Very nice story, great video nice time-lapse. Milan :-)

Like the gradual evolution of sound in this piece. Very soothing!

@sp3ct3rs: thanks for generating smiles on this end :)

@regonsch: very pleased it gave you those feelings - thank you for the lovely comment.

Edit taken from the forthcoming one track album "La Commune"

La Commune

Midira Records

Porya Hatami & Monologue - La Commune (Edit)

The Belief System of the October Sky

Invictus

Jeff: synthesizers; field recording; voice
Bill Newbold: synthesizers

Replace Long Arms with Long Thoughts

“How to tell a story about being from a place you don't come from? The lives of both my grandmothers were marked by moving to the other end of their world. And this is how I was born in Warmia. A place that has repeatedly uprooted its history. From the Prussians to Warmians, Germans, and Jews, to the forced resettlement of Ruthenians and Ukrainians in the Vistula operation and repatriation of the Kresowiaks...” – Zosia Hołubowska

“Singing Warmia” is an attempt to deal with the lack of family archives and the inability to establish a relationship with the place of birth.

Instead of family stories, the album's material is photos of the artist's favorite places around Olsztyn (capital city of Warmia region), which were sonified using processes designed by the artists. Zosia Hołubowska follows Saidiya Hartman's critical fabulation, that is, the transformation of history that counters the violence of historical representations and archives. Singing Warmia expresses both the pain of exile and the gloomy beauty of the abandoned landscape: the slow current of the river grazed by tree branches.

This process concerns the landscape, or rather the soundscape inviting the voices of the spirits that inhabit it. The bends of the Łyna become the signals controlling the synthesizers. The arrangement of tree branches is translated into a melody, and the splashes of light on the waves of the river constitute a harmonic spectrum of sounds resembling the whispers and wailing of phantoms. This piece is another example of creative work with archives, following the "undoing" approach, which means deconstructing, collage reassembling, and animating the elements to reinterpret the performative and magical potential of the material.

The album is a rework of the 5 speaker concert commissioned by Canti Spazalizzati.

written, composed, and mixed by Zosia Hołubowska @zosia-ho-ubowska
mastered by Roland Nagy 
artwork by Peter Mazur 
font: HIDE productions

Buy Album

Zosia Hołubowska – I don't know the dialect hard to tell / Nie znam gwary ciężko stwierdzić

Winter's End

El Imperio De La Luz

Heyo! This is a very light take on a kind of a compact-built, melodic composition. Hope you like it. :) Cheers!

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And um, because maybe you don't know - Soundcloud searches completely omit regular hashtags, so i'll just type them here, because Soundcloud searches only scan the inside of this description box, but not hashtags... (it's a confirmed info) 

Ps: If you want to really search for a specific hashtag, the only solution is to click on it yourself (if you find it). 

_ _ _ _ _ _ _ _ _ _
Possible Hashtags: Ambient, Minimal, Sunny, Winter, Instrumental, Joy, Nice, Calm, Lovely, Electronic, Synth, Positive, Uplifting, Melodies, Cool, Chilly, Melting A Bit

Sun and Snow

Engulfed, the second track off of Wolf Moon

Engulfed

An instrumental from our last studio album, "Ease". Played entirely by Sean. Mixed by Jeff.

http://youtu.be/1PrNLZPyfL8

entire album at http://sampson-carroll.bandcamp.com

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Sampson - Carroll : Point on Slope

Dark to medium-light experimental ambient. Ethereal atmospheres and soundscapes. 

"Anything but your standard ambient fare…”
(From Dust #4)

"...subdued contemplation, sedating the chaos with soothing tonalities."
(Sonic Curiosity)



Sampson - Carroll : Point on Slope

Sampson - Carroll

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Ajna

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