｢変身 ~ FIRST TRANSFORMATION｣

Concept music for a graphic novel.

Music written, produced, performed, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Sleep and Death, the Children of the Night" (1883) by Evelyn De Morgan. Edited by me.

This track is not to be used to train AI.

TRANSFIGURATION

ＴＲＡＮＳＦＩＧＵＲＡＴＩＯＮ

The Moonlight Sessions

A Glimpse Of Whats To Come

A Separate Reality mixed up by Llanpsych
Josh - composition, bass, keys and slide
Ken - drums and tremolo guitar
Tez - lead guitar and mixing up

Mixed Up Reality - with Entheogenic Psychonaut (Josh Clary) and K2 and the Three

1. Loose Bruce
2. It's Your Fuckin' Birthday

2023-04-26: Middle Ages Brewing

DRUMAX No. 13 // SOULMATES
@docfritz // Composition, Arrangement, Soundscape, Rhythm-Design, Drums, Mix & Production
@joerxworx // Electronic Wind Instrument, Horn-Arrangement & Synthesizer
© 2022 by docfritz and joerxworx // DRUMAX PROJECT

DRUMAX No. 13 // SOULMATES

bring some roses

E-Lima

method: Sending back and forth, reworking and creating in collaboration with re-evolution café orchestra who composed all the music and played all the instruments. To enjoy more, listen here:  https://soundcloud.com/re-evolution_cafe. Apart from the poem, I added field recordings and partook in the editing.
narration: I live in a region that is home to some space industry – more importantly however, this region is also home to marvellous nature. This poem is nourished by many concepts and theories, most notably the colonial ideology of space as the „new frontier“ as well as Whiteheads „fallacy of misplaced concreteness“ and Nagel‘s thoughts expressed in „What is it like to be a bat“. It is also fed by the human-tamed beauty of reed landscapes around lake Federsee which can be seen in the photo I took.

gedicht / copyright jo richter:

welch unvorstellbare macht
muss die masse im erdkern
beleben, das wasser, die erde,
die wurzeln sicher zu halten

zu wahren, die landschaftsfalten
wie eine große gebärde
ins weltall zu richten, das fern
sternlicht um sternlicht entfacht

des tags wuchert das grün
höher und höher empor
bis der wind braune samen
biosphärenweit streut

welch wuchskraft, die sich nicht scheut
sich bis zum astralen
zu wenden aus schwarztiefem moor,
anarchisch und kühn

so müsse auch mensch sich recken,
heißt es, sich loszulösen,
zu den sternen zu streben,
geballte planetenmassen

mit erdensproßsinnen zu fassen,
sich aus den symbiosen zu heben
und seine bedürfnisblößen
xenobiotisch zu decken

welch trugschluss, den leib
dort zu bewegen, wo geist
sich angleicht und fragt: wie
ist es, so zu erleben

die saat darf und muss schweben,
sich aus massewucht lösen, die
sie hielt, doch wie weit sie auch reist,
das schilf, das sie treibt, verbleibt



interlinear rendition:
reeds at lake federsee // what incomprehensible power / has to inspire the mass in earth‘s core/ to hold, to keep the water, the earth / and the roots securely // the folds of the landscape / akin to a giant gesture / directed into the cosmos which lights / star after star in the distance // during the day, the lush green rises / higher and higher / until the wind distributes brown seeds / across the biosphere // what power of growth, not hesitating / to turn towards the stars / from the black deep of the moor / anarchic, courageous // thus man would have to strech as well / people say, to loosen their ties / per aspera ad astra / to measure dense planet masses // with earth-grown senses / detach themselves from symbioses / and cover their bare and many needs / with xenobiosis // what a fallacy of misplaced concreteness to move the body / where the mind adapts and queries / what it is like / to experience like that // mind‘s pollen may and will hover / free itself from the power of mass which / had held it but however far it will travel /  the reed that grows it remains where it is //

schilf am federsee -  with re-evolution café orchestra

Immovable

Venyl is
Jacob : Bass
Sebastian : Drums
Hans : Keybord
Klaus : Vocal
Per : Guitar

Let Me Intertaine You W/ Venyl, Recorded live in rehearsal room with 2 mics

Just a humble slow motion multi layer jam, 63 BPM :-)
... keyboard, EWI brass and EWI bass, each layer improvized in one go ...
photo by Ian Edokov on unsplash

drifting

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

E-Lima

Sanshu Seiso [Experimental Artist]