LOVE IT! ❤️ STRAIGHT FIRE! 🔥 FULL SUPPORT 🙏  Featured on my latest show for UMT.radio, a back-to-back Funky and Jackin House collaboration with one of my favourite producers in the game, Corduroy Mavericks.  🔊 https://soundcloud.com/djaaronjames/aaron-james-x-corduroy-mavericks-on-air-016-oct-umtradio

vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Running Around

Club de Jazz

Unexpected Voyage

Postcards

Kousto - Postcards

Nutty Nys  - The Promise

The stupendously groovy "Berlin", is taken from Down-Under drummer and producer sensation Alexander Flood latest album "Oscillate" arriving soon via Jakarta Records. 

Combining bouncy keys (courtesy Berlin wunderkind Àbáse), crisp flute (via Brazilian composer Paulo Cedraz) and lush percussive rhythms (courtesy Alex), all underlain by a throbbing bass from Horatio Luna that perfectly rounds out this sure-fire dance floor groover. 

alexanderflood.lnk.to/berlin

Keep an ear out, "Berlin" is a perfect encapsulation of the kinds of infectious tunes to be come on the horizon for Alexander.

Alexander Flood - Berlin (Radio Edit)

Nachtbraker - Janus EP
Release : 22.09.2014
12" Vinyl & Digital

Track List:
A1 Alright 
A2 Braun 
B1 Janus 
B2 Warme Kachel
Digital Only : I Rest My Case

F: https://www.facebook.com/nachtbrakermusic

Amsterdam based House head Nachtbraker made his first appearance on "Apparel Music" and on Detroit Swindle's infamous HEIST recordings earlier this year with his fantastic "Gute Laune" EP. We are very pleased to welcome him to our Dirt Crew family and to release his new record.

Being best known for his smooth and deep production with jazzy and soulful elements he also added these ingredients carefully in these 4 new tracks. The opening track „Alright“ has this great cathy piano hook that progresses though the whole track and gives us that sweet old school House feeling, absolutely funky as hell and a standout track that will have you run to the booth to check what the hell it is... unique in every way.

The second track „Braun“ takes us to rougher and more bouncing Hip Hop like beats with spaced out sounds and great Detroit-ish chord progressions. The title track „Janus“ is the true Gem of this release, slow and funky with a tasty Bass Line that gets you moving like crazy once it drops. The whole track teases and teases until it finally opens up to House heaven in the latter part of the track. Last on this wonderful EP is the elegant „Warme Kachel“ or should we say „Hot Oven“ haha.. well the sound is in the title, a very warm and cosy little piece that gets you in the right mood for some heated party action.. either way as warm up track or cool down closing song this beauty will set the right mood for sure.

Hope you Dig this little Funky Ep as much as we do!

Buy @ beatport

A1 | Alright (DIRT082)

Inner Peace was born on a shoreline between two worlds: I had that moment in my head and wrote it only a little while ago, about the moment I decided I had to leave Sydney, and return to Europe to face my health problems, including my operated hips.

At North Bondi, watching my friends at one of our many barbecues and seeing strangers dancing to music nearby while the sun melted into the water toward South Bondi, I asked myself where my soul truly belongs. The lyrics follow that moment: the hush of the waves, the hidden weight we carry, and the tribal pulse that pulls us back to our center. It’s a ritual of letting go—of fear, of time, of expectations—until the beat becomes a compass and the night air feels like home. This track is my vow to patience and presence: to trust the tide, listen to the drums on the shore, and find harmony in the space between longing and acceptance. May it guide you, as it guided me, toward your own sacred place—Marbella, in the south of Spain.

Inner Peace (radio edit)

Shed Beets

Celadon

The dynamic NZ brother duo, known from Mule Musiq, Rhythm Section and their own In Dust We Trust, joins Volcov’s NEROLI imprint for a superb collaborative EP of highly emotional music!

‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.  Neroli gearing up for 2020 and its 20th anniversary in style!!!

Emotional Intelligence / It's Up To Me

Chaos In The CBD & Friends - Emotional Intelligence / It's Up To Me (Sampler) [NERO047]

Buy/stream 'Small Moments' now: https://rhythmsection.lnk.to/smallmoments/

Small Moments

Raro

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Running Around

sampology

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