Hi All

As you can see, I like to mix DnB and Garage music. All done on my trusty 1210s and 2 channel mixer - sometimes with a bit of help from Traktor, sometimes just my records.

I also have mixes available here

https://www.mixcloud.com/danwakeman90/

Thanks for reading and enjoy the mixes.

Snakey.

Cover photograph by Mitch Epstein.

Resident DJ @BrainRave Music

DJ'ing since March 2022
Drum and Bass nerd 24/7
I just want to make people smile and play tunes I love.  I hope they bring you even an ounce of the joy they bring me.  Live at Twitch.tv/noxdnb every Monday and Wednesday at 6pm Eastern US, so come through and say hello!

Contact: noxdnb17@gmail.com

*** Submissions: http://solosessions.net

Looking for more? Check out:

@lickitloud (House)
@deepanddishy (Deep House)
@novofm (Indie Dance/Nu Disco)
@fabcity (Hip Hop)
@drumwerk (Tech House/Techno)
@waveworx (Electro House/Progressive House)
@sunglazed (Tropical House/Dancehall/Reggaeton)
@59degrees (Chill)
@trappuss (Trap)

Instagram.com/kirollus__
upcoming shows: https://linktr.ee/kirollus
bookings ed@arcade-talent.com

Worldwide Bookings	
abel@fingerlickin.co.uk
+44 (0)20 7255 2660

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

-SWING WITH THE BIG BASS SOUND
-For gig enquiries, remixes or general chit chat contact me at: Rich@ragtime-records.com

C@ In The H@ (pronounced: Cat in the Hat), DJ & Producer who creates a fusion of early twentieth century swing and jazz, and chunky twenty-first century beats with bouncy electronic bass.  

Hailing from Birmingham UK with an innovative style called "Swing with the Big Bass Sound", his DJ sets are about mashing it up and having fun, bringing you Electro Swing & Vintage Remix with aspects of Turntablism, DnB, House, Hip Hop, Dubstep & whatever else fits into the melting pot.  

He is also Director at Ragtime Records alongside Tom ESC (Electric Swing Circus) & Duke Skellington (Vaude Villainz).  His releases have seen him getting a number of Spotify editorial playlistings (including a no.1 spot), tracks in the top 10 on Beatport, and his remix of 'Swingin' Together' has been featured on no less than 3 best of Electro Swing compilations. As well as producing music for Ragtime Records, he has also had releases on Freshly Squeezed, Pedigree Cuts, Breakbeat Paradise Recordings, Ton Liebt Klang, & Greenqueen Music.   

Since 2012, his music has secured him gigs at the most exciting UK Festivals including Boomtown, Shambala, Secret Garden Party & Glastonbury; as well as seeing him playing gigs all across Europe, and further afield including UAE & Thailand.

Check out Ragtime Records here: www.ragtime-records.com

Neekeetone aka Jah Beer, whose real name is Nikita Mironov, is a Russian-born selector, producer, and finger drummer currently based in Serbia. He is known for his work in genres such as jungle, drum and bass, dubstep  and UK garage. As a member of @championsoundrussia, Neekeetone has released numerous tracks and albums, including “The Trip” and “Exodus.”   His music is available on platforms like Bandcamp, Spotify, and SoundCloud.    For bookings, you can contact neekeetonebookings@gmail.com.

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