Listen to my Spotify playlist here - http://bit.ly/InTheBagJZ

BOOKING: simone@oltrebooking.com
SOCIAL MEDIA & PRESS: ronja@alexniggemann.com

As a DJ, producer and label boss of AEON, Berlin’s Alex Niggemann’s career has been instrumental in the continued development of electronic dance music. His ever-restless creativity and desire to build a platform for music that defines the deeper side of the electronic spectrum, led Alex to launch his very successful label, AEON in 2013 – an imprint which has gone on to play an integral part in building Alex’s impressive repertoire of releases to this point and beyond. His aim for the label is to build a representative artistic platform that mirrors the peak time DJ sets that he plays, referencing the spirit of classic, timeless house and techno and updating it for the future.

250K Plays, Thanks everyone! 

Equipment/programs: Traktor Kontrol S4, Traktor Pro,  Logic Pro.

Jamie Mixes/Produces Electro House, Dubstep, Dirty Dutch, Moombahcore & House music.

He started DJ-ing in 2010 and started producing in 2011.

His goals are the same as every other producer/dj in the world (make awesome music that people love and dance to!)

Make sure you like my facebook page 
to stay updated with tracks/mixes and daily friendly not annoying posts :)

For remixes and questions just mail me on soundcloud or post on my facebook wall (link above)

Open for collaborations, just message me here or on facebook! 

Remixes/Originals Released On 
-Primal Filth Records 
-Dirty Red Records 
-Peak Hour Music
-PhetHouse Records

BACKBONE with Stormzy OUT NOW.

https://chasestatus.lnk.to/backbone

In a basement music-making studio in the south of England sit a bunch of machines. A Moog System 15, a Juno 106, classic Roland TR-808, TB-303 and TR-909s, an Emu SP1200, a Sequential Circuits Prophet 5, Akai MPC, a Mini-Moog… these machines have been some of the foundation hardware for electronic music over the years.

But these machines can’t make music by themselves. Despite all the hype about artificial intelligence (AI) and robots, these machines need somebody to collaborate with — a human — to draw out their soul and funk.

We’ve been fascinated by machine music since the second half of the 20th century, and electronic music has been powered by the ever-developing automation of new technology. “I’ve collected these machines for a long time now, and each one has a story,” says uber-producer Steve Mac, owner of all these machines. “Every time I buy a new one, the rule is that I have to make a track with it.”

The variety of people who drop by to play on these machines are what make the music coming out of this studio so diverse. Whether it’s house music legends like Marshall Jefferson or Danny Rampling swinging by, or cult Trainspotting author Irvine Welsh laying down some vocals on a German/Scottish kosmische disco ditty; a session with dubwise breakbeat rave act Genaside II to making a track with unknown guitar n’ bass whizkid Scott Booth; from working with young house hotshots Cousn from Bristol to some songs with a Brazilian band Steve met in the pub — these machines need humans to collaborate with. They can’t do it themselves.

The above-mentioned Brazilian band member Rafael Berrio provided the impetus for ‘Martina’, a Balearic Brazilian love story that’s the first single from Steve’s new project. It’s backed by a melodic breakbeat piece that also utilises those Brazilian vibes. “I want to make music from the heart,” says Steve. “It’s the interaction of people and machines that I’m really fascinated with.”

Each of these machines is a feat of engineering. Machines like these have created countless classic electronic music cuts, and lately Steve has been adding to that cannon — with a slew of tracks ready to go. The electricity is on. The motor is running. Are you ready for the sound of These Machines?

Empowering a creative and passionate community through innovation. Welcome to the Family!

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