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Management/Remixes/Press: Simon@thisismusicltd.com

Bookings: WW (Excluding Americas/Australia/Nz): John@higher-ground.de
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Bookings: Australia/Nz: S@bizarro.life

Press: tma@ninjatune.net

GANGSTA GRILLZ: EASTSIDE JACE out now: https://ffm.to/ggeastsidejace

Jace’s phone number might have an Atlanta area code, but his sound is untraceable. You may recognize him from the influential collective Two-9 or the duo RetroSushi, but it’s time to throw away any prior expectations. Jace has always operated in his own lane—psychedelic, moody, Southern but universal. Now, after years of evolution, he returns with a powerful new chapter: a collaboration with DJ Drama and Gangsta Grillz, dropping 10/31.

This project is more than a mixtape—it’s a statement. The story of a kid who grew up on one side of town and what that feels like, what that sounds like. It's about repping that section loudly, proudly, and honestly. “It’s such a big part of my identity when you come from here. I want to share that with the world,” Jace says. That authenticity shows up in every song.

After coming up as part of Two-9 and making waves with The Jace Tape, this project marks a reintroduction. It's a long time coming—and a big look. No features. Just Jace. Fully in his element, fully in control.

While the focus is squarely on Jace, the tape also weaves in some standout collaborations behind the boards and behind the scenes. Actor Woody McClain (Power) taps into his musical side on “Wild Ones” and “Might Let It,” while Iceberg Beatz sets the tone on “Rocafella.” And of course, there's something special from longtime collaborator Stoop Lauren with “Lil Yeah”—keeping it all in the family.

Jace’s music is a mix of contradictions—gritty and vulnerable, trippy and grounded, emotional and raw. His early influences stretch from New York lyricism (Rakim, Pete Rock & CL Smooth) to punk energy (The Ramones), filtered through the melodic experimentation of artists like Kanye, Chance, and early Drake.

“I feel like I’m a combination of all the different subgenres people listen to right now,” Jace says. “I can do melodic, trap-related, emotional, autobiographical—everything people want.”
That versatility shines here. It’s the culmination of years finding his voice outside the group, and now, he’s using it louder than ever. This isn’t just music—it’s representation, it’s identity, and it’s freedom. Welcome to EASTSIDE JACE. No skips. No features. Just bars.

'If U Like Me' - out now
https://DJSeinfeld.lnk.to/like-meSC

Worldwide bookings: 
ollie.seaman@teamwass.com

North/South America bookings: 
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All other requests: 
GS@285.Group

Booking: info@djwrex.com
Snapchat/IG: @djwrex

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

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