Suffer and Swim ft Allysha Joy

Michal Poncar started his playing in 1993 under a name DJ Face. In that times it was just in small places near Prague. As an eager Radio 1 listener he met Béla Némeshegyi and very soon he started to write reviews for Béla..s Pareniste server under a nickname Myclick.

In 1999 he was also contributing with reviews of new records to Tripmag magazine thanks to Honza Babka who was editor in chief in that time. One year later, after his work for Trance.cz server, Mellow with Dan Kafka offered him a collaboration with Techno.cz.

After reviews with unbelievable 13.000 types he is enjoying writting of voluminous reports from the events he took part in. He is preparing news from the world of dance music for this website and publishes DJ beginners..sets. Since 2004 you can hear him two times a week on
Akropolis Internet Radio in programmes Techno.cz on Akropolis Radio and Techno.cz In Da Mix where he is interviewing DJs and mixing live sets right in studio.

House in all its periods was his favourite. But there was basic change at the end of 2001 and the beginning of 2002. Then he was contacted by <a href="http://www.lucasross.net" rel="nofollow" target="_blank">Lucas Ross</a> the guitar player, Mataro purchased electronic percussion and Face 2 Face project had got its roughcast. Every performance took place with different guests and with different repertory. Five musician formation Face 2 Face with records and live instruments combination was performing beside small clubs also at Sazava Fest, Creamfields and several times in Roxy Club.

DJ Face currently enjoys first of all nu disco, deep house, dubby house and minimal house and an ideal performance is to him 
a nights Unplugged @ House boat U Bukanyra, House 4 Adults @ 2. patro with DJ Cubik, Groove Bar and Moovement with DJ Diom, Bar v Krymsky with MC Manda, Luft Cafe and Moje Muza with Pavel Aeling and Namax.


At the beginning of 2010 the circle closes and his big dream comes true... Side by side with his friends who he called about his musical wishes to the Radio 1 in the mid of 90th,
now he puts its own radio show Fluffy Clouds with legendary FlyBoyEda and soon with his longtime back 2 back partner in crime Diom every odd Sunday 15:00 - 18:00. Stay tuned: 91,9 MHz / http://www.radio1.cz!

didjay Soïzic ☯︎

. 76310 Seinomarine / '92 made

. Membre du Collectif Magma
https://www.instagram.com/collectif.magma?igsh=ajlndjExbHdvZnhl

🇵🇹 🇧🇷 
didjay Soïzic (fr) conecta as raízes Celticas dela para oferecer um Dj777 vibratório. Ela convida a dançar numa gira terestre tocando música de diferentes partes do globo e viajando nos estilos musicaís com influências Suramericanas fortes. + Artista eclectica e multidisciplinaria ; usando video autoproduzidas durante os sets e tocando anecdoticamente percuçaoes live  encima do som +
#drum #discofunk #brasilidade #dubreggae #jazzfusion #musicadafloresta #hits2000 #deephouse #bootyshake #klubmusic

° investit ses racines Celtes,  embrasse son présent d'âme Alchimiste Fée & garde foi en l'avenir d'un monde unifié °
* fairy sounds mixed with bouncy rhythms in an organic eclectic drums background *
~ Namorada da terra cultura  Brasileira, filha da Mata Atlântica e neo-bruxa ~ 
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Voyage chakral en diverses contrées globales terrestres & cosmiques. 
(he)Art(h) therapy with vibe & sounds coordinated.
Captadora de emoçãoes na alquimia dos sinais digitaís.
Ohùn ti ọkàn.

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Suffer and Swim ft Allysha Joy

sampology