Name: Interlude - Fallen by Sista San AKA SistasanDra
Duration: 2 min 12 s
Description: Interlude - Fallen -Fire Ark Radio Production

golden fallen...so beautiful...higher fantastic trip,san&FAR🙌

I love the atmosphere and ebb and flow of the music. Creative and enjoyable song.

fresh dreamy vibes! feeling the experimental approach! dig it!

please don't ever stop doing this music thing you do, lol! Just fills a hole in me I didn't know I had  :)

Feeling this thanks for all the lov on my tracks

Great storytelling in the overall presentation of this piece !! And the way the vocal and keyboard comes together in great unity to sync up as one to convey the emotion of the song in done so very well. And your audio captures are just stellar. Sounds amazing.

"Whatever"is an '80s-style rock song. It talks about the world of disposable and temporary things we live in, where nothing lasts long enough to become real. Friendships, relationships, love — everything is plastic and fleeting. A time without memories.

Whatever (Tanto Faz)

It’s just like that, the way I recall,
Blurred-out words, nothing real at all.
I hit the street, but I’m not there,
Can’t see you — green or red, I don’t care.
I walk ahead, try not to glance behind,
Where I go, you don’t cross my mind — that’s fine.
What’s gone is gone, it won’t return,
The future waits, no need to burn.
It’s gone, it’s done — no more glory,
The fire wipes out every story.
Time just moves, it won’t relent,
Chasing wins, it kills the present.
And memory? It fades, it dies,
Just disappears before your eyes.

++++++++++PORTUGUES

Tanto faz é um rock estilo anos 80. Fala sobre o mundo de coisas descartáveis e temporarias em que vivemos, onde nada dura tempo suficiente para se tornar verdadeiro. Amizades, relacionamentos, amores...tudo é plastico e passageiro. Um tempo sem memórias.

Tanto Faz

É bem por ai, é como eu me lembro;
Palavras difusas, tudo fake;
Descubro a rua e não me vejo;
Não te enxergo, verde ou vermelho;
Sigo em frente sempre tento não olhar pra trás;
Pra onde ando não te percebo, tanto faz;
O que passou, passou. Não volta jamais;
O futuro te espera, fica em paz;
Passou, passou, não tem mais glória.
O fogo varre toda a história.
O tempo sempre segue em frente, buscando a vitória despreza o presente.
A memória se diluí, se desfaz.

Whatever (Tanto Faz)

Dusted off the trusty old Volca Drum machine to create the beat for this one. In years past I used it quite a lot, including on many of the early Smoking Trout tracks, but it had been a little while. I'm also continuing to experiment with longer stretches of guitar, and incorporated most of the synth arsenal on this one. This was kind of inspired by reading the news here in the US, a strange mixture of depressing and ridiculous weirdness haha.

End Time Blues

“180 Bars of Solitude”  by Luke

Still working on my Waltz composition..
So here’s another dark piano piece
the short version 😂

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“180 Bars of Solitude” by Luke

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

The Painter Birdy Hotel (1970)

Chris Junos is an electronic musician from Alexandroupolis, Greece, whose work blends IDM, soundscapes, and Balkan/Mediterranean influences, recorded live in a DAWless studio, reflecting a niche but growing trend in authentic, hardware-based music production supported by a 2023 study in the Journal of New Music Research on live recording’s emotional impact.

The album title nods to Aphrodite, the Greek goddess of love, whose mythological ties to Cyprus and cultural fusion with Near Eastern deities (documented in 8th-century BC orientalization per Wikipedia’s Aphrodite entry) may inspire Junos’ cosmic-themed artwork and ethereal sound, challenging the Western-centric view of Greek mythology as isolated.

Aphrodite's Chill

On This Side Of The Blues

Flowers.

Written in January 2024.

Published in July 2025.


During the first few months of last year, I was ill with my recurring kidney stone problems.

Fortunately, that passed.

I left some of the compositions I started unfinished, and some sketches were barely started.

This is one of them.

My mother lives in a typical Andalusian house in Seville.

One of the characteristics of these houses is that they usually have a courtyard where there are all kinds of flowering and non-flowering plants.

Obviously, they need to be cared for, watered, fertilized, etc.
My mother loves doing it, and in spring she reaps the rewards of her labor.

I always give my flower icons to the women I follow (I hope I'm not annoying them by doing that), so I thought it was interesting to draw inspiration from all of that to put this together.

17 Tracks native instruments MS2 & Old Xewton forum.
3 XPad 
2 iMini Arturia
1 iProphet Arturia
2 korg IM
1 Ob-xd 
1 flowtones 


Mix: my hear 
Software. Music Studio 2
Hardware.ipad

Cover. A part of the courtyard of my mother's house

Thank you for your comments

Next…. Crossroad

Flowers

En hommage à mon père, grand danseur de tango et grand amateur de musique argentine ( il n'est pas interdit, même aujourd'hui, de préférer en Argentine la musique et la danse au bruit des "tronçonneuses"!)

Comme cette idylle à Buenos Aires

Interlude - Fallen -Fire Ark Radio Production

Interlude - Fallen

Sista San AKA SistasanDra

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