Suffer and Swim ft Allysha Joy

Written, performed and produced by Andrew Ashong
Which Way Records. R/D 27th January 2014

'Never Dreamed' - Gilles Peterson Worldwide BBC Radio 6 - 12/10/13

Vuelo Dubs the Master of Motown, "Mercy Mercy Me (the Ecology)"
Free DL forever and ever



Vuelo Meets Marvin - Lord, Have Mercy, Father, Have Mercy

Dose Album Credits 

1. Brother Dragonfly 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Cam Allen - Flute 
Steph Brown - Piano 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Julien Dyne - Drums, brushes 
Tom Broome - Cymbals 
Isaac Aesili - Programming, Synths, Synth Bass, Horns 

2. Freeloadubt 
(Daniel Ryland, Rachel Fraser & Isaac Aesili) 
Produced by Daniel Ryland and Isaac Aesili 
Rachel Fraser - Vocals 
Daniel Ryland - Programming, Keys, Bass Guitar 
Tom Broome - Hats & Ride 
Julien Dyne - Drums 
Cam Allen - Flute 
Isaac Aesili - Sub Bass, Horns, Programming 

3. Teacups 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Isaac Aesili - Programming, Synths, Synth Bass, Horns 

4. Te Kano 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Johnathan Crayford - Rhodes 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Tom Broome - 808 toms 
Isaac Aesili - Programming, Synths 

5. Treat the feel 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Julien Dyne - Drums 
Daniel Ryland - Guitar 
Isaac Aesili - Programming, Synths, Synth Bass, Horns 

6. Cherished 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Steph Brown - Piano 
Cherished 
Rachel Fraser - Vocals 
Isaac Aesili - Wurlitzer, Synths 

7. Dose 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Cam Allen - Flute 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Isaac Aesili - Programming, Synths, Synth Bass, Horns 

8. Desire 
(Rachel Fraser & Isaac Aesili) 
Produced by Isaac Aesili 
Rachel Fraser - Vocals 
Steph Brown - Rhodes 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Cam Allen - Flute 
Julien Dyne - Drums 
Isaac Aesili - Programming, Synths, Synth Bass, Horns, Percussion 

9. Shifting 
(Rachel Fraser & Isaac Aesili) 
Produced by Rachel Fraser and Isaac Aesili 
Rachel Fraser - Vocals 
Johnathan Crayford - Rhodes, Synth Solo 
Marika Hodgson - Bass Guitar 
Daniel Ryland - Guitar 
Tom Broome - Hats, Cymbals 
Julien Dyne - Drums 
Isaac Aesili - Sub Bass, Horns, Programming 

10. Do it 
(Isaac Aesili) 
Produced by Isaac Aesili 
Daniel Ryland - Guitar 
Marika Hodgson - Bass Guitar 
Isaac Aesili - Programming, Synths, Synth Bass 

11. Stutter Step 
(Isaac Aesili) 
Produced by Isaac Aesili 
Cam Allen - Flute 
Steph Brown - Rhodes 
Isaac Aesili - Synths, Synth Bass, Keys, Programming 

Vocals recorded @ Red Bull Studio Auckland by Ben Lawson 
Guitar recorded @ Organik Musik Workz by Ben Horton 
Steph Brown Rhodes and Piano recorded @ The Lab by Olly Harmer 

Production by Isaac Aesili @ Ariki International 
Mixed @ Red Bull Studio Auckland by Ben Lawson and Isaac Aesili 
Mastered by Kelly Hibbert

Dose

Sometimes life gets too loud.
Too many voices, too many directions, too much pressure to be everything at once.

This song is a quiet conversation with myself —
about getting lost, breaking down, and slowly learning to listen again.
Not chasing perfection, not running from the mess,
but finding truth in the middle of it.

Afrohouse rhythms carry the journey forward,
like a heartbeat reminding me I’m still here, still moving, still becoming.

“Slowly Me” #Afrohouse #Afrobeat Lyric & Music KS

Just Negotiate feat. Simeon Jones (Kaidi Tatham Remix)

'The Idea' (Feat. @nubya-garcia, @sheldon-agwu & Dylan Jones)
Buy or stream now: https://bluelabbeats.lnk.to/TheIdea

Follow Blue Lab Beats:
http://bluelabbeats.com
https://www.facebook.com/BlueLabBeats
https://twitter.com/bluelabbeats
https://www.instagram.com/bluelab_beats

The Idea (Feat. Nubya Garcia, Sheldon Agwu & Dylan Jones)

Elevate

Order 12" Album

Breaking (For This World To Change)

'Oooo Lala' (Feat. Kaidi Akinnibi) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: BlueLabBeats.lnk.to/Xover

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Oooo Lala(Feat. Kaidi Akinnibi)

Everything Is Always a Process (LP) out on Jakarta Records 
June 15, 2018

Left & Right 
Paris 2017
additional piano (Korg SV-1) & bass (Prophet 8 PE) by Jonathan Aréna

stream & buy:
https://bluestaeb.lnk.to/EverythingIsAlwaysAProcess

Left & Right (Everything Is Always a Process LP)

Off the back of their Meredith Music Festival 2019 lineup announcement, Melbourne wonky soul four-piece Karate Boogaloo have shared the second piece from their upcoming ‘KB’s Mixtape No. 2’.

This time KB gives us their flip on Mtume’s disco/R&B slow-jam “Juicy Fruit”. It’s a mid-tempo bounce, mellow and light to the touch with sprinkles of oozy synth and slide-guitar throughout.

Composed around a Linn LM-1 drum machine and recorded in under two hours, Mtume’s “Juicy Fruit” has had a lasting impact on the R&B and hip-hop scene with over 100 listed sample uses of the track. Most famously used in Notorious B.I.G’s 1994 hit “Juicy”, Keyshia Cole’s “Let It Go”,  Warren G’s “This D.J” & in Grand Theft Auto’s radio shows.

Following on from the cult success of ‘KB’s Mixtape No. 1’ - songs that were sampled into your favourite hits -, ‘Mixtape No. 2’ expands this theme with songs from the 80s that were sampled into your favourite hits! Out September 27 via Hopestreet Recordings.

Making up the rhythm section of long-time Melbourne soul favourites The Cactus Channel, KB consistently sit in their own lane – the combination of raw musicianship and sheer time on the clock in the studio and on stage gives them a glowing connection rarely seen. Making records, they follow their own rules; recording and mixing on tape with no plugins and no edits, releasing exclusively in mono. It’s not about anachronism, it’s about the KB manifesto: a chosen set of limitations forcing a specific outcome, an outcome best appreciated through their “KB’s Mixtape” series of LPs.

KB's Mixtape No. 2

Pre-Order LP

Karate Boogaloo - Juicy Fruit

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Suffer and Swim ft Allysha Joy

sampology