fields

simple and gentle, warm and kind

Compilation of demos for the sound library Scattered Entity Vol. 1 for MachFive 3 available on patchpool.net

Scattered Entity

Scattered Entity Vol. 1 - MachFive 3 Sound Library

Demo combining several patches from the sound library Scattered Entity for MachFive 3 available on patchpool.de - 9 instances of M5, 100% MachFive 3

Time Flies - Demo Scattered Entity for MachFive 3

Performed by Nilper Orchestra
Conductor: Navid Gohari
22 August 2013
Roudaki Hall - Tehran

Peteris Vasks - Epifania

Improvising with the MachFive 3-patch "Celtic Harp" reverbrated with some B2 reverb.

Lonely Harp Vamp in B2 Verb - Demo Scattered Entity for MachFive 3

Ambient demo combining three waterphone patches from the sound library Scattered Entity Vol. 1 for MachFive 3 available on patchpool.de - 100% waterphone sounds, 100% MachFive 3

Waterphone Sphere - Demo Scattered Entity for MachFive 3

Three MachFive 3-patches from the sound library Scattered Entity Vol. 1 in one track - 100% MachFive.

Almost Innocent - Demo Scattered Entity for MachFive

Combining 2 pad sounds and some timpani rolls from the sound library Scattered Entity Vol. 1 for MachFive 3 in this demo. The library is available on patcpool.

Layered Nostalgia - Demo Scattered Entity for MachFive

“The sea’s only gifts are harsh blows, and occasionally the chance to feel strong. Now... I don’t know much about the sea, but I do know that that’s the way it is here and I also know how important it is in life not necessarily to be strong but to feel strong. To measure yourself at least once... to find yourself at least once in the most ancient of human conditions, facing the blind death stone alone, with nothing to help you but your hands and your own head.”

Tracklist: 

01 ÷÷÷ "Billie & Hitchhiker" by Michael Brook 
÷÷÷ http://michaelbrookmusic.com/
02 ÷÷÷ "Best Unsaid" by Michael Brook 
÷÷÷ http://michaelbrookmusic.com/
03 ÷÷÷ "Introduction" by LUKE HOWARD 
÷÷÷ http://soundcloud.com/lukehoward
04 ÷÷÷ "Color Connections" by Brombaer & Fljóta 
÷÷÷ http://soundcloud.com/brombaer
05 ÷÷÷ "And by Sweet I Mean" by Ben Lukas Boysen 
÷÷÷ http://soundcloud.com/hecq
06 ÷÷÷ "Les Oiseaux" by Armand Amar 
÷÷÷ http://www.armandamar.com/
07 ÷÷÷ "Going In" by Phole 
÷÷÷ http://soundcloud.com/phole
08 ÷÷÷ "The Day Before Yesterday" by Field Rotation 
÷÷÷ http://soundcloud.com/fieldrotation
09 ÷÷÷ "Forget Me Not" by Floex [edit] 
÷÷÷ http://floex.cz/en/index.html
10 ÷÷÷ "Dance With Night Wind" by Akira Yamaoka 
÷÷÷ http://www.lastfm.com.br/music/Akira+Yamaoka
11 ÷÷÷ "Couch Barrels" by Tipper 
÷÷÷ http://www.tippermusic.net/
12 ÷÷÷ "Open Me Slowly" by Rena Jones 
÷÷÷ http://www.renamusic.com/2/home.php
13 ÷÷÷ "You See Things" by Phole 
÷÷÷ http://soundcloud.com/phole
14 ÷÷÷ "Samorost Intro" by Tomas Dvorak 
÷÷÷ http://floex.cz/en/index.html
15 ÷÷÷ "Ungovernable Lust" by Steve Heaps 
÷÷÷ http://soundcloud.com/steve_heaps
16 ÷÷÷ "Traynor Lies" by Harry Gregson-Williams 
÷÷÷ http://www.lastfm.com.br/music/Harry+Gregson-Williams
17 ÷÷÷ "Autumn Leaves" by Bob Holroyd 
÷÷÷ http://www.bobholroyd.com/
18 ÷÷÷ "First Sleep" by Cliff Martinez 
÷÷÷ http://cliff-martinez.com/
19 ÷÷÷ "Intermission" by Magnolia 
÷÷÷ http://soundcloud.com/lukehoward
20 ÷÷÷ "Red Moon" by Jami Sieber 
÷÷÷ http://www.jamisieber.com/
21 ÷÷÷ "La Carrera Main Title" by Silent Music 
÷÷÷ http://soundcloud.com/silentmusic
22 ÷÷÷ "Maddy & Archer" by James Newton Howard 
÷÷÷ http://www.lastfm.pt/music/James+Newton+Howard
23 ÷÷÷ "Carte Noir" by Michael Brook 
÷÷÷ http://michaelbrookmusic.com/
24 ÷÷÷ "August" by Luke Howard 
÷÷÷ http://soundcloud.com/lukehoward

All voice samples from the Original Motion Picture "Into the Wild" directed by Sean Penn, check the track video under the player to watch the movie trailer.

This mix is also available at http://www.conceptaudio.ru/en/podcast/15

Enjoy the wilderness

Martim

Donate

"INTO THE WILD"

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

STRANGER THAN FICTION / Marc Forster - On the nature of daylight

WALTZ WITH BASHIR / Ari Folman - Andante   Reflection (End Title)

Demo of a new song. This was tracked in one take and has a bit where I seem to have spontaneously gone into Coldplay's 'The Scientist' at the end ahah!

I hope you like it!

Break It (Demo)

This is getting hard to bear
Face it I'm not getting through
I don't even think you care
For all the things I've won for you

I have been your champion
So why do you walk away

I brought you the skies
And the oceans too
By the look in your eye
The only thing I couldn't do
Is fail for you.

My neck is so weighed down with gold
My glory always on display
Strangers in the street behold
But you just turn your head away

I will be your victory
But still you walk away

I brought you the skies
And the oceans too
By the look in your eye
The only thing I couldn't do
Is fail for you.

Tornados EP out now on Parlophone - Download on iTunes here: smarturl.it/TornadosEPiTunes?IQid=soundcloud

Also available on CDEP here: bit.ly/19ZeCBF

E.P. Track Listing:
1. Nothing Stays The Same
2. Nearly Morning (Demo)
3. How To Lose Your Life
4. Tornado Town

www.lukesitalsingh.com 
www.facebook.com/lukesitalsinghmusic
twitter.com/lukesitalsingh
youtube.com/user/lukesitalsingh
http://lukesitalsingh.tumblr.com/

Fail For You

Something free for all of you, much love to all :)

Free Download

Laurelle & Alexander - Find A Way (SizzleBird Remix) [Free]

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

يك روز صبح پس از تولد دخترم بيدار شدم و يك ملودي ساده به ذهنم آمد كه باقي نوشته هايم شباهتي نداشت 
تصميم گرفتم تا آن را توسعه و به مجموعه اي تبديل كنم كه بيشتر زاييده ناخودآگاهم بود تا آهنگسازي به شيوه معمول . 
نتيجه ان اين ست كه بيانگر لذت ساده نهفته در زندگي ، زيبايي و اميد است 


One Morning. Soon after my daughter was born, i woke up with a simple melody in mind unlike any style i had written before .
I decided to develop the idea into a collection of simple melodies for an album that was merely a creation of my subconscious and not composed for a particular projector a specific genre of music. 
The result of is this whic embraces the simple pleasure of life. Beauty and optimism .

قطعه "سپیده دم" از مجموعه "سایه های خورشید" / اثر احمد پژمان

Bells

Composer, musician, producer, sounddesigner from Germany nowadays mainly working in the genres of orchestral and chamber music, film and theatre music, sound design, live-electronics and production music.

I'm using Soundcloud mainly as a backend for my websites patchpool.net and absynthsounds.com where I offer plenty of patches, samples and audio files for music and sound design production, so you will find thousands of demos here. To check out my music please visit my website and look for the MP3 link and/or have a listen to my production music on Audiosparx or take a sonic tour through my MP3 Store.

Waterphone Sphere - Demo Scattered Entity for MachFive 3

Sampleconstruct