'Edifions des temples absurdes' morceau extrait du 3ème album de M'Z intitulé 'La civilisation de la graine ?' sorti en 2022

Ici joué en live au cinéma de Mirepoix (09) lors du ciné concert des groupes du collectif la Barraque, organisé par le collectif La Barraque et l'association Dirt and CPU le 5 décembre 2024 :
https://youtu.be/2P7n5PQgVjI

"La Civilisation de la Graine" le troisième album du projet, est une réflexion musicale sur l'essence de nos organisations patriarcales et notre tendance à nous organiser en civilisations, certes élégantes mais indéniablement injustes, éphémères, violentes et bancales. 8 morceaux pour tenter d'analyser ces phénomènes.

Edifions des temples absurdes :
Le second morceau de cet album est un amusement sur le temps, l'intelligence, le savoir-faire, la science, le génie et l'énergie dépensée à construire des édifices à la gloire de dieux de plus en plus uniques et de plus en plus masculins, concentrant de plus en plus de pouvoir en une seule et unique entité.

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Écouter ce morceau et le télécharger gratuitement ici

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Il devient de plus en plus difficile d'être musicien indépendant, alors votre aide, si vous aimez cette musique et que vous n'êtes pas encore totalement fauchés, me sera des plus précieuses.
N'hésitez pas à commander mon album ici :
https://matzizrecords.bandcamp.com/album/emancip-s-du-vide

et à me soutenir en achetant ou simplement en écoutant et partageant les albums passés, plus globalement sur mon bandcamp : 
https://matzizrecords.bandcamp.com/

En espérant vous croiser très bientôt dans la vie réelle.

Mathieu TORRES
M'Z
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Merci beaucoup à Samantha Colom et Stéphanie Artaud pour les prises de vue.

M'Z - Live Mirepoix - Edifions des temples absurdes ( Video In Description)

Suffocated by my dreams terrorized by my life. Conversations in my mind creep through secret tunnels, stepping out into the light of open spaces. I feel the blood draining from my face, as I hear whispers of denial from pristine cages mingling with homeless mothers. Who loved the day and pray for another. The dying embers of freedom colors are fading into the blackest of nights. Walking through shadows that leave the mist of time, my fingers are holding fragment of what’s left of my life


Recurring Discord

A bit corrected version of this track now is online.
A little track that I've made today in couple hours for UJAM Discord contest https://www.ujam.com/blog/subcraft-remix-contest-waiting-for-a-sign/ for track remix with a use of SUBCRAFT - sub bass and kick drum synth. https://www.ujam.com/subcraft/
Of course NO AI INVOLVED.
You can listen to the original mix here: https://soundcloud.com/ujam-instruments/subcraft-audio-demo

Unfortunately, I didn't manage to get on the podium, but you can listen to the winners on this playlist: (I will link this playlist when it is officially released)

I've used:
Ableton Live 11 Standard
ujam USYNTH Drive (which I got for free)
ujam SUBCRAFT - trial version
ujam FX Finisher Micro (free)
ujam FX Reverb 1 (free)
Kontakt player 8:
Heavyocity Foundations Staccato Strings (free)
Project Sam Free Orchestra 2 - Bold Legato Brass (free)
iZotope Ozone 9 Elements (I got it for free)
iZotope Ozone 11 Elements (I got it for free)
Arturia Filter MS-20 (got it with my Audio Interface, I think)
Valhalla Supermassive (free)
Universal Audio Teletronix LA-2A Level compressor (got it on UA giveaway last year for free)
Analog Obsession BUSTERse classic console compressor (free)

Picture in thumbnail Freepik: https://www.freepik.com/free-photo/portrait-humanitarian-volunteer_10855790.htm

Waiting for a Sign (R.U.R.'s REMIX with SUBCRAFT)

'Wishful Thinking' is is a mixed genre track of easy listening, ambience and soundscape. I've called it Ambient Fusion for the sake of a Genre.....

The Three Ps

Wishful Thinking

J-So Happy Things

Waves

Another track from my new Album. Thanx to Mike Bryant for recording and producing this track and the whole Album!  This Moment. 

You're High

Collab with Wilfried Hanrath; https://soundcloud.com/wilwilwil

Reimagining Below the Sky (Wilfried Hanrath & Hega)

This is an original song I recorded some years ago that describes the transition when seeing your son come of age as you (the parent) has to let go and adjust to a changed role in his life. Some regrets occur, thinking that the time to do certain things with your child has come and gone, perhaps you could/should have done more.
This was recorded back when I wrote it, so my recording techniques were not very advanced and I lost the master, left with just an MP3. I want to thank Nat Daniels and her production skills for helping make the most of improving the sound, although there was only limited opportunity to undo all its flaws. She also added some lovely piano parts to help replace many of my original xylophone parts which had faded considerably. Despite the rough quality, I hope the sentiment conveys. (note: Neddu was a nickname my son was given during his infancy which should help explain the lyrics)

All music written and performed by Craig Durgy
Additional production rework and piano overdubs by Nat Daniels
©2025 Craig Durgy / Gentle Rain Records

Lyrics:  Written by Craig Durgy
You won’t need me as you walk out that door
These eighteen years were what a father’s for
But change is not an ending
You know that I’ll be sending my love

Can’t help but feel regrets, a childhood's gone
Lost chances sometimes hit as you move on
I guess that it’s just me though, 
It was just meant to be, so go
And I’ll watch Neddu grow

I still can see you, coming in this world
Red, blue and green, you cried, your flag unfurled
We played, explored together, 
And Mom how you upset her so
Just watching Neddu grow

That day you ran out in the pouring rain
And dashed head first to surf those flooded drains
The raging storm soon hid you
I wondered Ned where did you go

And still a glimpse of all our backyard games
Now all your friends converge, just not the same
I stand here washing dishes, a man here watching wishes blow
Away as Neddu grows

I still can see you, coming in this world
Red, blue and green, you cried, your flag unfurled
We played, explored together, 
And Mom how you upset her so
Just watching Neddu grow

Watching My Son Grow

After Heraklit*, this is the second soundscape made with a polyend tracker - a device  I like to refer to as a digital punchcard machine. The reasons for this naming choice are obvious to anyone old enough to remember actual punchcards. 

this upload also is an experiment in having an accompanying video - shot in a jittery, glitchy, seemingly careless, nouvelle-vague digital-punk-70s style: https://www.instagram.com/reel/DIgBYsTstBs/?utm_source=ig_web_button_share_sheet&igsh=MzRlODBiNWFlZA==

all of the sound, imagery, wording and poetry:  copyright jo richter

RELATIVE SUN

translating torsos, gestures and forces
timid embraces of cultural icons
mind's urban slacklines span fixes and fines
surgical lasers, mosses and lichen
kneel at the sabretooth altar - move on, never falter
don't feed from the baiters - don't give up trying

* https://soundcloud.com/sonic-textures/heraklit_01-wav?si=cf85782bca904f0483b286023143620f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Now, dear soundcloud, do tell me why this cannot be recommended?

relative sun

relative sun (a digital punchcard)

O-Parabellum

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

J-So Happy Things

Sanshu Seiso [Experimental Artist]