African Roots Samba

Gabi músicas melhores

Musicas

Rodrigo

CHARME DE MADUREIRA BY CLAUDINHO DJ.(VOL.02)

Afrikan Roots feat. Zulu & Da Donz - Samba Gada (Original)

No "Música Boa Ao Vivo" de 20/05/2014, Thiaguinho recebeu nada mais nada menos as presenças de: Ivete Sangalo, Daniela Mercury e Durval Lelys!!!

O Canto Da Cidade - Ivete Sangalo - Daniela Mercury - Durval Lelys Música Boa Ao Vivo.MP3

Berimbau Metalizado - Meia Lua Inteira - Ivete Sangalo - Daniela Mercury Música Boa Ao Vivo.MP3

Roda de Samba Dunga de Vila Isabel e Convidados.

CURTA ESTE SOM AO VIVO COMPARTILHEM ESTE MOMENTO COM SEUS AMIGOS BAIXANDO ESPALHANDO PARA TODOS E UMA FORMA DE AGRADECER O CARINHO DE TODOS VOCÊS COM MEU TRABALHO AGORA JÁ SABE NAQUELE CARRO TUNADO COM AQUELA SOMZEIRA OLHA AI UM PAGODE ESPERTO PRA ROLAR EM E NAQUELES CHURRAS DE FIM DE SEMANA TAMBEM A ONDA E #BORACURTIRMARCINHOGABUAOVIVONARODADESAMBANOPOINTDOVINHO

MARCINHO GABU AO VIVO - QUARTA RODA DE SAMBA NO POINT DO VINHO EM SÃO PAULO

Hungria - Insônia (Part. Tribo da Periferia)

Pra quem gosta de Charme - Viaduto de Madureira

Roda De Samba Da US3 - Parte 1

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Anitta - Blá Blá Blá (Ao Vivo)

Vídeo Clipe: https://youtu.be/lswkk1lmpK8

Tribo da periferia - Alma de Pipa

Música Boa Ao Vivo l Anitta - Bang

Música Boa Ao Vivo l Anitta part. Jhama - Essa Mina É Louca

Tribo da Periferia - Efeitos do Longe

Tribo da Periferia - Visão tá Ouro

Setmix de modern R&B, estilo Viaduto de Madureira (RJ) e demais baile charme do eixo Rio - São Paulo, influenciado nos DJ's que vem repaginando o charme, trazendo versões criadas especialmente para este público, como DjSoul BR, Guto DJ, LolMix e demais DJ's da cena moderna do charme.

ENG: Setmix of modern R&B, overpass style Madureira (RJ ) and other dance charm of the Rio - São Paulo, influenced the DJ's coming redesigning charm, bringing the public to the launchings of R&B, with versions created especially for this audience , such as Fabio RnB, DJ Guto , LolMix and other DJ's scene of modern charm.
Special credits to Fabio RnB the band Sara Pi and Rihanna feat Drake - fantastic versions that have played in the best balls charm of the country , and in addition to many , I am also a great admirer of his work, which has made a difference in the charm modern!

Setmix Modern R&B - PedrinhoDJ 2016

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

FREE DOWNLOAD

02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

04  É da Nossa Cor feat. Mestre Camaleão

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

TRIBO DA PERIFERIA   ELA TA VIRADA ♪ (LANÇAMENTO 2013) 'SEM VINHETA'

“Black Roots”, the eponymously named debut album, was originally released in 1983 on Kick Records, by which time the band was established as one of the UK's leading live acts with a strong repertoire of socially aware songs reflecting the issues of the day. When it came to their first album, they chose eight of their strongest tracks and assembled what was to become one of the classic British reggae albums of the decade.

Featuring 8 songs “The Father”, “Survival”, “Juvenile Delinquent”, “What Them 'A Do”, “Opportunity”, “Tribal War”, “Africa” and “Move On”, the album covers themes of social alienation, deprivation, repatriation, RastafarI, violence within the black community and ends, with the tale of a failing relationship. Three decades later, many of the songs are just as relevant and provide the perfect complement to their latest recordings.

It was re-issued Bristol Archive Records on vinyl in 22nd April 2013 to coincide with Record Store Day.  The release on vinyl was strictly limited to 500 copies worldwide. 400 copies were made be available for Record Store Day, 22nd April 2013, at participating retailers and feature a facsimile of the original sleeve, whilst 100 copies will be available directly from Bristol Archive Records and very select retailers and feature a unique handmade screen printed sleeve as well as being individually numbered, a very special edition.

This was the first time that this album was available on vinyl for twenty-five years and demand outstripped supply.

This release was made available by Nubian Records on digital platforms. Here is an opportunity to stream or download either this song or the full album that is still in great demand from old and new fans alike.

Black Roots

The Father

Buy @ Bandcamp

SAMBA ROOTS is a Brazilian band based in Sydney that have the pleasure to bring all the greatest hits of Samba from Brazil to Australia.

Alex, Felipe and Vinny are from São Paulo, both of them sharing the same passion and love for the genre. Alex plays acoustic guitar and he is the Music director/ Singer; Felipe is the main percussionist and also Back Vocalist; Vinny is the lead singer and plays his little Cavaquinho (The brazilian instrument which looks like a Ukelele). 

Roda De Samba Da US3 - Parte 1

Samba Roots Australia