- Tissé Métisse -

Highlights 2018

"An Indian summer is a period of unseasonably warm, dry weather that sometimes occurs in spring and autumn in the Northern Hemisphere." (Wikipedia)

🎶[Playlist #23] La Fabrique de la Nuit - Indian Summer - October 2018

SoundCloud Weekly #3

03.19 SoundCloud Weekly 2019

Léonie Pernet - Butterfly

Album available on Bandcamp : https://bachar-mar-khalife.bandcamp.com/album/ya-balad
On all other platforms : https://IDOL.lnk.to/Ya_Balad
Website : https://www.bacharmarkhalife.com/

Follow Bachar Mar-Khalifé on :
Facebook - http://bit.ly/2PUB1wy
Twitter - https://bit.ly/2NYtrDB
Instagram - https://bit.ly/2prHV17
Soundcloud - https://bit.ly/2sm5vfK
Youtube: https://bit.ly/2KN2Ggz
Newsletter : https://bit.ly/2O0r0jR

Album « Ya Balad » 
Release date : October 19th, 2015 

Lemon, poem by Samir Saadi : 

لَمُون 
طَاب اللَّمُون عَالشَّجر
يَا مِين يهِزّ الشَّجر
لما رواه المطر
عَبِّي بِحِجرو
مَحلاك يَا لِيل القَمَر
لَمَّا حَبيبي ظهر
يَا مين يهزّ القَمر
وعنِيه ضِيَا بَدْرُو
زَهْر اللَّمون عَالشَّجر
هَزّ القلوب الحَجر
نُوَّارُو لما بدر
شَمِّيت هَوَا عِطْرُو

The lemons are ripe on the tree
And whoever shakes the tree
after it has been watered by rain
will fill his lap with lemons
How beautiful you are , night of the moon
when my love appeared
And whoever shakes the moon 
his eyes are the moonlight
The lemon tree blossoms
shock the rocky hearts
When its flowers appeared
i smelled its perfume s love

LEMON - لَمُون  (Feat. Yolla Khalife) يولا و بشار مار خليفة

Letta Mbulu - Nomalizo (Walter Wolff Edit)

Bernstein - Maghreb (Original Mix)

In partnership with Teranga beat, the current leading label for Senegalese music, Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the 60s and 70s. 

It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitise the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would later perform in his club, the legendary Sangomar. 

300 Senegalese songs that nobody had ever heard before were discovered - Five of them were selected for this compilation. 

Thanks to its history of outside influences, Senegal – the western point of Africa - had become a musical melting pot.  
Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Le Star Band de Dakar, a milestone that left an indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics. 

The 1970s brought a new generation of stellar bands like Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies, Xalam 1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalised his passion for the city with a song called “Dakar, Punto Final”.

4 years in the making, this compilation, reflects the unique fusion of Funk, Mbalax, Cuban Son and Mandingue sounds that helped transform Dakar into West Africa´s most vibrant city. 

The comprehensive booklet that comes with the CD - 44 pages or with the 2xLP - 12 pages LP size booklet - are a precious document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.


Mariama - Orchestre Fangóól (Leave a comment for Max Dia  - Singer/Composer - I will forward)

Teranga Beat’s aim since the beginning of the label is to release lost and unreleased recordings of both famous groups and formerly unknown artists of West Africa. While going through several archives of the region, what thrilled me the most was the feeling of unexpected, especially when I stumbled upon a terrific recording from a totally unknown group. Discovering music that nobody has ever listened to before. I guess it has something to do with the psychology of the collector, always searching for that record nobody has. 

My favourite discovery up to date is the Dieuf-Dieul de Thiès, a band that did not manage to release any of its recordings. I had previously heard their name in Thiès, but to my ears it sounded like an urban legend. People involved in music would rate it as the best group in the city, but nobody had ever seen a record from them, let alone a cassette. I thought it was one of these stories of gross exaggeration, so common in West Africa. However, when I fell upon their recordings and listened to them I realised it was all true.

In 2013 Teranga Beat released the first volume of Dieuf-Dieul's recordings. Today, on this vol. 2 album we proudly present the rest of their recorded tracks. On Vol.1 the tracks were well divided among three singers: Assane Camara with his unique style, an  Afro-Manding hybrid, which he acquired through years of performing in the South region of Senegal, but also by virtue of being a Sosseh (that is, of Gambian origin) himself; the great Griot Gora Mbaye with his strong voice and deep wolof lyrics, displaying his strong links to the tradition of the country; and finally, the then young and talented Bassirou Sarr with his great singing skills. 

Five out of seven overall tracks of Volume 2 feature Bassirou Sarr, a truly exceptional singer. Whether in a ballad or some explosive Mbalax, Bassirou's voice is always full of emotion. But if I had to pick out one song, that would definitely be "Raki". When Bassirou got the chance to finally listen to the song (30 years after its initial recording!), he told me the following story: one night, while performing singing "Raki" in Kolda, he noticed a man weeping right in front of the stage. Suddenly, the man turned to Bassirou and said: "Now listen here, you're not going nowhere! You're staying here and play this song all night long!". 

One of the two remaining tunes, "Rumba Para Parejas", is a great latin cover sung by Assane Camara (Camou Yande). Although in his interview Bassirou admitted that Latin music was not their strong point, this track shows how good performers Dieuf-Dieul actually were. Besides, it is somehow ironic that, after the band broke up, all of its members gradually became Salsa musicians.

Having said all that, I am delighted to announce that Dieuf-Dieul are back together after 32 years, preparing for their first international tour! I sincerely hope this record will contribute to the international recognition Dieuf-Dieul fully deserve.

DIEUF - DIEUL de Thiès - Nianky (Short Edit Version)

This is an edit inspired by a fantastic track from Edmony Krater called Chimin Spirit, originally released on the album "Tijan Pou Velo" recorded in France in 1988. 

A few limited 12" vinyl copies are available for sale. Message here or drop us an email pull8up@gmail.com to order.

EDMONY KRATER - CHIMIN SPIRIT (Xav Roots edit)

Forthcoming on the "Soweto Disco" EP - a slightly edited cut of the mythical Afro-Disco-Jive track "Highway Sporo Disco" by the Nzimande Allstars - late '70s/early '80s disco styles from South Africa - all fully licensed!

HIGHWAY SPORO DISCO (EDIT) - NZIMANDE ALLSTARS

Hey everyone!
We are very pleased to drop our first edit from the great original track  "Ah Wo" by Bro Valentino, initially released in 1980.
Our edit is now kindly hosted by the nice guys Mawimbi from Paris in their new compilation alongside Nomad (Africaine 808), Umoja, Aroop Roy and more.
Get it here: https://wearemawimbi.bandcamp.com/album/radio-mawimbi-volume-1

Bro Valentino - Ah Wo (Newest Revolution LSD Edit) [Radio Mawimbi vol.1]

Leya : https://www.instagram.com/leyamusik/

L'Univers nous a mis à l'épreuve en nous envoyant des cambrioleurs dans notre Homestudio. Au delà du matériel nous avons surtout perdu notre disque dur mère contenant 6 années de productions Pouvoir Magique et Mawimbi.
C'était un sacré chagrin de voir s'envoler en 10 minutes le travail accompli sur toutes ces années, notre petit patrimoine, ces morceaux qui vous font rire par leur ancienneté, ces morceaux où vous vous dites que "finalement ce n'était pas si mal". On a donc décidé de retrouver nos productions disparues afin de leur donner un premier et dernier souffle.
Ces 12 morceaux qui ne seront jamais terminés sont donc une selection de ce qui a pu être stocké par ci par là, sur internet, dans le disque dur d'une amie, sur la clef usb d'un pote ou même dans l'ordinateur de nos familles.
Bizarrement c'est un peu comme notre premier album. On espère que grâce à vous ces âmes perdues trouveront leurs chemins à travers vos oreilles et vos partages.
Faites vous plaisir et si vous voulez nous soutenir c'est par ici:  https://musiquesdesspheres.bandcamp.com/album/disparition-lp

Bon Voyage!

PS : Un énorme merci à tous les producteurs qui nous ont envoyés leurs banques de sample pour recommencer le travail ! On repart tout neuf.

Télécharger

Pouvoir Magique - Musica Feat Leya

I do not own any copyrights of this song.

Björk - Crystalline (Omar Souleyman Version)

“bless ur heart” from ‘soil’ by serpentwithfeet out 6/8 on Secretly Canadian/Tri Angle

Stream & preorder now - https://serpentwithfeet.ffm.to/soil

serpentwithfeet - bless ur heart

Liberté (avec Maud Octallinn)

Peupleraie

Les Passagers EP 
- part I (feat Will Samson)
- part II

Mixed by Samba De La Muerte 
Mastered by Luis Calderon @ Studio Martyrs

Artwork by Sarah Guillain / Encore Bravo

Private link, please do not share

Les Passagers Part II

Released on March 29 in celebration of Piano Day 2018.
Pre-order the album 'Persona' here: http://phonofile.link/rivalconsoles-persona

Ryan Lee West aka Rival Consoles has announced his fourth full length album 'Persona' will be released on 13th April via Erased Tapes.

The title 'Persona' was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona. 

"My music is generally is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.”

Recorded at his studio in south-east London, ‘Persona’ benefits from Ryan’s exploration of a dynamic production process that combines analogue-heavy synthesisers, acoustic and electric instruments with a shoegaze-level obsession with effect pedals. A greater depth of emotion and confidence can be heard across the album. From the deconstructed movements on ‘Unfolding’ that starts the album with a snap of delayed snares, the apocalyptic drones of the title track and thundering drums in ‘Phantom Grip’ to more  restrained ambient feels of ‘Dreamer’s Wake’, ‘Rest’ and ‘Untravel’. The latter transverses six beatless minutes of undulating melodies representing “a limbo space, a feeling of ennui, of not really ever being known to others and others not ever really being known to you”.

'Be Kind' reveals a musical connection with fellow Erased Tapes artist Nils Frahm, with its minimal approach and improvisational nature. On the more complex sounding ‘I Think So’ Ryan aims to replicate a colour collage with sound. Like a musical kaleidoscope, a flashing and convoluted mass. Written after he saw Slowdive perform live last year, ‘Hidden’ builds from whispers to landscapes of controlled noise. In an interview with XLR8R magazine, Ryan explains: “once you start trying to make a sound loud, then you turn your back on thousands and thousands of sonic possibilities. One of the best things to do is to start a track with a really quiet, weak sound.” Taking this idea to its ultimate conclusion, ‘Fragment’ closes the album as an innocent sounding ambient piece, almost nursery rhyme like, yielding time for reflection on how the persona has changed.

'Persona' follows the success of a series of releases — the ‘Odyssey’ and ‘Sonne’ EPs, long player ‘Howl’, and 2016’s mini album ‘Night Melody’ — that saw Ryan mature into what Pitchfork has called a “forward-thinking electronic musician with his own ideas about sound”. Atypical of instrumental-electronic music, Ryan has achieved a signature sound that’s unmistakably identifiable as Rival Consoles. Going beyond typical electronic music production, Ryan defines it as “songwriting with an electronic palette of sounds”.

The increasingly dynamic live audio-visual show, born from bespoke performances at the Tate and for Boiler Room at the V&A Museum featuring self-programmed visuals in Max/MSP, has propelled him to play around the world. Ryan launches ‘Persona’ at London’s XOYO on 12th April with further dates to be announced.

Persona

Be Kind

Buy 2LP/CD/DL

Rival Consoles - Be Kind

extrait de L' aventure Intérieure EP (2018) 
single et video ici = https://lnk.to/rickyhollywood-jessaie
@FVTVR Records

J'essaie

Matias Aguayo -  Rollerskate

From the church to the library, it's now time for 'A Sweet Excursion', courtesy of our favourite French funkateers, DJ Soulist & Fulgeance aka Souleance, offering up three tasty edits to feed the dancefloor.

'Fantasie' opens the set with an idyllically relentless rhodes-riff riding a slice of sugary boogie, with a super squelchy bassline and a healthy layer of disco percussion spread on top, for those with a sweet tooth.

The righteous horns of 'Lord' blaze into play next accompanied by a 4/4 disco kick, before the sugar rush kicks in and the band let loose an almighty groove. Even a soulful set of angels begin to sing, guaranteeing this one will bring out a lil' bit of that holy ghost within.

We end out with 'Funkin' which does exactly what it says on the tin. A solid five minutes-plus of delectable heads-down funk containing all the right ingredients, and the French duo's own special sauce mixed into the pot for good measure.

With a decades worth of collaboration behind them, and persistent party rocking at festivals and clubs, Souleance continue to create tried & tested moments of sweetness on dancefloors across the globe. This three-tracker is no exception, and makes this another essential one for the record bags.

'A Sweet Excursion' is released on Excursions on Friday 6th July 2018 on limited three-track vinyl 12" only.

A Sweet Excursion

Buy 12" & digital

Lord (Souleance "Envole-Toi" Re-Edit)

from 'MYTH II - A Need to Survive' [CD|LP|DIGITAL]
Denovali Records · den306
available on all formats at http://denovali.com/theeyeoftime

The Eye of Time is the solo-project of French musician, Marc Euvrie. His new album ‘Myth II : A Need To Survive’, released 3rd August on Denovali Records, is the second part of a trilogy of releases about the path that humanity takes over the ages. A multi-layered tapestry of experimental sound, ‘Myth II : A Need To Survive’ merges darkness and hope via minimalist beats and stark bass.

Myth is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. Myth is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. Myth is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

On ‘Myth II : A Need To Survive’, Marc adds, “The period between the release of the first two records of this trilogy is a most significant one in my life. ‘A Need To Survive’ is the perfect title to name it. I have fought darkness. I have faced myself. I've been into the deepest introspection ever, but I'm on my way to recover, and I will never be the same again. I guess I have faced the worst but most important period that everybody will face in his life. To know yourself better, to see the bad and the good things you're capable of.”

He goes on to say, “I feel that the album trilogy I started in 2016 will match my path to become a better person in balance. ‘Myth I : A Last Dance For The Things We Love’ corresponds to my falling into darkness, ‘A Need To Survive’ to finding the energy to rise again and the last record which will be named ‘To Heal’, corresponds to me right now, feeling positively mature.”

Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, although he has been classically trained. He started to play piano at 9 years old, composed his first pieces at 15 and studied cello at a Conservatoire after finishing school. Euvrie played in several bands before, being influenced by Claude Debussy, Philip Glass, Frederic Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion and Portishead, he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time.

His extensive self-titled debut album was released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (‘Acoustic’) or pitch-black despair (‘Anti’). ‘Myth I : A Last Dance For The Things We Love’, released in 2016, dealt with introspection, impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm, accompanied by both grim and hopeful melodies.

The cover artworks of the ‘Myth’ album trilogy display pictures by Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH II : A Need To Survive

The Eye of Time - Foldings

Buy/Stream: Anjunadeep.lnk.to/LFRso
Buy/Stream Album: Anjunadeep.lnk.to/LYCFso
Release Date: 7th August 2018
ANJCD062RD

Earlier in 2018, Tokyo's Yunosuke Senoo aka Lycoriscoris released his genre-defying album ‘Flight’ via Anjunadeep. Ambient, emotive, and cinematic, ‘Flight’ is a bold showcase of skilled production and songwriting. 'Flight (Remixed)’ sees reinterpretations from German artists Grandbrothers and Ryan Davis.

Erol Sarp and Lukas Vogel of Grandbrothers have won plaudits from the likes of Dixon and Gilles Peterson, and drawn comparison to Steve Reich. They create all of their sounds with a grand piano, everything from melody to percussion. On this, their first ever remix, Erol and Lukas re-imagine the soulful progression of ‘Blue’, accentuating the ruminative piano score of the original.

Ryan Davis’ interpretation of Lycoriscoris’ Stella begins unassumingly soothing and reflective, only to give way to dissonant strings and a dark vibrating low-end that evoke the cinematic production of Hopkins and Moderat.

Buy / Stream

Lycoriscoris - Blue (Grandbrothers Remix)

The two minds of the label HARD FIST, Tushen Raï & Cornelius Doctor joined their forces to release the striking « Lights of Khonvoum », trippy and definitely made for the dancefloor. Pletnev delivers a mental remix with the second track : introducing step by step new percussive and melodic elements in order to keep the suspense and the crowd breathless. With N’dehou (small Pygmy flute) and women choir, Centrafreak transports you straight to Central Africa’s rainforest!

Available soon here:
https://hardfist.bandcamp.com/

PRÈMIÉRE: Cornelius Doctor & Tushen Raï - Centrafreak (Pletnev Remix) [HARD FIST]

Premier extrait du EP Hôtel Délices.

Paroles: 

Jah Maaz 

Bouge j'ai du taffe à faire, le rap casse la tête, je dois être là, pas me taire, si on me trouve faut que j'épate ça me dead 

Les yeux rouges, 200 pages par terre toutes déchirées, elle est si belle quand je lui passe la teille 

Sourire en coin de sirène, c'est l'extase ça me plait, je dois faire grimper les décibels elle me repasse la teille, je suis déchiré 

Mantisse 

Un soubresaut du coeur valsant à l’année longue, à mort la pluie, le tonnerre qu’on diffuse en vagues de chaleur 

L’attente asphyxie la ferme emprise du présent, en coccinelle, en libellule servile aux éléments 

Bain tourbillon de rêves, une trêve après la guerre, ma lune de tangerine a saigné longtemps pour la peine 

Semelles érodées en toute immobilité, à deux doigts de goûter la vie de lacets détachés 

Bkay 

Éclairé par un moonlight, on start la braise avec le journal, run mon chum vas-y cours loin, saumon hustlin’ contre le courant 

Soupe Habitant, hot-dogs, pâtes à sauce plein l’belly, mais j’ai passé toute la nuit à vivre la vie d’une libellule, 

le thème sera pas libellé, tant qu’les pulsions sont libérées; tant qu’on pourra rock a flow j’continue de dire qu’on est bénis 

On travaille en ébéniste, les feedbacks seront bénins. J’ai crié tout mon âme si j’en veux plus i’mma get it. 

Yes frérot i’mma get it, frérot i’mma get it, sur ce good love en boucle on est ready pour les Guiness 

Éclairé par un moonlight, on start la braise avec le journal run mon chum, vas y cours loin, hit the road sur un coup de tête 

Jah Maaz 

Perds moi dans tes fossettes, comment faire exploser ce rap, mon coeur suit jamais le veau-cer non non non, y’a que les tarés qui changent pas de manières 

Faut se décider faudrait se tailler je suis en âge de la veine fuck une carrière prise dans le fossé je veux des grosses scènes ouais ouais ouais 

(x2) 

Mantisse 

Un soubresaut du coeur valsant à l’année longue, à mort la pluie, le tonnerre qu’on diffuse en vagues de chaleur 

L’attente asphyxie la ferme emprise du présent, en coccinelle, en libellule servile aux éléments 

Bain tourbillon de rêves, une trêve après la guerre, ma lune de tangerine a saigné longtemps pour la peine 

Semelles érodées en toute immobilité, à deux doigts de goûter la vie de lacets détachés

crédits

Paroles: Jah Maaz, Mantisse & Bkay 
Composition: Bnjmn.lloyd & BLVDR 

Mixing: Cédric ''Sadam Huss'' Piché & Bnjmn.lloyd 
Mastering: Philip Gosselin (Le Lab Mastering) 

Graphisme de la pochette: Felipe Arriagada-Nunez 
Popa: Justin Bok

Tangerine

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Domenique Dumont - Sans cesse, mon chéri

Travadinha - O Bernard

Cale Parks - N1 (Paradis Contours Mix)

a band from France
pop / electronic

> Press Relations : Anne Laure Bouzy - albouzy@gmail.com
> Label : Yotanka - gaetan@yotanka.net
> Booking : Furax - Lena Guerard - lena@furax.fr
> Management : Collectif Toujours - collectiftoujours@gmail.com