vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Running Around

Jazz Club NY (Original Mix)

Jazz Club NY (Original Mix) [feat. Omari Clarke]

Juando - Doble Espresso 
Label : Omena
Release name : Doble Espresso
Release date : 03-Nov-23
Cat.no : OM047D

Release info
Juando delivers two solid house tracks on Omena.

Doble Espresso and Drifting On are both tunes with dancefloor appeal and gorgeously sun-flecked house influences.

If you want bouncy synths, bubbling bass, melodic brilliance paired with rich drum programming then this is for you.

Juando 
https://soundcloud.com/juandomusic

Label links:
https://soundcloud.com/omena-records
https://omena.bandcamp.com/

HSM PREMIERE | Juando - Doble Espresso [Omena]

Available on YouTube: https://youtu.be/wnfN0MxFtss

Artist: Bootie Grove
Format: Digital

Bootie Grove
https://soundcloud.com/bootiegrove
https://www.instagram.com/bootiegrove/
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Houseum
https://houseum.fr
https://www.instagram.com/houseum_
https://www.instagram.com/houseum_records
https://soundcloud.com/houseum
https://www.facebook.com/houseum.yt

Manhattan Jazz Club

Listen On YouTube

PREMIERE: Bootie Grove - Manhattan Jazz Club

The South London based Church imprint continue their output of quality house and techno music with the next instalment of their white label series from neighbour Laurence Guy. According to his bio, Laurence was “raised by strippers in the dressing room of a Chicago lapdancing club with only a stack of Prince records for company.” While we can’t confirm that, the maker of punchy house music has certainly got our attention. Taken from his upcoming EP of the same name, i-D exclusively share Kojak. The smooth summertime jam eases you in with the gentlest of percussion, synth whirs and chimes, before drums and blissfully distorted bass holds your hand all the way to groove town. Press play.
https://soundcloud.com/churchuk
https://soundcloud.com/laurenceguymusic

Connect to i-D's world! 
www.facebook.com/iDmagazineofficial
twitter.com/i_D
http://i-d.co

Premiere: Laurence Guy - Kojak

After months in the making, I am beyond excited to finally present to you my very first EP, Nuit Jazz.

Sax solo by https://soundcloud.com/wesley-maples

Out now on https://soundcloud.com/pole-position-recordings

Beatport: tinyurl.com/jl6ezs5
Traxsource: www.traxsource.com/title/754622/nuit-jazz
Juno: tinyurl.com/gvuum3b
itunes: tinyurl.com/j8ufvv9
Spotify: tinyurl.com/hurwsre
Amazon: tinyurl.com/jhmk7k6
GooglePlay: tinyurl.com/zjlntu3

🎷 Buy 🍸

Rose Cocktail feat. Wes Maples

Premiere over on Mixmag: https://youtu.be/RM21dfdZ7Ls

'Pollock Street Blues’ Completing the EP is this reflective, Trumpet based ouvre. A spoken word backing track sits underneath glowing Rhodes chords, perky congas and heartwarming synth strings. The star of this track is of course the lofty Trumpet solo echoing throughout the composition. 

BUY: https://fanlink.to/SBJAMZ003

Artist: @jad-lee
Label: @slothboogie

Bells Creek Road EP

Jad & The - Pollock Street Blues [SB JAMZ 003]

Available on YouTube: https://youtu.be/7xAM30sSXCE

Label: Happiness Therapy
Artist: Tour-Maubourg
Format: Vinyl (500 copies) & Digital
Cat Number: HT06
EP Title: Allégresse
Release Date: December 6th 2019
Support it: https://kuronekomedia.lnk.to/HT06

Following sold-out EPs on his headquarter Pont Neuf and other maxis on Folamour’s FHUO and FINA, the jazz-house phenomenon Tour-Maubourg makes his debut on Happiness Therapy!

The rising Parisian artist, ranked among the «most promising producer of the French house scene» according to Trax Magazine, provides again a subtle synthesis of jazz and house music. Mixing festive and melancholic sounds, this 5-tracker EP including 2 remixes from the french electronic music hero Art Of Tones brings together all you need to spend the autumn serenely.

Have a sweet trip, and grab the wax before they're all gone!

Tour-Maubourg:
https://soundcloud.com/tour-maubourg
https://www.facebook.com/tourmaubourgofficial
https://www.instagram.com/tourmaubourg

Happiness Therapy:
https://soundcloud.com/ht_france
https://www.facebook.com/HappinessTherapy.France
https://www.instagram.com/ht_france
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Houseum:
www.facebook.com/houseum.yt
www.instagram.com/houseumrecords
houseum.yt@gmail.com

Listen to YouTube

PREMIERE: Tour-Maubourg - Amicalement Votre [Happiness Therapy]

Little "house improvisation" with my cousin Xavier

All platforms: https://distrokid.com/hyperfollow/yambow/caf-cigarette

Instagram: https://www.instagram.com/yambow_wip/

Facebook: https://www.facebook.com/TheYAMBO/?ref=bookmarks

Contact: yambow.wip@gmail.com

Café Cigarette (feat. Xav)

Follow @simplexia-records to enjoy
much more great music. :)
https://simplexiaworld.bandcamp.com

Just like digging in a shop
we add new songs everyday, find enough music
to satisfy your taste and start new discoverings.

Tunes Like This ;)

Chaos In The CBD & Friends - Emotional Intelligence (feat. Nathan Haines & Dave Koor)

[Fm]

Tour-Maubourg - Manhattan to Brooklyn

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.