Name: Live @ Black Bear Lodge March 9, 2024 by sampology
Duration: 57 min 45 s
Description: my warm up set for Ron Trent, recorded live at Black Bear Lodge, Meanjin Brisbane for Ron's 2024 Australian tour.

Omg I love this mix!! Can i ask this tune at 30m? Thanks so much 🙏💗

https://www.nts.live/shows/ash-lauryn/episodes/ash-lauryn-16th-june-2022

Underground & Black w/ Ash Lauryn 160622

my warm up set for Ron Trent, recorded live at Black Bear Lodge, Meanjin Brisbane for Ron's 2024 Australian tour.

Live @ Black Bear Lodge March 9, 2024

Soul Stew presents Volcov - Part 2

We are very excited to share with you the recording from our last party in November, featuring our extremely special guest Volcov.

It was an incredible evening, one which we’ll never forget. We were treated to a masterclass from one of our biggest inspirations, the journey spanned 3 hours as the Neroli head took us through the motions of all things soulful and deep, playing with the poetic touch that only he does. 

At the request of Volcov, this recording is dedicated to our beloved friend Josie Howl who tragically left the dance too early in the weeks following the party. Josie was such an important part of the scene in Norwich, she will be forever missed on the dance floor as well as in our lives. Josie would travel with us across the UK to see Volcov play, we shared many precious memories dancing to Enrico’s selections. 

This recording is dedicated to her memory, the joyful energy and love she brought to the dance floor ❤️

Soul Stew Presents Volcov - Part 2

Kai Alcé bridges New York, Detroit and Atlanta scenes with soulful finesse in this session live from the London studio. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/kai-alce-16th-may-2025

Kai Alcé 160525

Another one straight from the vibe lab 🎶
This mix flips the script, blending the romantic feel of “How You Feel” with the bounce of “Dancing Cliché” in a way that feels like a true call and response.

Mixed live by yours truly, Trey LaShaé. Let me know how it makes you feel 💃🏽🎧

🔁 Stream it. Share it. Dance to it.
#CertifiedGroove #LiveMix

How You Feel X Dancing Cliché Live Mix Extended.mp3

Soundtrack Julius for Augustus

An infectiously feel-good selection of sounds from around the globe kicks off our We Out Here mix series, courtesy of Worldwide Fm’s @cocomariamusic. 

A specialist in Brazilian, South-, Central-American, and Caribbean wax, Coco hosts the regular “Club Coco” show on Worldwide FM transporting listeners to sunnier sides of the musical world. This hour-long compilation binds slices of bossa nova, samba, cumbia and all sorts of rarities, guaranteed to bring a smile to the face and tap to the feet. Thank you for kicking us off Coco <3

WOH MIX.01 - Coco Maria

“A reminder of the beautiful things in life,” is how Trent describes his mix for Bandcamp Week on crackaud.io. “These are my personal selections from friends and comrades who are making great music.” Irresistible grooves from one of the best to ever do it.

See the full tracklist on https://crackaud.io 

To keep going, we need your help. Become a Crack Magazine Supporter: crackm.ag/support

Bandcamp Week – Ron Trent

A 2-hour snippet of my all-day set at @nowadaysnyc Nov 3, 2019. Please share or repost if you are digging, enjoy! <3

Ash Lauryn live @ Nowadays Nov 3 2019

Sadar has been digging for records all of his life. In s time where Chicago was filled with DJ’s who played house and disco sounds, Sadar chose a different direction, playing rare, hard-to-find grooves.

Sadars own words on the mix:

"It's a mix of rare disco gospel and afro beat! Get ready for another Disco Beatdown"

AIAIAI Mix 025 - SADAR BAHAR

Ashong and Tatham release a special live recording to celebrate the release of their collab EP 'Sankofa Season'

https://mixmag.net/feature/in-session-andrew-ashong-kaidi-tatham-dj-mix-interview

Interview/tracklist

In Session: Andrew Ashong & Kaidi Tatham

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Live @ Black Bear Lodge March 9, 2024

sampology

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