If you want to see me perform in your city text 'live' to 708-734-6086

MGMT- dan@goodluckhavefun.media

Download / Stream 'Wild Child': https://found.ee/WildChild

mgmt: info@ceremonymusicgroup.com

"À Tout à l'Heure" EP is out now ••
https://pointpoint.lnk.to/A-tout-a-lheure


.. http://en.wikipedia.org/wiki/Contrastive_focus_reduplication 
..

Management:
jordan@recordrecord.paris

Royal Canoe would never be characterized as having taken the simple, prescribed path over the past decade. This almost stubborn fascination with finding “the long way around” has resulted in a rich catalog of albums, EPs, videos and experimental live-shows that are as adventurous in their process as they are in their creativity. Whether it’s releasing radio-singles in 5/4 time, performing concerts on instruments made of ice, adamantly dragging their multiple-drum-set, six-keyboard, live-setup around the world in their van and trailer, or their various outrageous schemes to stay connected to their fans, Royal Canoe have stuck around because they’ve never lost sight of what drives them - the exhilaration that comes with the opportunity to do something completely new.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Sammy Strack is following