I'd love a track ID on this one. Sounds like it was playing in the background at a zoo when I was young!

ох ты ж епт...Тальков)) Класс))

Does anyone know this one? Would love to know.

Adelaide-based British DJ, producer, and Isle of Jura and Temples Of Jura label head Kevin Griffiths aka Jura Soundsystem joins us for the 21st edition of the Off The Record Mix Series. Coming in at 1 hour and 30 minutes long, Kevin's eclectic mix is a true reflection of everything that Isle Of Jura stands for - including tracks from Art Wilson, Telephones, Hotline, Andrew Weatherall, I Level, William Aura and more. Head on over to Off The Record to check out the full feature, interview and tracklist. Enjoy! 🙌 bit.ly/OTRMIX21

Interview & Tracklist

Off The Record Mix Series 21: Jura Soundsystem

Long time pal and driving force behind Invisible City it's Gary Abugan (@invisible-city) from Canada serving up the 29th mix in the series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Gary. How's life in Toronto today? Did you manage to do some more gardening? :)

IC: We have a really nice garden in front of the shop and also at home in my backyard, both get some nice sun and shade and are where I spend all my time. So yes, gardening everyday ;)

MFM: (Before the pandemic hit) You've seen quite a few bits of the world by now while touring. How would you describe Toronto as a city if you had to promote it to the readers who haven't been there yet? 

IC: It’s summer here now in Toronto and we’re in the middle of a heatwave. We’re lucky to have an island with nice beaches as a nearby getaway via ferry. Toronto is a very large sprawling city compared to most European cities. Our multiculturalism definitely sets us apart. We have heaps of reggae and island music here along with lots of record shops, and the variety of food here can’t really be beat. I miss giving guided Invisible City tours of the city to any traveling DJs passing through.

MFM: Would you say it's a good place for an artist to be, whether being a young upcoming talent or professional and all in between?  

IC: Sure you can make it here if you’re skilled/talented and not overbearing, the problem is that there isn’t that many music venues to play. Between the crazy expensive visa you need to play the USA and the costs of flights to Europe, we are kind of isolated musically. Rent is crazy expensive here and most artists have another job, but I’m not sure if Toronto makes it specifically harder or easier compared to other cities. 

MFM: People may know you as the driving force behind Invisible City, the record store and label. How much time do you spend with the one compared to the other? 

IC: I would say pre-Covid more focus was on the shop and getting that to a sustainable level and stocking the store. We didn’t even have a sign for years until recently. During Covid, when the shop was closed for about a year and a half, a lot of focus was on development and signing artists paying advances and getting back into production. I learned alot about Music Publishing too… Laura helps me a lot with organizing everything, label and shop, I would be lost without her.

MFM: Looking back on running a record store and label for over 10 years now, what would you say are some key changes that took place over time?

Back then there were not that many reissue labels and it wasn’t as competitive or extensive, now everyone has a reissue label. I only wanted to put out records that I was strongly connected to or somehow found on a whim. If someone showed me a record, I would ask them if they were planning on reissuing it, now people just go ahead. It’s crazy how many reissues there are so it’s challenging now as a label to dig even deeper. The record shop also was really niche and specialized in the past and now there’s just more in each genre. It’s still pretty curated, but I am finding that I didn’t know a lot of good common records, so we like having “high end cheapos”. I like that most people can just come off the street and buy records now, although we still have some niche stuff too. It feels overall more balanced and varied and for the people.

MFM: The label seems to run at a nice and slow pace. Is it on purpose to not have a heavy and steady output? 

IC: I like to only do a couple records a year, it’s only me and Laura who do it all and it takes me ages to figure out artwork, I’m very picky. The shop, DJing, and occasionally throwing parties also takes up a lot of our time. We always have a lot on the go. I also like to focus on one or two artists at a time, but also it costs a lot of money to make a record! Now things are totally slowed down and our plant says I can’t get pressings out till next March!

MFM Mix 029: Invisible City

@marwanfilali

https://undertheapricottree.net/marwan-filali/

Apricot 18: Marwan Filali

A previous guest of honor at H.A.N.D. as we debuted the series with a recording of his first class workings at Have A Nice Day a few years back - Piers Harrison presents us with yet another generous offering to our new mix series. One of the minds at Test pressing and 1/4 of team Soft Rocks, Piers' insightful relationship with music and dance floor culture has clearly led to a discerning understanding in a wide range of genres - kindly displayed in this pleasant excursion - listen carefully :)
@soft-rocks

Sound Metaphors Mix Series 04 : Piers Harrison

Josh, one part of the bubblegum crew, has got to have one of the most unbelievably deep collections going. Tuning in to his instagram is a guaranteed ticket to drool central. Those hip to the Dublin scene have probably caught him at the infamous audiophile spot Hang-Dai. Outside of this bubble though, this cat keeps a very low online profile. That is why I am immensely excited and privileged to share a truly nuts first extended session from the turntables of his home. 

Lights down low for this 🌃

@joshwha

Joshwha ... #24

Evie Weily, Sydney bound busy bee, is no stranger to the scene. As an avid music publicist and writer, her ear couldn’t be closer to the ground for what’s hot. Expect laidback synthy sounds to float you through day and night. 

Big love to Evie for the all killer no filler - don’t sleep

@evieweily

Evie ... #25

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

A survey of some of my favorite songs from Japan, mostly 80s, many "classics," and some obscure gems to boot. xo, JAZ

My Favorite Songs from Japan

JEX OPOLIS - SANPO 040

Hailing via Ontario (CA), Brandon co-founded the famous "inivisible City" Record Shop in Toronto which has since then released some important re-issues on the self-owned label and generally become a haven for the local record-digging scene. 

Around 2016/ 2017, however, Brandon has parted with Invisible City and it certainly did not take him long to establish his own fantastic label "Séance Centre" which does not solely focus on the music  but instead situates its releases in their individual cultural and physical environments via visual modalities like photos and documentary but also word-based comunication such as interviews, essays or storytelling.

It was immediately clear to us that his approach fits perfectly with 5918mins. and so we are glad that Brandon has contributed this summer special full of goodness, seamlessly meandering between more experimental and pleasing sounds. Perfect for the current heat wave.

Brandon Edward Hocura (Séance Centre)- Summer Mix

We had the pleasure to put together some of our old & new favorites for our dearest @gintonic-6 's DJ de Quartier mix series.

"Dive into the Other Side of Midnight and get to know the story of a Mystical Man in his Ocean of Dreams. Like Sorcery, there will be Bluebirds & Silhouette Calls... you'll get Lost in your Meditation Blues and eventually be Found, Star Dreamin’. This is An Attempt At Understanding Love (Pt's I, II, III, IV & V) on a Rare Summer Night..."

DL the mix and check other great DJs contributions here: https://stepasidemtl.com/

Painting by Linda & Norm.

JEX OPOLIS - SANPO 040

Sanpo Disco

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