019

Music by David Edren & Bent Von Bent, 2017-2019 | Mixed & edited by David Edren, 2018-2019 | Mastered by Ruud Lekx at Rude 66, 2019 | Artwork by Jj funhouse Published by Jj funhouse JJ019 © All rights reserved

Spirit & Form - Spirit & Form (JJ019 preview)(Releasedate: 06.02.2020)

Tonto - Rust [CB06]

Broshuda - It's Not Quite That, But Then Again What Is

"[mix for endlessly studying, in follow Moten; ‘I think we were committed to the idea that study is what you do with other people. It’s talking and walking around with other people, working, dancing, suffering, some irreducible convergence of all three, held under the name of speculative practice.’ (The Undercommons)]" @zourry

Art by Celeste Stein
https://www.instagram.com/celeste_stein

LXXVI - zourry

Marc-Aurèle Baly invite Jean Carval & Guillaume Heuguet

Rinse France Podcast

Download

VICE présente 'Une certaine idée de l'underground à la française' - 14 Octobre 2020

the first in a series of small portraits of great characters

tl;

Midori Hirano - Strain
Mary Lattimore & Maxwell August Croy -Down Terelan Canyon
Lisa Lerkenfeldt - The Weight Of History
Okkyung Lee - facing your shadows
Loke Rahbek & Frederik Valentin - Solina
Ulla - i think my tears have become good

impa

In "The Acquisition of Language & The Language of Acquisition", artist-poet Luzie Meyer traces the property of language to both confine and liberate, and the verbal means of expression available to us in times of digital media and algorithms. With the faculty of being able to express oneself through these forms (templates) comes the problem of false equivalence or commensurability: Unlike the spider that mechanically reproduces the same pattern again and again, The Acquisition of Language & The Language of Acquisition explores the gaps and interstices in which such tools and formats might possibly be used for different and poetic ends.

The long poem reads as a succession of “exercises” (chapters) and addresses the intricate entanglement between the individual and the universal, or the authentic and the socially constructed. Blending sound (among which are zither pieces of her friend Magda Barthofer, or composition techniques borrowed from musique concrète) with writing techniques such as cut-up, Meyer investigates the psychology of language forms and formats. As the narrator of the poem finds themself looking for a different and individualized alphabet, the use of an all-too-familiar language of therapy and self-enhancement reveals it as yet again firmly merging with the logic of neoliberal value and exchange.

The spoken word is accompanied and interrupted by musical interludes. The musique concrète compositions are created with a drum rack of original percussion sounds recorded at home, as well as with a ready-made set of sounds from Ableton. Additionally, the piece includes sounds of a lapharp (zither), played by Magdalena Barthofer, which were recorded with Ableton with an effects pedal.

Postproduction: Nadel Eins Studio Berlin

Luzie Meyer "The Acquisition of Language & The Language of Acquisition"

the short half of https://soundcloud.com/best2s

slow music from me: sambrules.bandcamp.com
dance music from me: ggsam.bandcamp.com

previously i did! https://www.nts.live/shows/videogamemusic
https://margateradio.co.uk/samb_rules






game for guest mixes or radio shows or anything!! i love to put music next to other music