This track just autoplayed after one of my own...and the SoundCloud robots got it right! This a a really cool, funky  track with awesome musicianship!

Related tracks: Mild Case Of The Blues W/ Single Use & Recycled

Po prostu biegnę dalej(Epitafium dla miłości) / I just keep running(Epitaph for love)

It's a drums thing, it's a women talking thing...
“and there’s quite a lot of people there”

Drums Thing

Grooving a little over some of the great changes of Freddie Hubbard's immortal Red Clay


And thanks as always for your generous time listening, for you comments and shares

Red Clay - Jamie Rhind

A big Thank You to The Neighbor for playing this wonderful solo guitar

The picture shows an excerpt from:
After Andy Warhol, Sunday B Morning „The Scream - Green“ (after Edward Munch), 1967, printed later

Everything Liquifies

in
While only one wimper
Flies all the time
First still very, very fast
Then it settles down the line

In the meantime…		(2)

1
Some billion ys must have passed
Since we had that start
Since we saw at last
That we can fall so hard
In times of peace 
We treat the insane, 
While in times of war 
They govern us again

In the meantime
Everything liquifies

ref
It is revolving in the ether
It drains in the simple brains -
No or, no either
(or what of it remains)
Just drops into the simple brains

2
A decrease of viscosity
In former bound aggression
And the social cohesions
The glacier anyway
Everything liquifies
Is carried away 
By the great maelstrom
Tell me, 
Was it the same yesterday ?

In the meantime
Everything liquifies

ref
It is revolving in the ether
It drains in the simple brains -
No or, no either
(Or what of it remains)
Just drops into the simple brains

out
Like the sweetest sweetie, ahh
Like the ultimate candiest candy 
Sweet as can be...

Everything Liquifies (ft The Neighbor)

Recording sessions from 07/09/2023 - 09/09/2023.
4 tracks MOOG Modular (vst Arturia),
3 tracks Spark2 (vst Arturia),
1 track DX7 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
_______________________________________________________________________

In a basement completely sheltered from noise and the outside world, without telephones or internet, I was able to reasonably compose around fifteen titles without any interference. This isolation will remain a beneficial event in more than one way.

Dans un sous-sol complètement à l'abri du bruit et du monde extérieur, sans téléphone ni internet, j'ai pu raisonnablement composer une quinzaine de titres sans aucune interférence. Cet isolement restera un événement bénéfique à plus d’un titre.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

07-09-2023

07 09 2023

Kept this one simple (using the K.I.S.S. method lol) because I wanted this guys awesome vocals to shine!
Unfortunately, his current contract with the royalty free provider prohibits his name being mentioned - all I can say is that he is a very successful UK artist with an amazing voice.

Free download if you like it.

Photo by Ric Rodrigues

Thank you for listening ♥

Ex-Rated

L-As You Like That

Vocals, lyrics and remixing: Neons Gone Mad

Link to video: https://youtu.be/ILloHVJHH6c

A New Time - ft. Neons Gone Mad

Maspalomas

Sonic Structures and Silent Stretches a.k.a. Jo Richter (@sonic-textures) wrote a series of 13 poems or cantos collectively titled Departure. He shared the texts with me, Stonerjazz, and Re-Evolution Cafe Orchestra and we have been working on the project of bringing them alive with music and soundscapes. We are hoping more SC artists will join us! Please reach out if you're interested in doing a reading. Check out the full playlist of Cantos so far here: https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in

On this track, the poem is read by Jo. He also created much of the soundscape. I contributed the bassier and more synthetic sounding parts.

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

Departure: Canto IV w/ sonic structures and silent stretches

Re-reading Asimov's "Foundation" trilogy. It's not how I remember it. Anyway, I've tried to conjure up a cityscape with an element of loneliness, Terminus being on the periphery of the galaxy... A bit like us, I suppose.

The smooth sounding guitar is a Gibson Memphis 335.

The artwork is by guitfiddle on DeviantArt.com

Terminus

A song I wrote in 1992. It sat unused, until now. I thought it would be a good one for Cosmic Keanu’s amazing baritone. Hope you enjoy!

Cosmic Keanu: Vocal 
K2 and the Three: Acoustic guitars 

#Indie #Folk

Sixth Day Perfection-Cosmic Keanu/K2 and the Three

Cast of characters:
Surfers Like Us–@user-411502040–Artur–songwriting, foundational rhythm guitar

TexMex Shaman–@texmex-shaman–Stephen–sitar, mix, and production

J.J. Terrell–@j-j-terrell–electric piano, vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, vocals

Llanpsych–@llanpsych–Tez–lead guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass guitar, vocals

  This song started with Artur composing a brilliant, open piece on his guitar, and sending it to Josh. Josh put the bass down on top of Ken's banging drums, but it took him a while to be able to get this one for some reason. Once he and Ken were locked in, though, they knew they had it. JJ then sprinkled his electric keyboard magic, followed by Tez, who lights up the whole thing with his electric guitar wizardry. 
  At Artur's request, Ken, JJ, and Josh added the big harmony vocals, "See you soon, in a better world." Artur wanted this song to be about the need for peace in the world. Last, but certainly not least, Stephen added the sitar intro. He also accomplished the herculean task of mixing and producing the whole thing for us.
  This is another true team effort by the Eclectic Collective. We hope you enjoy listening to it as much as we enjoyed creating it.

See You Soon (In a Better World) (Surfers Like Us with Eclectic Collective)

Original by Kris Kristofferson 1972

All vocals : Janne Hennie

Why Me W/ Janne Hennie

Tony Pearson - Yamaha S03 Guitar Synthesizer
Produced, Arranged, Composed And Played By Tony Pearson
Recorded, Engineered, Mixed And Digital Editing
Studio One Recording Center
ARP Songs 2023, ARP Productions 2023, Sagi Music 2023

"Utopia" Dedicated To Jimi Hendrix, Ernie Isley, Ronnie Montrose, Donnie Dacus By Tony Pearson 8-12-23                   8-12-23

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

L-As You Like That

Sanshu Seiso [Experimental Artist]

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Donna Dior

©️osmic ®️atzzz

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