Hungarian friends Benedek Makrai and Kristóf Maczeovics, better known as SaberZ, teamed up in August 2014, and going strong ever since with huge tracks, getting attention from all the high-rollers within the EDM industry like: W&W, Tiesto, Hardwell, Timmy Trumpet, Blasterjaxx and many more, with the latest support from W&W having released the track "Rhythm Of The Night" together with Maurice West on W&W’s imprint Mainstage Music, under Armada Music.

2018 will without a doubt be the year of SaberZ, working on upcoming solos and collaborations with major artists, set to be featured on massive record labels. This year does not just hold massive releases, but also the first world tour where we hope to meet a lot of our beloved fans at the shows.
After the success of “Journey” back in July, SaberZ returns to Revealed Recordings with new 
offering “Epidemic”, once again showcasing why the Hungarian duo are two of the most in-
demand producers of 2018. ‘Epidemic’ has been a mainstay across the world in label boss 
Hardwell’s recent sets, with standout plays at both weekends of Tomorrowland and at Ultra 
Europe. 
The track starts with an ominous vibe, which sets the dark tone for the rest of the track, laced with percussive synth stabs, electronic flutters and a pounding hardstyle kick, which works in tandem with the growling, low bassline that pushes the track forward. The theme is switched on its head in the main breakdown, as a melancholic piano melody is introduced that quickly develops into a soaring big room synth lead that continues into the drop. 
SaberZ have accrued huge support over recent releases, with heavyweight names such as 
Hardwell, Blasterjaxx and W&W all taking notice of the young duo’s impressive production 
talent, and with ‘Epidemic’ that list is set to continue to increase.  

Be sure to look out for SaberZ at the nearest festival or club next to you, because they can be tuning in anytime. #ZTEAM

Promos: promo@saberzmusic.com

Management: jonas@saberzofficial.com
Press & Bookings(WW): jonas@saberzofficial.com

Argy, John Cala - BOOM OUT NOW
https://neworld.lnk.to/BOOM

Adriatique & Argy  RACER
https://lnk.to/QuantumEchoesPtI 

Argy, Eli & Dani, Peki, Osher - Chasing Highs
https://neworld.lnk.to/chasinghighs

Lost Frequencies, Argy - Summer Skies (Love To Cry) feat Rhys From The Sticks 
https://Lost-Frequencies.lnk.to/Summer-Skies

'NEW WORLD' OUT NOW 👁 :
https://argy.lnk.to/NewWorld

Management: 
hello@watsematter.com

Bookings: 
katarina@aceagency.com

<a href="http://www.beatport.com/release/damn-zack-and-zong/440059" rel="nofollow" target="_blank">www.beatport.com/release/damn-zack-and-zong/440059</a>
New Stylez Records-Techno / Minimal
NewStylezRecords, founded by former team leader of the booking agency NewStylezBooking, Kevin Foertsch and the Fulda DJ and producer Enrico Münker (sound pharmacy).
The label "NewStylezRecords" whose musical style is moving in a broad spectrum of techno &amp; minimal, should simply stand for one special sound in this area.
The artists take their productions to the basic elements of techno, which are due to individual factors and specific preferences restaged.
___________________________________
SoundApotheke
Booking:
 
New Stylez Booking
booking@new-stylez.com
Gregor - Tel: 0151 - 23 72 25 88
 
___________________________________
Biografie-englisch
In 2003 led to my first
Techno Party (clubhouse FD) bit
Special in my life, rather
said was the electronic sound
the turning point in my youth.
I dedicated my music taste
Since then, only minimal and
techno beats.
The style has been increasing every year
of select, special
and has developed from vocal house
to electro, to the present
State: a mixture of danceable
minimal 4 / 4 beat and rocking
Techno.!
One night I thought, why do
I was not music to my
Taste, but anyway if I ever
&nbsp;just looking at me. From this curiosity
out I have a love for music
intensified and myself in
Things&gt; Musicproducing &lt;
tries.
After nearly 3 years I have
finally my first successful
Tracks with the software Fruity
Sample loops of sounds ready
made. In the summer of 2009 came the
first positive feedback from
Friends, Dj's and people from
the scene.
Meanwhile, I begin my
self-produced beats
hang up and my veteran
Knowledge through constant practice. Now,
in 2011 I got my musical
Passion from hobby to profession
made. In addition to the
Dj activities, productions
electro technical field and the
Event planning my own
Party series (sound cellar)
I also produce soundtracks for
Commercials and corporate films.
In June 2011 I was invited by the prestigious
Booking Agency, New-Stylez, under contract
and I'm with my colleague Kevin Foertsch the
Label, NewStylezRecords, founded.
The first release (DamnZack'nZong Ep)
will be published in August 2011. Was remixed
this ep had Alex Kork (9voltMusic, CannibalCookingClub).
Further releases are planned as well, with remixes by
A.N.A.L. 
___________________________________
Biografie-deutsch
Im Jahre 2003 bewirkte meine erste
Technoparty (Klubhaus FD) etwas
Besonderes in meinem Leben, eher
gesagt gab der elektronische Sound
den Wendepunkt in meiner Jugend.
Meinen Musicgeschmack widmete ich
seither nur noch minimalen und
technoiden Beats.
Der Stil wurde von Jahr zu Jahr
auserwählter,spezieller
und entwickelte sich von Vocalhouse
über Electro, bis zum heutigen
Stand: eine Mischung aus tanzbarem
minimalen 4/4 Takt und rockendem
Techno.!
Eines Nachts dachte ich, warum mach
ich nicht Musik nach meinem
Geschmack,wenn ich doch sowieso ständig
 nur am suchen bin. Aus dieser Neugierde
heraus habe ich die Liebe zur Musik
intensiviert und mich selbst in
Sachen &gt;Musicproducing&lt;
versucht.
Nach knapp 3 Jahren habe ich
endlich meine ersten gelungenen
Tracks mit der Software Fruity
Loops aus Sampletönen fertig
gestellt. Im Sommer 2009 kamen die
ersten positiven Feedbacks von
Freunden,Dj's und Leuten aus
der Szene.
Mittlerweile beginne ich meine
produzierten Beats selbst
aufzulegen und routiniere mein
Wissen durch ständige Übung. Nun,
im Jahre 2011 habe ich meine musikalische
Leidenschaft vom Hobby zum Beruf
gemacht.
Neben den
Dj-Tätigkeiten,Produktionen im
electronischen Bereich und der
Eventplanung meiner eigenen
Partyreihe (KlangKeller),
produziere ich auch Soundtracks für
Werbe- und Imagefilme.
Im Juni 2011 wurde ich von der renommierten
Booking Agentur ,,New-Stylez,, unter Vertrag genommen
und ich habe mit meinem Kollegen Kevin Förtsch das
Label ,,NewStylezRecords,, gegründet.
Das erste Release (DamnZack'nZong Ep)
wird im August 2011 veröffentlicht. Geremixt wurde
diese Ep schon von Alex Kork ( 9voltMusic, CannibalCookingClub).
Weitere Releases sind ebenfalls geplant, mit Remixen von
A.N.A.L.
___________________________________

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Contact: joel@closelycuratedcollective.com
Bookings: martijn@dedicatedagency.com 🌏


Sample Packs: www.lstrsounds.com

instagram: listermusic
tiktok: listermusic

All new music/links ⬇️
https://linktr.ee/listermusic

Blasterjaxx present Maxximize On Air. Your weekly dose of banging beats through your speakers.

Maxximize on air =

100% Monster Tunes
100% Trouble with your neighbors
100% Musical Eargasm
100% Blasterjaxx

Share us with more than only your neighbors!

Samvibration is following