Name: Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221 by NTS Tuesday
Duration: 2 h 37 s
Description: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

jesus... so fucking nice!!! what a track!!!!!!! @pender-street-steppers ID pls guys?? =)

any chance on this one plz ? ☀️ @suzannekraft

006 Myles Mac

Myles Mac has been adding colour to Melbourne’s electronic music scene for over a decade now. His presence is felt across a number of seminal productions: from the Lost Weekend parties at Boney – where a few of Waxflower’s own shared late nights and sweaty mornings – to his pairing with DJ Camov and the formation of Project 95 and, of course, the world renowned Melbourne Deepcast label and mix series responsible for showcasing local and international artists. Myles stands out from the crowd as a consummate curator of feel good times.

Big Mac played amazing mixes for us at Waxflower throughout his residency. This one provides a glimpse into his exceptional taste, sleuthing between jazzy vibes and street soul and hip hop. No doubt if we locked the doors and begged him to keep playing we would have ended up deep in Mac’s first love: house. Shifting gears and pleasing ears – that’s Myles Mac.

Recorded Live at @Waxflowerbar

006 Myles Mac

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Heeeere weee gooo. A little blast from the past. Starting off with slow and sexy swings and quickly upping the tempo to move ya hamstrings. Raphaël Top Secret played an all too sweet set at Post Bar in February 2019 (when most people woulda laughed at the idea of a pandemic hitting in a year, hah). And it’s all on tape. Hit it.

Post Recording 019 - Raphaël Top-Secret

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

020 John Ross

Over the years I've bumped into John here and there, all over the place. At one point, by chance, I even worked on an IT project with him, we never actually spoke, and I can only remember John being the guy who wore the large fancy headphones (probably an early sign of his passion for music). We'd continue to cross paths on those niche Facebook music groups too ('Rotation' for example). 

When we were opening Waxflower, he stuck out in my mind as someone who'd be great to have play through their no-doubt thoughtful collection. I knew he had spent time in Brazil and we'd talked about Bossa Nova collections, so I'd only hoped that we'd get to here worldly and carefully selected gems. That's exactly what happened! John has a truly wonderful trove of music, and this brilliant mix only begins trek his long path of digging.

Surfing in with rhythmic waves of Brazilian Bossa Nova, slowing it down into street soul-esque jams, and picking the tempo back up to close things out – There are only jams here, with Portuguese vocals and musing melodies trending through the whole mix.

“Some, may say,
I'm wishing my days away, no way!”

Recorded live @waxflowerbar with @johnross020

John Ross live at Waxflower 21st June 2022

020 John Ross

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

SWAYMIX 001 - Telephones

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

"A late 2022 recording trodding through a swamp of precarious pop, zooty b-sides and muddy dubs fortified with a peppering of dub siren." - @good-block

B.P.T. Radio 061: Good Block

just-us records is a collaborative dig, online shop, and sometimes record label by Bill Spencer, who lives in detroit and Izaak, who lives in San Francisco. the two of them dj frequently in their respective cities and occasionally elsewhere. their mutual obsession with and love of all kids of sound has catapulted them, together, through the vastness of recorded music and the possibilities of sharing it with others. this particular mix is put together from a multi-year effort to explore the worlds of independently-produced R&B, Soul, Jazz, Hip Hop, etc. etc. from the CD/PC era of the early 00’s. We hope you enjoy just as much as we did!

Just Us Records (Bill & Izaak)

The Planet Trip and 1800 triiip boss themes his mix around love and loss, journeying through everything from reggae, rap and soul to boogie, house and new jack swing.

Interview: https://www.stampthewax.com/2021/01/27/diggers-directory-mike-who/

Diggers Directory: Mike Who

NTS is a global radio platform broadcasting music from over 50 cities around the globe, live 24/7

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

NTS Tuesday

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