■video
https://youtu.be/y3UokERI1vE

■概要(Overview)
ころんころんぱっぱと
子犬がダンスをしています🐶
PrivateからPublicへレッツゴー。

A puppy is dancing, rolling and rolling🐶
Let's go from Private to Public.

■歌詞
子犬がダンスを誘っているようだ
よろよろ　アバンギャルドな身のこなしで

ころんころん　ぱっぱ
ころん　ぱっぱ
ころんころん　ぱっぱ
ころころ　ぱっぱ

(ころんころん　ぱっぱ)
(ころん　ぱっぱ)
(ころんころん　ぱっぱ)
(ころころ　ぱっぱ)

遊び疲れたね
眠たくなったね

■Lyrics
It's like a puppy is inviting you to dance
With its shaky, avant-garde movements

Roll, roll, pap
Roll, pap
Roll, roll, pap
Roll, roll, pap

(Roll, roll, pap)
(Roll, pap)
(Roll, roll, pap)

Tired of playing
Feeling sleepy

子犬のダンス(Puppy dance)





song of pure dog love  written by Ceviche for my son... ...I translated it then sang it for the humans...goes something like this....

Good Boy

I will walk you home
I won't say much
Sniff the ground
Mark the dust
I want to please, to share your point of view
This unknown path
It's ours to steer
Inside my head I keep you near
Always true,
Always there for you

Black as night
My fur, it sheds
It's on the floor 
And under the bed
Always there is work for us to do
Fill my bowl
With that Roll and Kibble
Pick up my droppings
And my dribble
It's true, 
How I need you

It's sometimes hard to tell ourselves 
To be soft instead of strong
We bark before we've thought it out
No words to sing our song
But the road you travel every day
I want to tag along
Let me be your good boy
I'll always be your good boy

Behind these eyes there's all this love for you
When you're alone, feel my heart so true
I'll keep you warm on this cold dark afternoon 

We will race them streets
From dawn to dusk
Portage to Millway
With that bike of rust
Always love to run next to you
I wanna be your good boy
Let me be your good boy
I'll always be your good boy





Good Boy

This is my tune played on air by  BBC intoducing, for un-signed artists.

Space Brother-Space Sister(Airplay)

Composed in honor of Scotland, fantastic country and people.

27 Doors opening

workinprogress/still/yetupdated

Cast of Characters:
Cgmaness – https://open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version. 
  
We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a ferocious, but more riff oriented, and less chordy line throughout.
  
Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well. 
  
This is an example of an Eclectic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective (The Eclectic Collective with cgmaness)

J-Baiji

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

With things so bleak and frightening at the moment, I thought a wee fun country number might bring a smile or two, for a moment anyway.
For the lovely Finse, Happy Birthday my dear! <3
Music, Lyrics, Vocals, Guitar, and Harmonica - Lizzie Taypen
Cover painting - Lizzie Pentland

Them Hitchin Angels

Recording sessions from 21-02-2024 - 15-07-2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI / No samples
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL- Gustave Moreau (Oedipus and the Sphinx)
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Under the Wings of the Sphinx-1

Cinematic, Soundscape and Expressive Thematic Compositions

08 Where We Come To Meet

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

J-Baiji

Sanshu Seiso [Experimental Artist]