Hues of the Lettuce

Whispering of the Hidden

Calm Morning Embraced by the Wind

Độc Tấu Piano Giúp Tìm Lại Bình Yên

Moonlit Solace

The June Hydrangeas

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

Les airs faciles

Prelude

The time of the pandemic was marked by countless endless, solitary wanderings through nature. This is captured in this piece for piano and bassoon: as footsteps move steadily through deep snow, memories drift past the mind’s eye— silent, fleeting, and profound.

Pandemic Suite – 09. Lonely Walk

Sirius (Σείριος) was a Greek street dog, playful and kind. Sirius wandered the Athens streets until he was adopted by a lonely, gifted young boy. The two become inseparable. Sirius, whose name means bright and shining, loved running along the beaches of the Aegean in the summer with his boy. Sirius sadly passed away unexpectedly while his boy was away at work and is now a star shining in the sky. He glows especially brightly during the long, hot Greek summer.

Composer/pianist Samuel H. Gray heard this story from the boy, who is now a young man. Sirius and the sombre major-minor Sirius theme came to Samuel in a dream one night. He woke up and wrote the melody down. The other pieces in the suite are fully spontaneously composed, in honour of Sirius' beautiful, playful nature. More pieces and arrangements of the themes may follow.

Sirius Suite 3

Moments of stillness. Ambient waves meet pulsing echoes. Music that mirrors your soul. 

Feel it, share it, connect.

“Sacred Reflections” by DJ Dyablow

The Illusion of Journey

Piano 4-10

I write classical/post-classical chamber music and play the piano. I also make lo-fi indie rock ('baroque chamber pop') under the name Sam Gray Singing. 
I grew up in New Zealand, where most of my family still lives. I lived in Norway for a decade and am now based in Austria. 
Pencil portrait by Sampo Marjomaa.
www.samuelgray.net

Sirius Suite 3

Samuel Gray