This song was written by Tez (Llanpsych)some years ago, I believe. he wrote it about a Loki-like trickster character. Little did he realize at the time that it applies perfectly to AI, too. So, with that in mind, we added the high harmonies to my vocals to give them a robotic quality. 
  Tez is also playing that ripping guitar you hear throughout. Ken (K2 and the Three, K2 and the Four) came up with perfect rocking drums for it, too, as always. He also arranged and helped me sing the oohs and aahs throughout, too. You'll hear me on the bass, organ, and vocals on this one. This is really Tez's song, though. We hope you like it.

Hello World (The Transatlantic Trio)

Instrumental: zzspicezz https://on.soundcloud.com/jMvvXMT5cA4zYKXx6
Lyrics and vocals: DelhyA


J’ai pas voulu entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu attendre qu’il gagne au fond de moi 
J’ai pas voulu l’ entendre, j’ai pas voulu l’recevoir.

Bébé du fond de moi, j’ai pas voulu l’recevoir 
J’ai pas voulu entendre, j’ai pas voulu l’ recevoir 
Tu sais qu’au fond de moi, j’ai pas voulu l’recevoir
J’ai pas voulu comprendre, j’ai pas voulu recevoir 

J’ai pas voulu d un présent que j’n’méritais pas
Même si t’étais un ange tombé des cieux pour moi
D une autre histoire qui tomberait à l’eau. De là
J’ai pas voulu entendre, j’ai pas voulu recevoir

J’ai pas voulu entendre, j ai pas voulu recevoir 

J’ai pas voulu l’entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu l’attendre 
J’ai pas voulu entendre, j’ai pas voulu recevoir.

J’ai pas voulu entendre, j’ai pas voulu recevoir 

J’ai pas voulu mais mes deux bras s’ouvraient déjà 
Mon coeur battait si fort, mes yeux ne voyaient pas 
Que si l’esprit résiste, je m’envolais déjà 
J’ai pas voulu entendre, j’ ai pas voulu recevoir 

Je n’ai jamais voulu voir
Que parmi mes fêlures, 
Ta lumière passait déjà…..


                                  I didn’t want 

I didn't want to hear from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for him to win inside me 
I didn't want to hear it, I didn't want to receive it

Baby deep inside me, I didn't want to receive it 
I didn't want to hear, I didn't want to receive it
You know that deep down, I didn't want to receive it 
I didn't want to understand, I didn't want to receive 

I didn't want a present that I didn't deserve 
Even if you were an angel fallen from heaven for me 
Another story that would fall apart. From this 
I didn't want to hear, I didn't want to receive 
I didn't want to hear, I didn't want to receive 

I didn't want to hear it from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for it
I didn't want to hear, I didn't want to receive
I didn't want to hear, I didn't want to receive 

I didn't want to but my two arms were already opening 
my heart was beating so hard, my eyes couldn't see 
That if the spirit resists, I was already flying away 
I didn't want to hear, I didn't want to receive 

I never wanted to see 
That among my cracks, 
your light was already shining…..

J'ai Pas Voulu (with zzspicezz🇸🇪)

Written, performed and recorded by  Neli CoKo, 2024, all rights reserved. 
I tried to create a real big space. Not easy! Thank you for listening :)

Now it´s time
Remember and release
Now it´s time
The pain will come and ease

Now it´s time
To get back on the ground
Now it´s time
Declutter what I found

I can´t believe it´s over, a new beginning
...

Now it´s time
To become innocent
Now it´s time
To live luminiscent

Now it´s time
To overcome the pain
Now it´s time
To let it all go down the drain

I can´t believe it´s over - a new beginning
...

New Beginnings

Neli CoKo - New Beginnings

A song about a long-distance relationship.

MAYBE SOMEDAY (c) JunkHeap Jan 26 2024

She loves him, he loves her.
Living far away from one another due to circumstance.
Occasions where they meet and their love blossoms.
The hardest time is being apart when you so want to see them.

She doesn't have the money, he's flat broke.
Travel seldom happens, but they won't flow apart.
So they speak through their phones;
work hard for the next time when they can hold each other, 
so, so close,
lost in the moment.

Their love it makes them work so much harder,
to live together and share their worlds.
Maybe someday, but not today.
 
The crescendo building 
near Iguazu Falls in Argentina,
that's where he wants to say the words to her.

She dreams of the quiet of an old growth forest in BC, 
let the trees share their wisdom, 
while they stare in each others eyes.
She's not going to lie, she melts when he looks deep.

Br.

Maybe someday.
Sippin’ hot chocolate on a train going to nowhere, 
holding hands...
Sleeping in on a rainy day, making sure not to plan anything, 
so difficult these days.
Their hearts feel, and they can dream.  
It'll happen where they can both meet, and be together,
be together, forever.
Maybe someday.

Their love it makes them work so much harder,
to live together and share their worlds.
Maybe someday, but not today.

uh, uh, uh ohh...

outro.

Maybe Someday

peter manto's Album

Velvet Screen

This is a track I created months ago. I think I had it posted for a second but then took it down to edit it some more. It totally has the sound i try and create so I figured its time to put it up and out. I hope you feel it as much as I do. All music, guitars and production done by this guy and his simple little set up. Turn it up and enjoy....

Down into it (Instrumental)

N-Techno Sick

Samples vocals : « When the magic dies » (Culture Code).

SCARS IN THE DARKNESS

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:


1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …


2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart


3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality


ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart


out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Xian 3 and Eclectic Collective)

un nouveau mix pour ce blues de 2023 (à écouter de préférence au casque ou écouteurs,  volume assez fort)

Blues on the skin

SERALP02: Satellite Era presents “Seedful Things (20th Anniversary Edition)” - a revival of perennial demos written in 2001-2005 by Julian La Brooy, best known as @hitori-tori

Out now on digital + limited edition CD: https://ffm.to/seralp02

For the first time ever, “Seedful Things” sees an official release two full decades after its conception. The 20th anniversary edition includes the original 13 tracks from the debut Hitori Tori album, along with four unreleased tracks written in the same time period. The CD version also features an exclusive hidden track unavailable on digital platforms.

The year was 2005 when Julian La Brooy finally decided to plant the seed of his newfound Hitori Tori project. Based in Japan at the time, he recorded a batch of promising demos onto a pack of CDs to ship out to record labels abroad. Nearly four years of studying the craft of balancing aggressive breakbeats with comforting melodies was compiled and ready to share with the world. After running into logistics issues at his local post office that prevented the CDs from traveling anywhere, La Brooy gifted the recorded demos to friends surrounding his artistic endeavors. Unbeknownst to him, the CD would eventually make it onto SoulSeek, an infamous peer-to-peer file sharing network where its community tends to influence the growth of rare and obscure music projects. Becoming a hit beneath the interweb, the album was eventually uploaded onto YouTube, gaining even more interest and becoming a cult classic within the niche of braindance enthusiasts.

It is our utmost honor to finally give Hitori Tori’s debut album a proper home. Welcome to the 20th anniversary edition of “Seedful Things” - a celebration of experimental electronic music through the passage of time, only made possible by the virtual crate diggers that fuel it. Each track’s arrangement has been left as is, with the only enhancements coming from the improved mastering technology in our arsenal two decades later. The album centered around the development of drill ‘n’ bass, familiarized by the legendary sounds of Warp and Planet Mu in the 90s. The subgenre serves as sort of a neutral zone between braindance, drum ‘n’ bass, trip-hop, and electronica. As breakcore began making its digital footprint, the high stakes, high tempo movement was immediately met with La Brooy displaying a warmer, more playful interpretation.

“Seedful Things” is a vibrant ecosystem of distinct species coexisting. Each intersection seems as leftfield on its own as it feels tightly woven, merging influences from the internet and La Brooy’s environment into one. In tracks like “Yutaka,” he sampled one of his Japanese students playing with toy trains in class, only to end the track with field recordings of a nearby train stop. There are plenty of moments throughout the album that are purely inspired by La Brooy’s routine commutes around Japan, surrounded by strangers with birds meandering above. Occasionally, a few wrong turns would lead him on a side quest - “Walls Of Shibuya” was written after purchasing tea at an undiscovered shop that led to mild hallucinations. The project is riddled with relics of a distant yet familiar past, like in “Breakfux Of Champions.” Here, he used samples from a contest held by Nautilis, the now defunct project of a household name in electronica, to create a glitched-out blend between hip-hop and breakbeat. La Brooy is also unafraid to pick up the microphone in “Ishibashi vs. Tennoji” and “Why You Drinking Booze?” as he turns simple interludes into displays of conscious rap, only with unconscious lyrics meant to be taken unseriously. Aside from the many crossovers, there are tracks that have certain recognizable styles, such as “Keihan Line” and “Aonepsco” taking on breaky drum ‘n’ bass aesthetics. “Stole My Tet” and “Chioal” provide lovers of trip-hop a nice place to roost, just before the album chaotic unwinds into the final few tracks previously unheard.

BUY / STREAM

Hitori Tori - Keihan Line (2025 Remaster)

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

N-Techno Sick

Sanshu Seiso [Experimental Artist]