An adaptation of Pink Floyd's Astronomy Domine with a Philip Glass feel.

Published on SC 1 July 2024

Work in progress

Oberon, Miranda & Titania (Pink Floyd cover)

A little symphonic, not especially danceable, but hopefully charming. A duet of digital synths.

Righteous Mayhem

Remixed, tweaked and remastered versions of the first three tracks my lockdown project from back in 2020... Originally mixed on very cheap headphones so I thought it would be interesting to revisit with some better kit. I'l upload the rest of the tracks at some point...

Trans-Lunar Injection

Cast of Characters:
One Man Verity Show-- @one-man-verity-show – Scotty -- guitar
mistermark-- @user-432503709 -- Mark – percussion and triangle 
cgmaness-- @user-419254289-15129531 – Chris – guitar
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- five string fretless bass, seed idea
Composition-- The Eclectic Collective
This song started with Josh coming up with a bassline and the arrangement. He started it as a project for the Eclectic Collective, so they were all immediately involved. Ken first laid down his rock solid groove of a drum beat to complete the rhythm section. Scotty was first after that, adding some melodic/rhythmic guitar magic to the mix. Stephen then blew the doors off of it when he added his melodic, dirty guitar to it. JJ was up next with his funky electric piano to fill it in. Chris then came in and added the trippy, swirling, psychedelic guitars. Mark also came along towards the end and added some really cool, but subtle percussion, and if you listen for it, a triangle in there, too.
  Of course every good song needs a good producer. Stephen was able to wrangle this into a good mix, thankfully. He also very cleverly came up with and added the psychedelic break in there between the first and second verses. Chris also added some really cool vocals to that part, too.
  This one was a lot of fun to make, and was our second song with Scotty, with whom we really enjoy making music. Josh named it such because he wanted the spirit of welcoming lots of musicians to come through. We hope you enjoy listening to this song as much as we enjoyed making it.

Come On In (Eclectic Collective)

short.PV↓↓
https://www.instagram.com/reel/C6wDGC0yrJK/?utm_source=ig_web_button_share_sheet&igsh=MzRlODBiNWFlZA==

Struggle and live..
Let's live in this world we live in now with our feet on our feet!!!👍✨

Struggle and live...

C-Book Burning

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

Golden Sword (2015) Anthology CD1 Track 07

Jump

info: I re-replaced the soundcloud-mastered track (which was far too slick) with the gritty, under-produced and more lo-fi original (in which the birds sound more like themselves, at least)

https://www.dw.com/en/southern-germany-hit-by-catastrophic-flooding/a-69239541

method: today‘s field recording (near river Schussen with rain dripping on the umbrella that shielded my recording device) , voice, bandoneon
narration: flooding
image: today‘s flooding of the Schussen – you can hear bells ringing across open space from the village steeple of Eriskirch to your left, copyright jo richter

poem / copyright jo richter:

der regen kam und blieb

selbst die gummistiefel der
bauern – und die bäche – wer
könnte nehmen, all das
nehmen – weg-
gespült, einfach fort-
gespült, die gummistiefel

(viel zu wuchtig an
schlanken reiherbeinen)

eltern setzen ihre kinder
in körbe – die alten
dürfen nicht sterben (wer
könnte bei dieser erde 
ein grab ausheben)

es ist noch nicht ganz sommer
(und irgendwo, in irgend-
einem ozean, wird ein winziger
walfisch geboren)

der regen aber blieb und blieb

interlinear translation:

flooding // rain came to stay // even the wellies of the / farmers – and the brooks – who / could have taken, have taken / all this -  up- / rooted, simply washed / away, the wellies // (far to bulky for / skinny heron legs) // parents placing their children / in baskets – the elderly / are not allowed to die ( for who / could dig a grave in / heavy earth ) // it is not fully summer yet / (and somewhere, in  / some ocean  a wee whale / is being born) // rain, however, stayed to stay //

hochwasser

Made in Logic Pro X with my Minilogue XD and Arturia Microfreak.

Technoid

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

C-Book Burning

Sanshu Seiso [Experimental Artist]