Perfect for late night listening, heartbreak healing, and deep moods.

Tears on Airplane Mode

This isn’t just music — it’s romance in its purest form, the kind that lingers long after the last note fades. 💕✨

Windows Down

best for me

A moody, cinematic fusion of late-night R&B and alt-pop. Keeping Me Out blends lush synth layers, pulsing bass, and atmospheric guitars with lyrics about desire, distance, and the walls we build between each other.

Dauble’s evocative vocals carry the tension of heartbreak and longing, while Tory Lanez adds raw energy and swagger, creating a magnetic push-and-pull that makes this track both seductive and emotionally charged.

Perfect for night drives, dark romance playlists, and anyone who craves music that feels both intimate and cinematic. 💜

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Keeping Me Out (with Tory Lanez) - slowed down

Tsantaki

Far Away

Am i supposed to be alone

"Nana para Liora" es una canción íntima dedicada a Liora, la hija del artista. Fusiona lofi hip-hop, dark trap y cloud rap con arpeggios sintéticos glitchy, creando una atmósfera onírica donde la niña "flota alto" sobre ciudades dormidas. Una obra emotiva que captura el amor paternal a través de sonoridades contemporáneas y lírica poética sobre los sueños y la inocencia infantil. © 2025 Legenki.

Nana para Liora

Realism

“Ya Allah” is a alt-R&B devotional that blends modern soul with the timeless essence of dhikr. Carried by hypnotic rhythms and spacious melodies, the song is a prayer in motion, a cry for guidance, mercy, and light. The chorus repeats like a mantra: “Ya Allah, guide my way / La ilaha ill Allah, night to day / Lift me higher when I fall / You’re my answer, Ya Allah,” anchoring the listener in surrender and faith.

Built for reflection, healing, and spiritual connection, “Ya Allah” resonates as both a song and a reminder, every breath is worship, every beat is remembrance for the Most High.


Ya Allah

Why You Wanna Hurt Me Like That is a late-night confession wrapped in rhythm and smoke — a dark funk odyssey that blends heartbreak, temptation, and desire into one slow, hypnotic groove.
Built on 808 drums, deep synth bass, and layers of percussion, every track moves like a pulse under dim red lights — steady, seductive, and dangerous.

This is an album about the moments between love and loss, when emotion and rhythm blur into something raw and unforgettable. From the aching soul of “Can’t Let You Go” to the moody vulnerability of “When the Lights Get Low,” each song captures the space where passion and pain collide.

Smooth. Sultry. Electric.
Why You Wanna Hurt Me Like That doesn’t just play — it lingers, it breathes, and it burns slow.

Am i supposed to be alone

Samir Wynter

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