vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Running Around

Heavy on the Bacon

Coconuts

The stupendously groovy "Berlin", is taken from Down-Under drummer and producer sensation Alexander Flood latest album "Oscillate" arriving soon via Jakarta Records. 

Combining bouncy keys (courtesy Berlin wunderkind Àbáse), crisp flute (via Brazilian composer Paulo Cedraz) and lush percussive rhythms (courtesy Alex), all underlain by a throbbing bass from Horatio Luna that perfectly rounds out this sure-fire dance floor groover. 

alexanderflood.lnk.to/berlin

Keep an ear out, "Berlin" is a perfect encapsulation of the kinds of infectious tunes to be come on the horizon for Alexander.

Alexander Flood - Berlin (Radio Edit)

Fort Bellefleur

You Never Told You I'll Miss You That Much

Stream 'Naughty in da House' now : https://bfan.link/naughty-in-da-house

Listen to "Naughty in da House" by Sweg. Based in Hamburg, Sweg is a tech-house/house music producer who creates his own sonic universe by blending smooth house grooves with jazz, funk, and hip-hop elements, inspired by artists such as Tour-Maubourg and Felipe Gordon. "Naughty in da House," with its infectious, joyful house beat and jazzy instrumentation, delivers an upbeat and energetic vibe, perfect for setting the dance floor on fire.

Got the cure

Naughty in da House

Sweg - Naughty in da House

DC Promo Tracks #137: "Anyway You Want" by Tour-Maubourg is part of the upcoming release "Habemus Paname Vol III" on Pont Neuf Records @pontneuf @tour-maubourg

Pre-Order: https://pontneuf.lnk.to/HabemusPanameIII
https://pontneuf.bandcamp.com/album/habemus-paname-vol-iii

Subscribe to our weekly email: http://dreamchimney.com/subscribe

DC Promo Tracks #137: Tour-Maubourg "Anyway You Want"

About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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"WE CARE, BECAUSE U."

20 Sep 2018

D2THEL

Soul Wun - The Realist [CLIPP039]

Premiere over on Mixmag: https://youtu.be/RM21dfdZ7Ls

'Pollock Street Blues’ Completing the EP is this reflective, Trumpet based ouvre. A spoken word backing track sits underneath glowing Rhodes chords, perky congas and heartwarming synth strings. The star of this track is of course the lofty Trumpet solo echoing throughout the composition. 

BUY: https://fanlink.to/SBJAMZ003

Artist: @jad-lee
Label: @slothboogie

Bells Creek Road EP

Jad & The - Pollock Street Blues [SB JAMZ 003]

The dynamic NZ brother duo, known from Mule Musiq, Rhythm Section and their own In Dust We Trust, joins Volcov’s NEROLI imprint for a superb collaborative EP of highly emotional music!

‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.  Neroli gearing up for 2020 and its 20th anniversary in style!!!

Emotional Intelligence / It's Up To Me

Chaos In The CBD & Friends - Emotional Intelligence / It's Up To Me (Sampler) [NERO047]

//Youtube - https://youtu.be/GrABSC9xgAo

//Analog Advisory - http://analogadvisory.com/tour-maubourg-amicalement-votre-(art-of-tones-remix)/

//Review - http://analogadvisory.com/tour-maubourg-allegresse-ep-review/

Tour Maubourg
@tour-maubourg
https://www.facebook.com/tourmaubourgofficial/

Happiness Therapy
@ht_france
https://www.facebook.com/HappinessTherapy.France

Jazz-House phenom Tour Maubourg, makes his debut on emerging French house label 'Happiness Therapy' with a 5 track EP which includes 2 remixes by house music hero 'Art Of Tones'. Labeled as "most promising producer of the french house scene" by Trax Magazing, he has had sold out EPs on labels such as Pont Neuf, FHUO and FINA. 

Kicking the EP off is 'Allégresse' a hypnotic, head nodding, Jazz-House track with mesmerizing piano melodies, rhythmic percussions and  smooth walking basslines that create a sense of weightlessness. The perfect opening track for any occasion. 

Next on the EP is 'Stay' an upbeat percussion driven track with rounded out deep house basslines, raw crispy hi-hats patterns and retro melodics that complete this groovy house track.

The final track on the EP is 'Amicalement Vôtre' a laid back cerebral house track that tickles the brain with its soothing jazz trumpet melodies and trippy solo, brought together with calming piano loops. This track receives an excellent club ready remix and a after hours ready bass dub  by Art Of  Tones. The EP is out now so make sure to pick up the Vinyl before they sell out.

Allégresse EP

PREMIERE: Tour Maubourg - Amicalement Vôtre [Art Of Tones Remix] (HT06)

Follow @simplexia-records to enjoy
much more great music. :)
https://simplexiaworld.bandcamp.com

Just like digging in a shop
we add new songs everyday, find enough music
to satisfy your taste and start new discoverings.

Tunes Like This ;)

Chaos In The CBD & Friends - Emotional Intelligence (feat. Nathan Haines & Dave Koor)

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.