skidat/great track/full house/no doubt /got clout

Techno Pop

non.life is the name of the metaverse made by Versality, the fictional megacorp in Versality, the novel by Rollo Carpenter, aka @ollora and @muterial

Human life would barely have hung on without non.life

https://non.life
https://versality.com
and https://soundcloud.com/muterial/versality

non.life

Vidéo :  https://youtu.be/Jq81565UD6g

Les parisiennes       Texte : Sanzen

Souvent elles passent, complices ; 
en des jardins amis ; 
leurs yeux profonds et beaux, 
comme des ruisseaux lascifs. 

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ? 
Me dit un jour, un ami. 

Vieil homme, au banc ami, 
au coeur de Paris...
Se promènent dans des parcs, 
de jolies demoiselles. 

Elles parlent toutes les langues, 
les filles de Paris. 
Assises aux terrasses, 
étudiantes ou amies. 

Chassent mon crépuscule, en instants délicieux...
En des jardins amis, aux plaisirs vaporeux, 
je grimpe d'éternels escaliers/en tête, une idée !  

Leurs poitrines remplies, 
exhalent des parfums, 
en minutes folâtres, 
aux détours des allées. 

Leur coeur Orchidée embaume, 
mes heures parisiennes : 
Au soir de ma vie,  
vieil homme, au banc ami. 
 
Souvent elles passent, complices , 
leurs cheveux longs et lisses. 
Leur coeur potelé,
me comble de délices. 

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ? 

  Chassent mon crépuscule, en instants délicieux...
En des jardins amis, aux plaisirs vaporeux, 
je grimpe d'éternels escaliers/en tête, une idée ! 

En tableaux parisiens, les jolies demoiselles, 
passent souvent, complices, 
leurs yeux plein de malice. 

Au coeur de Paris, elles se tiennent la main. 
Le long des quais, leur doux parfum...
Souvent dans les parcs, on les croise : 
légères je les aime. 

Au coeur de paris, vieil homme au banc ami...

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ?

Les Parisiennes    Sanzen / Illos

The Tabula Smaragdina (stressed tábula smarágdina, Latin for "emerald tablet") is a text traditionally attributed to Hermes Trismegistos, which forms the philosophical basis of Hermeticism and is considered the foundational text of alchemy.

The Tabula is one of the most famous texts of alchemical and hermetic literature. The twelve or so dark, allegorical sentences reflect the idea of a interrelation between the microcosm and the macrocosm. That which is below is like that which is above, and that which is above is like that which is below, an eternal miracle of the One.

The oldest extant version of the text is found in the appendix to a 6th century Arabic manuscript. Translated into Latin in the 12th century, the Tabula was commented on and received by many alchemists in the Middle Ages and increasingly in the Renaissance period. Even after the emergence of modern natural sciences, its fascination, at least for occultists and esotericists, remained unbroken until the present day.

Die Tabula Smaragdina (betont tábula smarágdina, lateinisch für „smaragdene Tafel“) ist ein traditionell dem Hermes Trismegistos zugeschriebener Text, der die philosophische Basis der Hermetik bildet und als Grundlagentext der Alchemie gilt.

Die Tabula ist einer der berühmtesten Texte alchemistischer und hermetischer Literatur. In den rund zwölf dunklen, allegorischen Sätzen spiegelt sich die Vorstellung eines Zusammenhangs von Mikrokosmos und Makrokosmos. Das was unten ist, ist wie das, was oben ist, und das was oben ist, ist wie das was unten ist, ein ewig dauerndes Wunder des Einen.

Die älteste erhaltene Textversion findet sich im Anhang zu einem arabischen Manuskript des 6. Jahrhunderts. Im 12. Jahrhundert ins Lateinische übersetzt, wurde die Tabula im Mittelalter und verstärkt im Zeitalter der Renaissance von vielen Alchemisten kommentiert und rezipiert. Auch nach Entstehung der modernen Naturwissenschaften blieb ihre Faszination zumindest auf Okkultisten und Esoteriker bis in die Gegenwart ungebrochen.

Tabula Smaragdina

C-Disco Nocturne

H-Soft Serve Machine

P-Beautiful Kisses

Z-Synth Technica

E-G for Gorilla

The Manitoban - Part 1

A Little Magic

Orambur

The world is a pretty shit, worrying place right now. So play this.

Top Of The World

MMXXIIIIIIXIXSWTN

Written by Terry Reeves, 1981
Recorded in a dusty attic, Wallington, Surrey, 1983
Terry Reeves: Vocals/ Guitar 
Brian Reeves: Guitar
John Palmer: Bass
Gary Reeves: Drums

Back in 1981, there was a major news item on the front of the tabloids involving two young teenagers who had committed suicide in a car. They left a note saying that there was no point in carrying on living as they had no job and no money. Unemployment was the highest it had ever been at that time, so it made the headlines. This song was my comment. There was nothing great about the Thatcher government and yes, I was there. (Terry Reeves)

LYRICS

Work hard at school and you will succeed
Get the pieces of paper that you need
You will get there if you are the best
But what happens to us, all the rest

CHORUS
NO JOB, NO MONEY, NO LIFE, NO POINT
NO JOB, NO MONEY, NO LIFE, NO POINT

Discipline will curb your greed
Much more training's what you need
It's better now than it's ever been
Hard times like these we have never seen

CHORUS X 2

Lets tell the truth and not live a lie
No piece for us of that money pie
The youth are the future that's what we're told
But what will they tell us when we're too old

CHORUS X 2

So what's the point in carrying on
Growing up is just one big con
Haven't listened to a word that's said
Perhaps you'll listen when I'm dead

NO JOB, NO MONEY, NO LIFE, NO POINT
NO JOB, NO MONEY, NO LIFE, NO POINT

Final Choice - Root Division (1983)

WILD ORCHIDS 
Here Without You.
Lead Vocals - Robyn Youlten
Harmony Vocals - Chris Scheri
Flutes - Chris Scheri
Engineered and produced by Chris Scheri
Cover inspired by Three Doors Down

Wild Orchids Here Without You

New Album! Bandcamp!
★[Dual Katana] 
★[no ambient, no life]
Check it out!

E-G for Gorilla

Sanshu Seiso [Experimental Artist]

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