Suffer and Swim ft Allysha Joy

By Lindsay Olsen

Austin Antoine - Vocals
Lindsay Olsen - Vocals
Robert Finucane - Keys
Bradford Tidwell - Guitar
Mike Rocha - Trumpet
Joe Salcedo - Bass
Etienne Rivera - Percussion
Amir Oosman - Drums

Mixed & Mastered by Amir Oosman

Touched The Ground

Introducing 'Soulé,' the first single from the highly anticipated upcoming album 'A place between us.' by Okvsho (@Soulofzurich). Emerging from a jam session gathering the blossoming young jazz scene of Capetown during Okvsho’s South Africa Tour, the composition invites listeners to surrender to its evolving cadence, meandering through a tapestry of groovy percussions, silky chord progressions and a symphony of delicate guitar licks and grounding string arrangements.

Okvsho:
“As we couldn’t take our band to South Africa and Eswatini, we found different musicians for every gig we played through Instagram and with the help of the people we met during our journey. We played different versions of Soulé at every gig, but only after our last show in Cape Town, we knew where this song was going. Back in Zurich we started to record with some of our long-time collaborators and friends and Soulé emerged, a beautiful collaboration between Cape Town and Zurich.”

“At the start of the song you can hear the legendary saxophonist Mthunzi Mvubu asking “in riddim?” after we asked him to use the saxophone as a percussion instrument during a recording session in Johannesburg.”

Okvsho - Soulé

Recorded as part of a four-day session at Berlin’s Brewery Studios with a cast of close collaborators from both Budapest and Berlin’s vibrant jazz scenes, Destruction Everywhere marks the beginning of a new chapter for Àbáse.

The track features Ziggy Zeitgeist (30/70) on drums, Ori Jacobson on saxophone, flautist Fanni Zahár, Andras Koroknay on bass and Ghanaian percussionist Eric Owusu. The release brings in an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russel Elvado, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.
credits
released March 28, 2024
Fanni Zahár - flute
Ori Jacobson - sax
Eric Owusu Sunday - congas, bongo
Szabolcs Bognár - Rhodes, Roland SH2000, clave
András Koroknay - bass
Ziggy Zeitgeist - drums

Written by Szabolcs Bognár

Recorded and mixed by Erik Breuer at Brewery Studios, Berlin
Assistant engineers: Rhea Sodemann, Heinrich Matis
Mastered at The Carvery Studio, London by Frank Merritt
Cover design and layout by Mark Fridvaszki

Oshu Records x Bridge The Gap x Analogue Foundation

Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.

Destruction Everywhere

London Soweto Blues- Juls Ft Jaz Karis X Ideal (Mashup)

Production @Nu Guinea
Mixed by @jan-b-300086776 
Mastered by @BenjaminTierney
Photo by @LeaGotfredsen
Artwork by @Krashkid

Lyrics:  https://genius.com/Wayne-snow-nothing-wrong-lyrics

Little brother don't you worry
Things will be fine
There's nothing wrong
In our struggle we feel weary stranded alone
There's nothing wrong

We've come so far
From bread to ashes
Thoses days are over
 Nothing wrong

We can be free
I know from within
It will be real
Nothing wrong

Nothing Wrong

Subdued EP

Where Are Your Branches? (Where Is Your Fruit?)

Lullaby Feat. Tom Misch

Khruangbin - Mr White (Thallus Remix)

Those following beat culture in the last years might have heard about Swiss producer @melodiesinfonie already. From his tracks on the early Soulection compilations, releases on Melting Pot Music and Sichtexot to countless live sets in Europe and even South Africa. We are very happy to now announce his first release on Jakarta Records. In comparison to previous output the most apparent difference is the extend to which Melodiesinfone incorporated live elements to his productions, achieving a more eclectic and organic sound. Get a first taste with the upcoming single „Longo Do Rio“ before the full length album „A Journey To You“ will drop 26th of April.

A Journey To You

PREORDER

melodiesinfonie - AO Longo Do Rio (taken from A Journey To You LP; April 26th)

NEW SOUNDS BY OKVSHO. 

Get "Kamala's Danz" NOW (12" Vinyl + Digital):
https://boyoomconnective.bandcamp.com/album/kamalas-danz

“Kamala is the manifestation of kama, which is all pleasure and individual experiences with one or more senses: hearing, tasting, smelling, seeing and feeling—assisted by the mind together with the soul. Experiencing harmonious music is kama, as is being inspired by natural  beauty,  the  aesthetic  appreciation  of  a  work  of  art,  and  admiring  with  joy something created by another human being...”

---

Credits:
Vocals – Sreya
Trumpet –Rachid Freudemann

© 2020, BOYOOM – ALL RIGHTS RESERVED

IT'S ALL LOVE.

Kamala's Danz

SUPPORT

Okvsho - Kamala's Danz (Official Single / Album OUT NOW, Vinyl + Digital)

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Suffer and Swim ft Allysha Joy

sampology