Cool Vibes III

Suffer and Swim ft Allysha Joy

🎥 Official Music Video https://youtu.be/IhBuTATAr_E
📀 Stream: https://lnk.to/WayneSnow-NinaID
🛒 "Figurine" LP Pre-Order: https://lnk.to/WayneSnow-FigurineID

Nina is a celebration of the body, the self, the mind and nothing else. Do not look for the all-complicated.
Dance to free yourself from the shackles of the society that prefers you rigid and obedient.
Dance and stir as you see fit.
Like Nina do it wherever you like
Dance, lose yourself in the dance as if to find yourself
To dance is to let the soul speak, to let it guide you
Have no fear
Dance

Author: Wayne Snow
Composer: Wayne Snow, Nu Guinea, Benjamin Tierney.
Producer: Nu Guinea, Benjamin Tierny, Crayon
Recorded by: Jan Brauer
Guitar: Arne Braun
Bass: Jelmer De Haan
Drums: Pier luigi Ciaccio
Keys: Tim Granbacka 
©️ Roche Musique 2021 

Management : Niko Seizov niko@circleof.live 

Follow Wayne Snow : 
Website : https://www.wayne-snow.com 
Newsletter : http://eepurl.com/g80qRf 
News : https://linktr.ee/waynesnow 

Youtube : https://www.youtube.com/channel/UC0RZIAhcVSxknV-1qOp6xXQ 
Spotify : https://open.spotify.com/artist/4f44GWlEQdXaWl8gQ9sPBC?si=OAkz41isRBKmt6ovQ55BTA 
Bandcamp : https://waynesnow.bandcamp.com 
Soundcloud : https://soundcloud.com/waynesnow 
Instagram : https://instagram.com/waynesnowmusic 
Facebook : https://facebook.com/waynesnowmusic/ 
Twitter : https://twitter.com/waynesnowmusic 

Follow Roche Musique: 
Facebook : http://facebook.com/rochemusique
Instagram : http://instagram.com/RocheMusique 
Merch : https://shop.roche-musique.com/

Figurine

Nina

Listen

Nina (Roche Musique)

Mordechai Remixes

One to Remember (Forget Me Nots Dub)

ICARUS

Be My Muse (Gold Edit)

Hurray

Hurray (feat. Benjamin Epps)

Hey Boy

Introducing 'Soulé,' the first single from the highly anticipated upcoming album 'A place between us.' by Okvsho (@Soulofzurich). Emerging from a jam session gathering the blossoming young jazz scene of Capetown during Okvsho’s South Africa Tour, the composition invites listeners to surrender to its evolving cadence, meandering through a tapestry of groovy percussions, silky chord progressions and a symphony of delicate guitar licks and grounding string arrangements.

Okvsho:
“As we couldn’t take our band to South Africa and Eswatini, we found different musicians for every gig we played through Instagram and with the help of the people we met during our journey. We played different versions of Soulé at every gig, but only after our last show in Cape Town, we knew where this song was going. Back in Zurich we started to record with some of our long-time collaborators and friends and Soulé emerged, a beautiful collaboration between Cape Town and Zurich.”

“At the start of the song you can hear the legendary saxophonist Mthunzi Mvubu asking “in riddim?” after we asked him to use the saxophone as a percussion instrument during a recording session in Johannesburg.”

Okvsho - Soulé

Ibiza

Hear the track live on #TightSongs hosted by @freshselects https://www.mixcloud.com/FreshSelects/tight-songs-episode-108-july-2nd-2016/

** FREE DOWNLOAD : https://www.toneden.io/cosmic_children/post/marvin **

This Ain't Livin (Marvin Edit)

Off MR&RT, the first collaboration between producers Monster Rally (Los Angeles) and RUMTUM (Denver). Now available on vinyl for the first time.
http://goldrobotrecords.bigcartel.com/product/monster-rally-rumtum-mr-rt

MR&RT

Monster Rally & RUMTUM - Forest

Production @Nu Guinea
Mixed by @jan-b-300086776 
Mastered by @BenjaminTierney
Photo by @LeaGotfredsen
Artwork by @Krashkid

Lyrics:  https://genius.com/Wayne-snow-nothing-wrong-lyrics

Little brother don't you worry
Things will be fine
There's nothing wrong
In our struggle we feel weary stranded alone
There's nothing wrong

We've come so far
From bread to ashes
Thoses days are over
 Nothing wrong

We can be free
I know from within
It will be real
Nothing wrong

Nothing Wrong

Official Video: https://www.youtube.com/watch?v=2ScpnUpCsM4

'Pineapple' (Feat. @moses-boyd & @nerijamusic) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: https://BlueLabBeats.lnk.to/Xover

'Pineapple' is an interpolation of the song Yembele by Samba Mapangala.

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Pineapple (Feat. Moses Boyd & NÉRIJA)

Fast Love  (Unplugged ´96)

 Taken from Gilles Peterson 6 Music show. 

Nominated for Best Track of 2012 - World Wide Awards.

http://www.gillespetersonworldwide.com/worldwide-awards-2013-new-acts-announced-public-vote/


Produced & Arranged by Theo Parrish and Andrew Ashong
Drums - Andrew Ashong
Percussion - Andrew Ashong
Acoustic Guitar - Andrew Ashong
Fender Rhodes - Andrew Ashong
Arp Synth Bass - Theo Parrish
Slap Bass - Andrew Ashong

Flowers- Andrew Ashong & Theo Parrish

Stream/DL

David Blazer - Elemental Love (feat. Virginia Palms)

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Suffer and Swim ft Allysha Joy

sampology

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