Riding a vibe of moody house soaked in his own distinct flavour of batida rhythms, Lisbon’s DJ Nigga Fox (@dj-nigga-fox-lx-monke) takes the 77 dance floor on a journey to far flung, funk-fueled lands and back again, leaving sweaty bodies in his wake.
Recorded live 07.08.22

Club 77 Live: DJ N Fox

Rain (Middle Name Records)

first single and title track from forthcoming 'Galaxy' seven track collaborative project from Sampology & Charlie Hill.
available vinyl and digital via Middle Name Records
https://middlenamemusic.bandcamp.com/album/galaxy

Galaxy (MNR006)

01 - Galaxy - Sampology & Charlie Hill

Places & Spaces Mix

Sampology - Floral Aural Mix vol. 1

Live and direct from Brisbane, Australia - listen back to Sampology's latest show for two hours of soulful house, broken beat, and global disco selections.

**For the first time in our 8 year history, we’re asking you, our listeners to help support and build a better Balamii. By subscribing monthly you can contribute to the future of Balamii and help us to continue to nurture our creative community. From as little as £3 a month you'll help cover the cost of generating thousands of hours of great radio and support up and coming artists. As thanks, you’ll receive a code for 20% off our merchandise (code sent 24-48hrs after you subscribe) as well as being the first to hear about our events. Our goal is to develop new features that improve our service and therefore build a better Balamii for our family of artists and listeners.**

Subscribe here - www.balamii.com/supporters

Sampology - November 2023

Sampology - Floral Aural Mix vol. 2

Lock in to Meg Paine w/ Squidgenini - tracks from Murrin, ASA MOTO, Minus 8 and more.

**For the first time in our 8 year history, we’re asking you, our listeners to help support and build a better Balamii. By subscribing monthly you can contribute to the future of Balamii and help us to continue to nurture our creative community. From as little as £3 a month you'll help cover the cost of generating thousands of hours of great radio and support up and coming artists. As thanks, you’ll receive a code for 20% off our merchandise (code sent 24-48hrs after you subscribe) as well as being the first to hear about our events. Our goal is to develop new features that improve our service and therefore build a better Balamii for our family of artists and listeners.**

Subscribe here - www.balamii.com/supporters

Meg Paine w/ Squidgenini - December 2023

Lock in for 2 hours of house, boogie, leftfield and more - Sampology played tracks from Shy One, ﻿Daymé Arocena, ﻿Gilberto Gil...

**For the first time in our 8 year history, we’re asking you, our listeners to help support and build a better Balamii. By subscribing monthly you can contribute to the future of Balamii and help us to continue to nurture our creative community. From as little as £3 a month you'll help cover the cost of generating thousands of hours of great radio and support up and coming artists. As thanks, you’ll receive a code for 20% off our merchandise (code sent 24-48hrs after you subscribe) as well as being the first to hear about our events. Our goal is to develop new features that improve our service and therefore build a better Balamii for our family of artists and listeners.**

Subscribe here - www.balamii.com/supporters

Sampology - December 2023

60 min of Sunshine Sounds including new releases I'm loving + rarities from my record shelves. 
Full tracklising here https://www.sampology.com/floral-aural-vol-3

Floral Aural #3


ReUploaded !!!!!!!!! MOODYMANN live..

Agaaainnn !!!
re upp !!!!!!!!
re caricato !!!!!!
re penjat !!!!!
إعادة تحميلها !!!!
Re učitao !!!
re hochgeladen !!
llwytho i fyny ail !!
re subido !

Kenny Dixon Jr is one Kool Kat I have had the pleasure of meeting, a gentleman, also one of my favourite producers, artists and DJ. This is a section of a radio show with Gilles Peterson, from when Moodymann arrives at the radio station, unitl he leaves.

Enjoy and whadup dawg !

Nice one on Gilles also.

This mix is PROMO ONLY, so If you like it, support it and spend money on the
artists, STOP and think about the ETHICS. FEED THE TREES of your LIFE.

Track List:
(()')
Gilles interview:
Moodymann - A Place Where Most Suburban Kids Think
Their > From // Mahogani Music
Moodymann - Black Mahogony // Mahogani Music
Amp Dogs Knight's - Im Doin Fine // Mahogani Music
Moodymann - Technolgystolemyvinyl
Moodymann - Shades Of Jae // Mahogani Music
Moodymann takeover:
Moodymann - Freaky Lil Mama // Mahogani Music
Norma Jean Bell - I'm The Baddest Bi**h // White
Moodymann - No Feedback // Mahogani Music
Sly Stone - Can't Strain My Brain // Epic
Andres - Roots // Mahogani Music
Moodymann - Mama's Hand // Mahogani Music
Moodymann - One Night // Mahogani Music
Moodymann - Telephone Blue // Peacefrog
Brougham - Musicians From the Summer Program For Youthful
(()')

thats it, if u like it, really do seek out and find a way to support the artists and buy their material or label material.

Link to listen to the entire Gilles Peterson show, here:www.filter27.com/archives/2007/10…les_peterson.php: www.filter27.com/archives/2007/10/moodymann_gil
MOODYMANN LINKS:
-
www.mahoganimusic.com/
www.myspace.com/moodymann313
-
www.discogs.com/artist/Moodymann
-
en.wikipedia.org/wiki/Moodymann

MOODYMANN and Gilles Peterson Radio Mix - Worldwide (11 Oct 2007)

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.