vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Running Around

Wait on Me EP

The Semimodular Bird of Jazz

Blanc

Loure is 22 year old, Melbourne based producer Thomas Guida. Deriving influence from a vast range of musical outfits, he delivers a refreshing take on his interpretation of Deep House. With the qualities of heavy flowing beats accompanied by smooth melodies and intricate brass, Loure takes inspiration from the forever progressive Melbourne music scene, delivering a unique mix of remarkably original and touching music. "Westside Movements" was written, produced and recorded on the inner skirts of Melbourne’s western suburbs. Gaining heavy influence from ongoing cultural movements currently gracing the streets of Footscray, the surrounding abandoned warehouses and the banks of the Maribyrnong River, this record is an Ode to the West and the joy, unity, and enlightenment it has and continues to provide to myself and all of those who choose to embrace its hidden beauties. Here is A2 "Keep it real" a wonderful deep-house cut for those lazy afternoons on the Atlantic shores, enjoy & breathe !

Pre-Order

PREMIERE : Loure - Keep It Real

There was a wild chorus which echoed through the square outside the parliament buildings - it was time for the people to get it together and take action against a regime which had broken and berated them for far too long. The sun was shining proudly in the sky as if God was watching down from the far away heavens up above. Each cheer became louder as more and more began to assemble and rejoice in the new found sense of expression the dawn of the day had brought. Now was the time...

Fade To Zaire is a longstanding party institution in London - the collective throw great events and have now entered the world of label management as they prepare to unveil their first EP.

PREMIERE: Ted Jasper - Get It Together [Fade To Zaire]

About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Follow Soul Wun > @soulwun

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000-919999-KETTY

"WE CARE, BECAUSE U."

20 Sep 2018

D2THEL

Soul Wun - The Realist [CLIPP039]

Premiere over on Mixmag: https://youtu.be/RM21dfdZ7Ls

'Pollock Street Blues’ Completing the EP is this reflective, Trumpet based ouvre. A spoken word backing track sits underneath glowing Rhodes chords, perky congas and heartwarming synth strings. The star of this track is of course the lofty Trumpet solo echoing throughout the composition. 

BUY: https://fanlink.to/SBJAMZ003

Artist: @jad-lee
Label: @slothboogie

Bells Creek Road EP

Jad & The - Pollock Street Blues [SB JAMZ 003]

The dynamic NZ brother duo, known from Mule Musiq, Rhythm Section and their own In Dust We Trust, joins Volcov’s NEROLI imprint for a superb collaborative EP of highly emotional music!

‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.  Neroli gearing up for 2020 and its 20th anniversary in style!!!

Emotional Intelligence / It's Up To Me

Chaos In The CBD & Friends - Emotional Intelligence / It's Up To Me (Sampler) [NERO047]

//Youtube - https://youtu.be/GrABSC9xgAo

//Analog Advisory - http://analogadvisory.com/tour-maubourg-amicalement-votre-(art-of-tones-remix)/

//Review - http://analogadvisory.com/tour-maubourg-allegresse-ep-review/

Tour Maubourg
@tour-maubourg
https://www.facebook.com/tourmaubourgofficial/

Happiness Therapy
@ht_france
https://www.facebook.com/HappinessTherapy.France

Jazz-House phenom Tour Maubourg, makes his debut on emerging French house label 'Happiness Therapy' with a 5 track EP which includes 2 remixes by house music hero 'Art Of Tones'. Labeled as "most promising producer of the french house scene" by Trax Magazing, he has had sold out EPs on labels such as Pont Neuf, FHUO and FINA. 

Kicking the EP off is 'Allégresse' a hypnotic, head nodding, Jazz-House track with mesmerizing piano melodies, rhythmic percussions and  smooth walking basslines that create a sense of weightlessness. The perfect opening track for any occasion. 

Next on the EP is 'Stay' an upbeat percussion driven track with rounded out deep house basslines, raw crispy hi-hats patterns and retro melodics that complete this groovy house track.

The final track on the EP is 'Amicalement Vôtre' a laid back cerebral house track that tickles the brain with its soothing jazz trumpet melodies and trippy solo, brought together with calming piano loops. This track receives an excellent club ready remix and a after hours ready bass dub  by Art Of  Tones. The EP is out now so make sure to pick up the Vinyl before they sell out.

Allégresse EP

PREMIERE: Tour Maubourg - Amicalement Vôtre [Art Of Tones Remix] (HT06)

Little "house improvisation" with my cousin Xavier

All platforms: https://distrokid.com/hyperfollow/yambow/caf-cigarette

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Contact: yambow.wip@gmail.com

Café Cigarette (feat. Xav)

We Can See That

Brandschatzer

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.