Compositeur singulier, Kialiaski explore les frontières du son expérimental, de la poésie sonore et des paysages transversaux. Sa musique s’écrit pour l’image, le cinéma et le spectacle vivant, toujours au service d’une action émotionnelle et d’une recherche de sens.

Entre textures bruitistes, nappes cinématographiques et rythmiques sensibles, il propose un voyage auditif où chaque morceau devient un territoire d’expression libre.

🎬 Pour les réalisateurs, metteurs en scène, chorégraphes ou curieux en quête d’un son qui sort des cadres : abonnez-vous et laissez-vous surprendre.

📩 Contact / collaborations : kialiaski@gmail.com

Cinema for the ears - spoken action poetry - experimental music - Peur du Noir - Contemporary Art -

music for sex 

vex (at) afourchamberedheart . com



Ludovic Coullet explore les territoires de la musique électroacoustique, une démarche qu'il poursuit à la Cité de la Musique de Marseille. Au cœur de son travail, le son capturé dialogue avec les textures synthétiques. Il détourne des instruments électroniques, les arrachant à leur contexte EDM habituel, pour créer des fictions sonores où la machine révèle parfois une âme inattendue.

I am a Franco-German born in 1975 in Geneva and I was introduced to art at an early age. I studied arts in Nîmes and then at the Arts Décoratifs in Strasbourg, France where my teacher Jean-François Guiton introduced me to video art. Poetry and philosophy are also my main literary inspiration to enrich the visual subconscious that guide me.
	By exploring ambiguity through nuance, distortion or accident, I increase the dynamics between perception, interpretation and emotion. Using an often metaphorical poetic language, I amplify curiosity by blurring apparent meanings, thus producing unexpected mental images. Time and memory always play a key role. My protean work (sound, images, installation) is visible via short film festivals, galleries, concerts or shows.

Ohmodron is the unwanted child, given birth in pain, from what music has always tried to hide under a pile of junk, judging it too mongrel to legitimate it. The project made as a duo described itself as an improvised approach of sound, assuming high volume and exaggerated violence. Picking their influences between radical composers from early 20th Century, rythmless music and other protesting activisms, the project could be summed up into terms of opposition: No guitar, no laptop, no melodic subtlety, and no consensus. Their musical pieces are more similar with rough plastic clumps, tar smell, improvisations working by themselves once delivered to the audience. 
PL: Argentinean songwriter and composer, Pedro Lopez aka Peter Alfred is known for being the singer of the rock band Los Alamos who he performed with around the world. He has now a drone-folk solo project called Moondawn in which he explores several musical aspects, with or without a guitar. In addition to Moondawn, he sings and plays the guitar in the band Eastern Committee. Through all these projects, he is willing to create a sincere and straightforward music deprived of sham. 
ND: After studying sound work until his back hurt while having a SM relationship with his piano for many years at Marseille Conservatory, ND is now willing to think about the true meaning of this din and row noises while promoting them, and still loves to torture his instruments. He also plays keys and guitar with the Psyche Folk band Eastern Committee, and works on several other musical projects.

MONOBLOC (maj.) est un collectif de radio créé en mars 2017 à Monoblet, un village du contrefort des Cévennes.
MONOBLOC est une radio itinérante, elle fonctionne par événements. 
Elle diffuse épisodiquement dans des lieux dont la cartographie a été modifiée pour l’occasion.
MONOBLOC diffuse indifféremment : des créations radiophoniques, des entretiens, des reportages, des fictions, et puis des sons (musique), et puis des bruits (musique).

Composer, Performer, Media Artist

He studied Electronic Music and Composition at Conservatorio G.B. Martini (Bologna, IT) and at Hochschule für Künste Bremen (GER).
2015-16 he was Meisterschüler in “Temporal Media” at the HfK Bremen (Prof. Jean-Fraçois Guiton), with focus on interactivity between sound, image and gesture.
He improved himself through workshops with international composers, performer and sound artists such as D. Smalley, B. Parmegiani, S. Sciarrino, A. Mayr, F. Bayle, P. Billone, M. Belli, A. Soto, B. Fort, F. Maheu, L. Sonami, J. O’Callaghan, R. Normandeau.

Since 2018 he teaches Sound Design at the Hochschule Bremerhaven (Digital Media Department) and gives workshops about electroacoustic techniques for live sound in cooperation with Theater SCHLACHTHOF.

His soundtrack for the silent movie "die Leuchte Asiens" (1925, F. Osten) was screened at Berlinale 2018.

2018 he started the project ElekTrAktions, a multimedia electroacoustic performative serie in Bremen, in cooperation with Theater SCHLACHTHOF and the support of Senator für Kultur Bremen.

2017 he was finalist at the FRANZ LISZT - Scholarship (Akusmatische Komposition) in Weimar.

His works and activities spread among electroacoustic and instrumental composition, live music for performance, dance and theatre, free improvisation, sound direction, sound design for film and multimedia interactive installation, analysis of electroacoustic music. All shown in international festivals (GER, UK, FR, BR, IT, GR, NL, CA).

He regularly cooperates with different institutions in the field of free improvisation and multimedia performance, such as Ensemble New Babylon (Bremen, GER) Theater Bremen (GER), Weserburg Museum (Bremen, GER) and Tempo Reale (Florence, IT).

2010 - 2013 he was copy editor of MusicaElettronica.it, an Italian blog about experimental music and art.

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