These tracks are being released as a celebration for the 10 Year Anniversary of Greg Belson's significant radio show  - Divine Chord Gospel Show on Dub Lab. These two remixes by the Divine Situation (Paulo Fulci and Greg Belson)  of Betty Griffin's "Free Spirit" add some fire to an already dancefloor friendly track. Coming out on December 9th you can pre-order at https://culturesofsoul.com/products/betty-griffin-free-spirit-divine-situation-remixes

BETTY GRIFFIN - FREE SPIRIT (Divine Situation NYC Downlow Rework)

Two hours of eclectic & esoteric disco from the Patchouli Brothers! @thepatchoulibrothers

LOOSE.FM

RADIO DODO W/ THE PATCHOULI BROTHERS - 18 JAN 23

DC Promo Tracks #1081: "Nona Hendryx - Keep Funkin for the World (FSQ Remix)" by Nona Hendryx is part of the release "Soul Clap Records: 11 Year Anniversary Compilation" on Soul Clap Records @soulclap  

Buy Now: https://soulclaprecords.lnk.to/11YrCOMP 
Dream Chimney Interview: https://www.dreamchimney.com/interviews/Soul-Clap/

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Nona Hendryx "Keep Funkin for the World" (FSQ Remix)

112 KBPS FILES - DON'T BE A DUNCE!

Stream & Buy - https://razor-n-tape.fanlink.to/79point5

79.5 is the sound of New York City. The Brooklyn-based band presents their forthcoming self-titled album on Razor-N-Tape.

Soulful and psychedelic, the collection’s masterful melodies may be hard to categorize, from 70’s underground disco to acid jazz to sugary sweet pop. Its very existence is a protest of the old boy’s club in the music industry. And, a personal triumph against all odds, while illuminating the most beautiful collaboration between friends.

79.5 is singer, songwriter and composer Kate Mattison, singer and rapper Lola Adanna, drummer Caito Sanchez (Charles Bradley, Lee Fields), bassist Andrew Raposo (Midnight Magic, Hess Is More) and sax player + flautist Izaak Mills.

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www.razor-n-tape.com​
www.razor-n-tape.bandcamp.com

79.5 Stream & Buy

79.5 - Long Term Parking

03. Craig Smith - Cosmic Habit Force (The Revenge Remix) SNIPPETS Master

Taken from the EP "Close To The Source" by Dan Tenor-City & Tom Funk Featuring Ricoh. 

Order - https://localtalk.bandcamp.com/album/close-to-the-source-ft-ricoh

Close To The Source

Dan Tenor-City & Tom Funk - Close To The Source (FT. Ricoh) (Original Mix) (Preview)

AMPLITUDES - Vendredi Club N°056

Sampology - Floral Aural Mix vol. 1

Updated Bio – Darius Cole

Darius Cole is an authentic new voice in the international House scene. Born in Los Angeles and musically raised in its streets, he has now found in New York the perfect city to shape his unique style: spoken, powerful, with soulful touches that add warmth and intensity.

A close collaborator of James The Soulful & Waves, and connected to Davis Jr, James Harry, and George Miller, he is part of the AERP🌀MUSIC family, emerging as a fresh voice in the Jackin’ and Soulful House scene.

Still relatively unknown to the wider House audience, Darius brings raw, genuine energy to the dancefloor, blending the roots of black culture with the modern sound of House music.
Jack the Night (Extended Club Mix)
DJ.LUCA.G & DARIUS COLE

Main Vocals: Darius Cole

Music: Michele Gambi, James Harry

Arrangements & Production: DJ.LUCA.G

Label: AERP🌀MUSIC (Italy 2025©️®️)

Jack the Night (Extended Club Mix) DJ.LUCA.G & DARIUS COLE

SO GOOD DUB ( DJ CHEEKE,EDIT )

Recuerda seguirme en Instagram @DjLiilblack, y escuchame en Apple Music y Spotify #AfroTech #MinimalTech #SoulfulHouse

Muchacho

FREE DOWNLOAD

Muchacho - DjLiilblack

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Sampology - Floral Aural Mix vol. 1

sampology