LYRICS:
Ya ya
100 100
It's the V
Ay

Hundred hands in
Hundred bands in
Hundred points can't stop me

Got a hundred moves and a
hundred styles wearin'
loui vatton on my body

Won a hundred times
Then a hundred more
Got a crew and they all copy

ay 
Hundred hands in
Hundred bands in
Hundred points can't stop me


Rappin' I kill the game
Takin' my shots at fame
hundred times up in the air

Made for this shit
I be makin this hit
While I'm high asf brotha I swear

When you see me again
Legend is walkin' in
Straight up beast and I know it ain't fair

I got the power of 
zues in my top
wave my money like "Naw I don't care" ay 

Hundred hands in
Hundred bands in
Hundred points can't stop me

Got a hundred moves and a
hundred styles wearin'
loui vatton on my body

Won a hundred times
Then a hundred more
Got a crew and they all copy

ay 
Hundred hands in
Hundred bands in
Hundred points can't stop me

You can't stand bein' next to me
Shawty she be sextin' me
I'm the one who's next ya see
Music sounds like ecstasy

I keep my eye on the top
Wait for this money to pop
Arrestin' this beat like a cop
Soakin' you up like a mop

You got a problem I'm the solution
Fillin' the air like I'm a polution
You actin' strange, like hella confusin'
Can't comprehend the path I be choosin' 
All of my shot's they hit and I'll prove it
Using technique and timing and movement
I take Pop, HipHop and Rap and I fuse it
I like to ball I don't care if I lose it

Hundred hands in
Hundred bands in
Hundred points can't stop me

Got a hundred moves and a
hundred styles wearin'
loui vatton on my body

Won a hundred times
Then a hundred more
Got a crew and they all copy

ay 
Hundred hands in
Hundred bands in
Hundred points can't stop me

Hundred hands in
Hundred bands in
Hundred points can't stop me

Got a hundred moves and a
hundred styles wearin'
loui vatton on my body

Won a hundred times
Then a hundred more
Got a crew and they all copy

ay 
Hundred hands in
Hundred bands in
Hundred points can't stop me

100 Points

Amerika

Official Video

Exploding Ducks - Amerika [Extended]

Cruising Through the Night

'me' is an unapologetic ode to artist Prop's lived experience. Prop shares the highs and lows of his life's journey so far. I (BCor) knew I had my work cut out for me when I heard what Prop had wrote, I knew I had to create a sound that captured that feeling that Prop so eloquently describes.

produced by BCor.
written and performed by Prop.

thank u for all the love and support, I appreciate all ye 
#hiphop #hiphopmusic #rap #new #newmusic #undergroundrap #SCFirst #soundcloudrapper #soundcloudrap #2025music #music2025 

This ain’t a game... but lowkey it is 😉
Me and my homegirl Jayda Monroe locked in on something special for the culture. Originally had this track on a whole different beat, but I wasn’t feelin’ it. Then I linked with Daniel Whittington (CAPETOWNBEATS) and maaaan… history was made.
Put this one on repeat and let’s take it all the way to the 🌙🙏🏽

#VibeElevated #NewMusic #JaydaMonroe #CAPETOWNBEATS #HatchicistOnTheRise #IndependentMagic

GTA 6 ft Jayda Monroe (prod. by CAPETOWNBEATS)

Apologies for not delivering the full song but I switched mixers after hearing the first and 2nd mix from the usual guy and really, being at a loss for words as to what to say to improve the mix. So, I found a new guy and at least he made the verses sound good. I think I will shelve this one until later when I find a better mixer. The good news is that there was a mixer who described the gist of the song rather well and I would work with him except that I had already paid money to this second guy so I’ll be working with him for the Bond theme. I think the problem with the mixes I was getting is that the drums were too sharp (loud) and that was actually lessening my groove. Since my new theory is that groove is drums+interplay with another instrument (s), if you blow up the drums (which is what most of modern mixing seems to be about) you can’t hear the other instrument as much. Therefore, lessening the groove. A mixer should be able to find the balance.  Yes, that is headphone bleed you’re hearing and not purposeful psychedelia. That’s on me. 


This Part of You (Part 2 snippet)

Sea the Sky (prod. by Chiarelli)

“Can’t Clock Me” is more than just bars — it’s a message to everyone who ever tried to label me, predict my moves, or doubt my grind.

I come from nothing. No big studio. No handouts. Just a phone, a vision, and a fire that won’t quit.

This is for the ones who move in silence. The underdogs. The ones they can’t figure out…

You can’t clock someone who doesn’t follow their time.

🎙️Written and recorded by me, Kayden Kamo.
Mastered by Kayden Kamo and Fevvi

CONFESSIONS OF A BAD BITCH

Can't Clock Me

QWAY-LO delivers a moody, hypnotic vibe with NEARLY GONE — a downtempo-meets-hip hop instrumental that hits at 128 BPM in D minor. Blending atmospheric textures, minimal yet haunting background vocals, and crisp drums, this beat sets the tone without stealing the spotlight.

It’s smooth. It’s spacious. It’s nearly gone — but not forgotten.

Designed with intention, this track leaves plenty of room for artists, vocalists, or creators to make it their own. Whether you're laying down bars, crafting melodies, or syncing visuals, this is your sonic playground. Chill, introspective, and undeniably head-nodding — QWAY-LO sets the vibe, now it’s your turn to finish the story.

NEARLY GONE

Every time I’ve heard the word “gaslighting,” it’s been in the wildest twist of irony—coming from someone trying to gaslight me by accusing me of gaslighting. That’s manipulation at its finest. A psychological chokehold. A way to control someone without ever laying a finger on them.

This track is my take on that toxic push-and-pull—the mind games, the confusion, the emotional smoke and mirrors. I built it from the ground up: produced the beat, crafted the AI visuals, and fused my own vocals with AI’s for a surreal, almost haunting vibe. The result? A song that feels just as disorienting as the game it’s about.


Exploding Ducks - Amerika [Extended]

Sample Me